Panasonic FZ2500 vs FZ300
The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were officially introduced, respectively, in September 2016 and July 2015. Both the FZ2500 and the FZ300 are fixed lens compact cameras that are based on an one-inch (FZ2500) and a 1/2.3-inch (FZ300) sensor. The FZ2500 has a resolution of 20 megapixels, whereas the FZ300 provides 12 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic FZ2500||Panasonic FZ300|
|Fixed lens compact camera||Fixed lens compact camera|
|24-480mm f/2.8-4.5||25-600mm f/2.8|
|20 MP, 1" Sensor||12 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 100-6400|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Swivel touchscreen|
|12 shutter flaps per second||12 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||380 shots per battery charge|
|138 x 102 x 135 mm, 915 g||132 x 92 x 117 mm, 691 g|
Body comparison: Panasonic FZ2500 vs FZ300
An illustration of the physical size and weight of the Panasonic FZ2500 and the Panasonic FZ300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is notably smaller (14 percent) than the Panasonic FZ2500. Moreover, the FZ300 is markedly lighter (24 percent) than the FZ2500. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the FZ2500 does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ2500»||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ300«||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||Panasonic FZ300|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||-||Canon SX60|
|Fujifilm X100F« »||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||Fujifilm X100F|
|Kodak AZ901« »||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499||Kodak AZ901|
|Leica V-LUX Typ 114« »||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||137 mm||99 mm||131 mm||831 g||360||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS70« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ200« »||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic FZ100« »||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||-||Panasonic FZ100|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony RX100 V« »||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony HX400V« »||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499||Sony HX400V|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ300 was launched at a markedly lower price (by 50 percent) than the FZ2500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic FZ2500 vs FZ300
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ2500 features an one-inch sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the FZ2500 has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
With 20MP, the FZ2500 offers a higher resolution than the FZ300 (12MP), but the FZ2500 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ300) due to its larger sensor. Moreover, the FZ2500 is a somewhat more recent model (by 1 year and 2 months) than the FZ300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FZ2500»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic FZ300«||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Kodak AZ901|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic FZ2500 vs FZ300
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ2500 offers a substantially higher resolution than the one in the FZ300 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ2500, the Panasonic FZ300, and comparable cameras.
|Panasonic FZ2500»||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2500|
|Panasonic FZ300«||1440||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ300|
|Canon SX60« »||922||n||3.0||922||swivel||n||2000||6.4||Y||Y||Canon SX60|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n||Fujifilm X100F|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||2000||5.0||Y||Y||Kodak AZ901|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||2359||n||3.0||1250||swivel||Y||4000||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||4000||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||2000||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||2000||11.0||Y||Y||Panasonic FZ100|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony HX400V« »||210||n||3.0||921||tilting||n||4000||10.0||Y||Y||Sony HX400V|
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the FZ2500 and the FZ300 have zoom lenses built in. The FZ2500 has a 24-480mm f/2.8-4.5 optic and the FZ300 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the FZ2500 provides a wider angle of view at the short end than the FZ300, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the FZ2500 and the FZ300 write their files to SDXC cards.
Connectivity comparison: Panasonic FZ2500 vs FZ300
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ2500»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic FZ300«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Kodak AZ901« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Leica V-LUX Typ 114« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
Both the FZ2500 and the FZ300 are recent models that feature in their makers' current product line-up. The FZ300 replaced the earlier Panasonic FZ200, while the FZ2500 followed on from the Panasonic FZ1000.
Review summary: Panasonic FZ2500 vs FZ300
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ2500 and the Panasonic FZ300? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the FZ300).
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (132x92mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 224g or 24 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2500 emerges as the winner of the contest (10 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the FZ2500 or the FZ300 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic FZ2500 vs FZ300
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic FZ2500»||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ300«||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Canon SX60« »||HiRec||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Kodak AZ901« »||-||-||3.5/5||-||3/5||Jan 2016||499||Kodak AZ901|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||-||-||-||-||-||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ200« »||HiRec||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||HiRec||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic FZ100« »||Rec||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony HX400V« »||HiRec||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Panasonic FZ2500 vs Panasonic FZ300
|Camera Model||Panasonic FZ2500||Panasonic FZ300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-480mm f/2.8-4.5||25-600mm f/2.8|
|Launch Date||September 2016||July 2015|
|Launch Price||USD 1199||USD 599|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 8.8 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||1.53 μm|
|Pixel Density||17.18 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||100-6400 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLC12 power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||350 shots per charge||380 shots per charge|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||915 g (32.3 oz)||691 g (24.4 oz)|
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