Panasonic FZ2500 vs Canon M50

The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Canon EOS M50 are two digital cameras that were revealed to the public, respectively, in September 2016 and February 2018. The FZ2500 is a fixed lens compact, while the M50 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ2500) and an APS-C (M50) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Canon provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ2500		Canon M50
Fixed lens compact camera		Mirrorless system camera
24-480mm f/2.8-4.5		Canon EF-M mount lenses
20 MP – 1" sensor		24 MP – APS-C sensor
4K/30p Video		4K/24p Video
ISO 125-12,800 (80 - 25,600)		ISO 100-25,600 (100 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		10 shutter flaps per second
350 shots per battery charge		235 shots per battery charge
138 x 102 x 135 mm, 915 g		116 x 88 x 59 mm, 390 g

Check FZ2500 price at
amazon.com
Check M50 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2500 and the Canon EOS M50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic FZ2500 and the Canon M50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The M50 can be obtained in two different colors (black, white), while the FZ2500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M50 is notably smaller (27 percent) than the Panasonic FZ2500. In this context, it is worth noting that neither the FZ2500 nor the M50 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the M50 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the FZ2500 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the M50 can take 235 images on a single charge of its Canon LP-E12 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	1,199	amazon.com
2.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
3.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
4.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
5.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	529	ebay.com
6.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
7.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	499	ebay.com
8.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
9.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	529	ebay.com
10.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
11.		Panasonic LX10	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
12.		Panasonic ZS100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
13.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
14.		Sony RX10 III	133 mm	94 mm	127 mm	1051 g	420	Y	Mar 2016	1,499	ebay.com
15.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
16.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	1,299	ebay.com
17.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ2500 features an one-inch sensor and the Canon M50 an APS-C sensor. The sensor area in the M50 is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the M50 offers a higher resolution than the FZ2500 (20MP), but the M50 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the FZ2500) due to its larger sensor. Moreover, the M50 is a somewhat more recent model (by 1 year and 5 months) than the FZ2500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon M50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Canon EOS M50 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

In terms of underlying technology, the FZ2500 is build around a BSI-CMOS sensor, while the M50 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
2.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
3.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
4.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
5.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
6.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
7.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
8.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
9.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
10.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
11.		Panasonic LX10	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	581	70
12.		Panasonic ZS100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
13.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
14.		Sony RX10 III	1-inch	20.0	5472	3648	4K/30p	23.1	12.6	472	70
15.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
16.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
17.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a higher frame rate than the M50. It can shoot video footage at 4K/30p, while the Canon is limited to 4K/24p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The FZ2500 and the M50 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Panasonic FZ2500 and Canon M50 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
2.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
3.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
4.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
5.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
6.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
7.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
8.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
9.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
10.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
11.		Panasonic LX10	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
12.		Panasonic ZS100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
13.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
14.		Sony RX10 III	2359	Y	3.0 / 1229	tilting	n	1/2000s	14.0/s	Y	Y
15.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
16.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
17.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ2500 and the Canon M50 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the FZ2500 and the M50 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Canon EOS M50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
2.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
3.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
6.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
8.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
9.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Panasonic LX10	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic ZS100	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony RX10 III	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the M50 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the M50 was succeeded by the Canon M50 Mark II. Further information on the features and operation of the FZ2500 and M50 can be found, respectively, in the Panasonic FZ2500 Manual (free pdf) or the online Canon M50 Manual.

Review summary

So how do things add up? Which of the two cameras – the Panasonic FZ2500 or the Canon M50 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-FZ2500:

• Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Has a lens built-in, whereas the M50 requires a separate lens.
• Longer lasting: Can take more shots (350 versus 235) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More heavily discounted: Has been on the market for longer (launched in September 2016).

Arguments in favor of the Canon EOS M50:

• More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (116x88mm vs 138x102mm) and will fit more readily into a bag.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Was introduced somewhat (1 year and 5 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the M50 emerges as the winner of the match-up (10 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ2500 and the Canon M50 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ2500 or the M50 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	1,199	amazon.com
2.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
3.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
4.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
5.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	529	ebay.com
6.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
7.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	499	ebay.com
8.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
9.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	529	ebay.com
10.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
11.		Panasonic LX10	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
12.		Panasonic ZS100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
13.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
14.		Sony RX10 III	5/5	+	..	84/100	4.5/5	4.5/5	Mar 2016	1,499	ebay.com
15.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
16.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	1,299	ebay.com
17.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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