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Panasonic FZ2500 vs G7

The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in September 2016 and May 2015. The FZ2500 is a fixed lens compact, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ2500) and a Four Thirds (G7) sensor. The FZ2500 has a resolution of 20 megapixels, whereas the G7 provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic FZ2500   Panasonic G7
Panasonic FZ2500 Panasonic G7
Fixed lens compact camera Mirrorless system camera
24-480mm f/2.8-4.5 Micro Four Thirds lenses
20 MP, 1" Sensor 15.8 MP, Four Thirds Sensor
4K/30p Video 4K/30p Video
ISO 125-12800 (80-25600) ISO 160-25600
Electronic viewfinder (2360k dots) Electronic viewfinder (2360k dots)
3.0" LCD, 1040k dots 3.0" LCD, 1040k dots
Swivel touchscreen Swivel touchscreen
12 shutter flaps per second 7 shutter flaps per second
350 shots per battery charge350 shots per battery charge
138 x 102 x 135 mm, 915 g 125 x 86 x 77 mm, 410 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2500 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic FZ2500 vs G7

The physical size and weight of the Panasonic FZ2500 and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the FZ2500 is only available in black.

Size Panasonic FZ2500 vs Panasonic G7
Compare FZ2500 versus G7 top
Comparison FZ2500 or G7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably smaller (24 percent) than the Panasonic FZ2500. In this context, it is worth noting that neither the FZ2500 nor the G7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the G7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G7 and their specifications in the Micro Four Thirds Lens Catalog.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ2500» 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2500
 
Panasonic G7« 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
 
Kodak AZ901« » 5.5 in 4.1 in 4.7 in 27.4 oz 400 n Jan 2016 499 i i Kodak AZ901
 
Leica V-LUX Typ 114« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Sep 2014 1,349 i i Leica V-LUX Typ 114
 
Panasonic FZ1000 II« » 5.4 in 3.8 in 5.2 in 28.6 oz 350 n Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic ZS70« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic ZS70
 
Panasonic FZ1000« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Jun 2014 899- i Panasonic FZ1000
 
Panasonic GM5« » 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
 
Panasonic G5« » 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
 
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 899- i Panasonic GH2
 
Sony RX100 VI« » 4.0 in 2.3 in 1.7 in 10.6 oz 240 n Jun 2018 1,199 i i Sony RX100 VI
 
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic FZ2500 vs G7

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ2500 features an one-inch sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the FZ2500 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

Panasonic FZ2500 and Panasonic G7 sensor measures

Despite having a smaller sensor, the Panasonic FZ2500 offers a higher resolution of 20 megapixels, compared with 15.8 MP of the Panasonic G7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the G7). However, it should be noted that the FZ2500 is a somewhat more recent model (by 1 year and 4 months) than the G7, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.

The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.

The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

FZ2500 versus G7 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic FZ2500» 1-inch 20.0 5472 36484K/30p----Panasonic FZ2500
 
Panasonic G7« Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
 
Kodak AZ901« » 1/2.3 20.2 5184 38881080/30p----Kodak AZ901
 
Leica V-LUX Typ 114« » 1-inch 20.0 5472 36484K/30p----Leica V-LUX Typ 114
 
Panasonic FZ1000 II« » 1-inch 20.0 5472 36484K/30p----Panasonic FZ1000 II
 
Panasonic ZS70« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic ZS70
 
Panasonic FZ1000« » 1-inch 20.0 5472 36484K/30p22.111.751764Panasonic FZ1000
 
Panasonic GM5« » Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
 
Panasonic G5« » Four Thirds 15.9 4608 34561080/60p----Panasonic G5
 
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2
 
Sony RX100 VI« » 1-inch 20.0 5472 36484K/30p----Sony RX100 VI
 
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
 
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
 
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Panasonic FZ2500 vs G7

Beyond body and sensor, cameras can and do differ across a range of features. The FZ2500 and the G7 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Panasonic FZ2500, the Panasonic G7, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic FZ2500»2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2500
 
Panasonic G7«2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Fujifilm X100F« »2360 n 3.0 1040 fixed n 1/4000s 8.0 Y n Fujifilm X100F
 
Kodak AZ901« »202 n 3.0 920 swivel n 1/2000s 5.0 Y Y Kodak AZ901
 
Leica V-LUX Typ 114« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »2360 n 3.0 1240 swivel Y 1/4000s 12.0 Y Y Panasonic FZ1000 II
 
Panasonic ZS70« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic ZS70
 
Panasonic FZ1000« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Panasonic FZ1000
 
Panasonic GM5« »1166 n 3.0 921 fixed Y 1/500s 5.8 n n Panasonic GM5
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GM1« »- n 3.0 1036 fixed Y 1/500s 5.0 Y n Panasonic GM1
 
Panasonic G5« »1440 n 3.0 920 swivel Y 1/4000s 6.0 Y n Panasonic G5
 
Panasonic GH2« »1534 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic GH2
 
Sony RX100 VI« »2359 n 3.0 1229 tilting Y 1/2000s 24.0 Y Y Sony RX100 VI
 
Sony RX100 V« »2359 n 3.0 1229 tilting n 1/2000s 24.0 Y Y Sony RX100 V
 
Sony RX10 II« »2359 Y 3.0 1229 tilting n 1/3200s 14.0 Y Y Sony RX10 II
 
Sony RX100 IV« »2359 n 3.0 1228 tilting n 1/2000s 16.0 Y Y Sony RX100 IV
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ2500 and the Panasonic G7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the FZ2500 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ2500 can use UHS-I cards (up to 104 MB/s).

