Panasonic FZ2500 versus Canon G7 X Mark II
The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Canon PowerShot G7 X Mark II are two digital cameras that were revealed to the public, respectively, in September 2016 and February 2016. Both the FZ2500 and the G7X Mark II are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic FZ2500 vs Canon G7 X Mark II
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ2500 and the Canon G7 X Mark II. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the FZ2500 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G7 X Mark II is considerably smaller (54 percent) than the Panasonic FZ2500. Moreover, the G7X Mark II is substantially lighter (65 percent) than the FZ2500. In this context, it is worth noting that neither the FZ2500 nor the G7X Mark II are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic FZ2500»||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Canon G7 X Mark II«||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a markedly lower price (by 42 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ2500 vs Canon G7 X Mark II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the FZ2500 and the G7X Mark II have the same pixel density, as well as the same pixel size. It should, however, be noted that the FZ2500 is a somewhat more recent model (by 7 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G7 X Mark II«||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ2500 provides a higher video resolution than the G7X Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic FZ2500 vs Canon G7 X Mark II
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic FZ2500 and Canon G7 X Mark II in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon G7 X Mark II«||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n|
|Canon M6« »||-||n||3.0||1040||tilting||Y||4000||9.0||Y||n|
|Canon M3« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||2000||5.0||Y||Y|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
Both the FZ2500 and the G7X Mark II have zoom lenses build in. The FZ2500 has a 24-480mm f/2.8-4.5 optic and the G7X Mark II offers a 24-100mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Canon provide the same view at the wide-angle end, but the Canon has less tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.
Both the FZ2500 and the G7X Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G7X Mark II replaced the earlier Canon G7 X, while the FZ2500 followed on from the Panasonic FZ1000.
Review summary: Panasonic FZ2500 vs Canon G7 X Mark II
So what is the bottom line? Is there a clear favorite between the Panasonic FZ2500 and the Canon G7 X Mark II? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (350 versus 265) on a single battery charge.
- More modern: Is somewhat more recent (announced 7 months after the G7X Mark II).
Arguments in favor of the Canon PowerShot G7 X Mark II:
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (106x61mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 596g or 65 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the FZ2500 emerges as the winner of the contest (8 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ2500 or the G7X Mark II handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic FZ2500»||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Canon G7 X Mark II«||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Canon M3« »||rev||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Kodak AZ901« »||-||-||-||-||3/5||Jan 2016||499|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449|
|Panasonic ZS100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.
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