Panasonic FZ2000 vs GX8
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Panasonic Lumix DMC-GX8 are two digital cameras that were officially introduced, respectively, in September 2016 and July 2015. The FZ2000 is a fixed lens compact, while the GX8 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ2000) and a Four Thirds (GX8) sensor. The FZ2000 has a resolution of 20 megapixels, whereas the GX8 provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2000 and the Panasonic Lumix DMC-GX8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ2000 and the Panasonic GX8 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX8 can be obtained in two different colors (black, silver), while the FZ2000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is notably smaller (26 percent) than the Panasonic FZ2000. It is noteworthy in this context that the GX8 is splash and dust-proof, while the FZ2000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the GX8 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX8 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|2.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|3.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|4.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499|
|5.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|6.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|7.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|8.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|9.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|10.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|11.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|12.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|14.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|15.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the FZ2000 has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
With 20.2MP, the GX8 offers a higher resolution than the FZ2000 (20MP), but the GX8 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the FZ2000) due to its larger sensor. However, the FZ2000 is a somewhat more recent model (by 1 year and 2 months) than the GX8, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The Panasonic Lumix DMC-FZ2000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX8 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|5.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|7.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|8.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|9.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|10.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|11.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|15.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The FZ2000 and the GX8 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Panasonic FZ2000 and Panasonic GX8 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic FZ2000||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|2.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|3.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|4.||Kodak AZ901||202||n||3.0 / 920||swivel||n||1/2000s||5.0||Y||Y|
|5.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|6.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|7.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|8.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|9.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|10.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|11.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|12.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|13.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|14.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|15.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The FZ2000 has one, while the GX8 does not. While the built-in flash of the FZ2000 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 and the Panasonic GX8 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ2000 and the GX8 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2000 and Panasonic Lumix DMC-GX8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ2000||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|2.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Kodak AZ901||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|6.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|10.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the GX8 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX8 was succeeded by the Panasonic GX9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic FZ2000 and the Panasonic GX8? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-FZ2000:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GX8 requires a separate lens.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the GX8).
Reasons to prefer the Panasonic Lumix DMC-GX8:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.74x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (133x78mm vs 138x102mm) and will fit more readily into a bag.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the GX8 is the clear winner of the contest (11 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2000 and the Panasonic GX8 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ2000 or the GX8 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ2000||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|2.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|3.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|4.||Kodak AZ901||..||..||..||..||3.5/5||3/5||Jan 2016||499|
|5.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349|
|6.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|7.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|8.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|9.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|10.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|11.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|12.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|13.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|14.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|15.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|16.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 600D vs Panasonic FZ2000
- Fujifilm X-T20 vs Panasonic FZ2000
- Nikon D5300 vs Panasonic GX8
- Nikon D6 vs Panasonic FZ2000
- Nikon D80 vs Panasonic GX8
- Panasonic FZ2000 vs Panasonic FZ330
- Panasonic FZ2000 vs Pentax 645D
- Panasonic FZ2000 vs Sony RX10 II
- Panasonic GF3 vs Panasonic GX8
- Panasonic GX8 vs Panasonic GX9
- Panasonic GX8 vs Ricoh GR II
- Panasonic GX8 vs Sony A68
Specifications: Panasonic FZ2000 vs Panasonic GX8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ2000||Panasonic GX8|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-480mm f/2.8-4.5||Micro Four Thirds lenses|
|Launch Date||September 2016||July 2015|
|Launch Price||USD 1,199||USD 1,199|
|Sensor Specs||Panasonic FZ2000||Panasonic GX8|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||3.34 μm|
|Pixel Density||17.18 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||80 - 25,600 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||..||75|
|DXO Color Depth (bits)||..||23.5|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||806|
|Screen Specs||Panasonic FZ2000||Panasonic GX8|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic FZ2000||Panasonic GX8|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ2000||Panasonic GX8|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ2000||Panasonic GX8|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||330 shots per charge|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
133 x 78 x 63 mm
(5.2 x 3.1 x 2.5 in)
|Camera Weight||915 g (32.3 oz)||487 g (17.2 oz)|
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