 

Connectivity comparison: Panasonic FZ2500 vs G7

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic FZ2500»YstereomonoYYmicro2.0Y--Panasonic FZ2500
 
Panasonic G7«YstereomonoY-micro2.0Y--Panasonic G7
 
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
 
Kodak AZ901« »-stereomono--micro2.0Y--Kodak AZ901
 
Leica V-LUX Typ 114« »YstereomonoY-micro2.0YY-Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »Ystereomono--micro2.0Y-YPanasonic FZ1000 II
 
Panasonic ZS70« »-stereomono--micro2.0Y--Panasonic ZS70
 
Panasonic FZ1000« »YstereomonoY-micro2.0YY-Panasonic FZ1000
 
Panasonic GM5« »Ystereomono--micro2.0Y--Panasonic GM5
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
 
Panasonic G5« »Ystereomono--mini2.0---Panasonic G5
 
Panasonic GH2« »YstereomonoY-mini2.0---Panasonic GH2
 
Sony RX100 VI« »-stereomono--micro2.0YYYSony RX100 VI
 
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
 
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
 
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the G7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.


Review summary: Panasonic FZ2500 vs G7

So how do things add up? Which of the two cameras – the Panasonic FZ2500 or the Panasonic G7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.


Reasons to prefer the Panasonic Lumix DMC-FZ2500:

  • More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
  • Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has a lens built-in, whereas the G7 requires a separate lens.
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • More modern: Is somewhat more recent (announced 1 year and 4 months after the G7).


Arguments in favor of the Panasonic Lumix DMC-G7:

  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • More compact: Is smaller (125x86mm vs 138x102mm) and will fit more readily into a bag.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More heavily discounted: Has been on the market for longer (launched in May 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the G7 comes out slightly ahead of the FZ2500 (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

FZ2500 07:08 G7

How about other alternatives? Do the specifications of the Panasonic FZ2500 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ2500 and the G7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Panasonic FZ2500 vs G7

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ2500»+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2500
 
Panasonic G7«+ +80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Fujifilm X100F« »+83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
 
Kodak AZ901« »--3.5/5-3/5 Jan 2016 499 i i Kodak AZ901
 
Leica V-LUX Typ 114« »----5/5 Sep 2014 1,349 i i Leica V-LUX Typ 114
 
Panasonic FZ1000 II« »--4.5/5-4.5/5 Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic ZS70« »+ +-4/5-4/5 Apr 2017 449- i Panasonic ZS70
 
Panasonic FZ1000« »+ +82/1004.5/54.5/54.5/5 Jun 2014 899- i Panasonic FZ1000
 
Panasonic GM5« »+77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GM1« »+78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
 
Panasonic G5« »+ +-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
 
Panasonic GH2« »+ +79/1004.5/54.5/55/5 Sep 2010 899- i Panasonic GH2
 
Sony RX100 VI« »+ +83/1004/5-4.5/5 Jun 2018 1,199 i i Sony RX100 VI
 
Sony RX100 V« »+ +83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« »+ +82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« »+ +85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic FZ2500:
Check Amazon price
Panasonic G7:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic FZ2500 vs Panasonic G7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic FZ2500 Panasonic G7
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-480mm f/2.8-4.5 Micro Four Thirds lenses
    Launch Date September 2016 May 2015
    Launch Price USD 1199 USD 649
    Sensor Specs Panasonic FZ2500 Panasonic G7
    Sensor Technology BSI-CMOS CMOS
    Sensor Format 1" Sensor Four Thirds Sensor
    Sensor Size 13.2 x 8.8 mm 17.3 x 13.0 mm
    Sensor Area 116.16 mm2 224.9 mm2
    Sensor Diagonal 15.9 mm 21.6 mm
    Crop Factor 2.7x 2.0x
    Sensor Resolution 20 Megapixels 15.8 Megapixels
    Image Resolution 5472 x 3648 pixels 4592 x 3448 pixels
    Pixel Pitch 2.41 μm 3.77 μm
    Pixel Density 17.18 MP/cm2 7.04 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 125-12800 ISO 160-25600 ISO
    ISO Boost 80-25600 ISO no Enhancement
    Image Processor Venus Venus
    Screen Specs Panasonic FZ2500 Panasonic G7
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.74x 0.70x
    Viewfinder Resolution 2360k dots 2360k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 1040k dots 1040k dots
    LCD Attachment Swivel screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic FZ2500 Panasonic G7
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 12 shutter flaps/s 7 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-I UHS-II
    Connectivity Specs Panasonic FZ2500 Panasonic G7
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Body Specs Panasonic FZ2500 Panasonic G7
    Battery Type DMW-BLC12 power pack DMW-BLC12 power pack
    Battery Life (CIPA)350 shots per charge350 shots per charge
    Body Dimensions 138 x 102 x 135 mm
    (5.4 x 4.0 x 5.3 in)
    125 x 86 x 77 mm
    (4.9 x 3.4 x 3.0 in)
    Camera Weight 915 g (32.3 oz) 410 g (14.5 oz)

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