Panasonic FZ2500 versus Panasonic LX10
The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Panasonic Lumix DMC-LX10 (labelled Panasonic LX15 in some countries) are two digital cameras that were revealed to the public in September 2016. Both the FZ2500 and the LX10 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic FZ2500 vs Panasonic LX10
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ2500 and the Panasonic LX10. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the FZ2500 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX10 is considerably smaller (55 percent) than the Panasonic FZ2500. Moreover, the LX10 is substantially lighter (66 percent) than the FZ2500. In this context, it is worth noting that neither the FZ2500 nor the LX10 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic FZ2500»||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic LX10«||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX10 was launched at a markedly lower price (by 42 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ2500 vs Panasonic LX10
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the FZ2500 and the LX10 have the same pixel density, as well as the same pixel size. Moreover, the two cameras were released in close succession, so that their sensors are from the same technological generation.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic FZ2500 vs Panasonic LX10
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic FZ2500 and Panasonic LX10 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||2000||5.0||Y||Y|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
Both the FZ2500 and the LX10 have zoom lenses build in. The FZ2500 has a 24-480mm f/2.8-4.5 optic and the LX10 offers a 24-72mm f/1.4-2.8 (focal lengths in full frame equivalent terms). Hence, the FZ2500 and LX10 provide the same view at the wide-angle end, but the LX10 has less tele-photo reach at the long end. The LX10 offers the faster maximum aperture.
Both the FZ2500 and the LX10 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The FZ2500 replaced the earlier Panasonic FZ1000, while the LX10 followed on from the Panasonic LX7.
Review summary: Panasonic FZ2500 vs Panasonic LX10
So what is the bottom line? Which of the two cameras – the Panasonic FZ2500 or the Panasonic LX10 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ2500:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (350 versus 260) on a single battery charge.
Reasons to prefer the Panasonic Lumix DMC-LX10:
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- More compact: Is smaller (106x60mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 605g or 66 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2500 comes out slightly ahead of the LX10 (5 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the FZ2500 and the LX10 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic FZ2500»||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic LX10«||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Kodak AZ901« »||-||-||-||-||3/5||Jan 2016||499|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349|
|Panasonic ZS200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449|
|Panasonic ZS100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-|
|Panasonic LX7« »||HiRec||75/100||4/5||5/5||4.5/5||Jul 2012||499||-|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to locate and add the respective data to the application.
- Canon 1300D vs Nikon D3
- Canon 6D Mark II vs Canon M5
- Canon G16 vs Canon G7 X
- Fujifilm X-E2 vs Panasonic LX100
- Nikon D3200 vs Fujifilm X-Pro1
- Panasonic FZ1000 vs Fujifilm X100T
- Panasonic LX100 vs Fujifilm X-T1
- Panasonic LX5 vs Panasonic FZ300
- Pentax K-1 vs Sony A7S
- Sony A77 vs Sony A7 III
- Sony A7R II vs Canon XC10
- Sony RX100 III vs Nikon D4S