Panasonic FZ2000 versus Fujifilm X100F
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Fujifilm X100F are two digital cameras that were officially introduced, respectively, in September 2016 and January 2017. Both the FZ2000 and the X100F are fixed lens compact cameras that are based on an one-inch (FZ2000) and an APS-C (X100F) sensor. The Panasonic has a resolution of 20 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic FZ2000 vs Fujifilm X100F
An illustration of the physical size and weight of the Panasonic FZ2000 and the Fujifilm X100F is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the FZ2000 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X100F is considerably smaller (32 percent) than the Panasonic FZ2000. Moreover, the X100F is substantially lighter (49 percent) than the FZ2000. In this context, it is worth noting that neither the FZ2000 nor the X100F are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic FZ2000»||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Fujifilm X100F«||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||-|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ2000 was somewhat cheaper (by 8 percent) than the X100F at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ2000 vs Fujifilm X100F
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Fujifilm X100F an APS-C sensor. The sensor area in the X100F is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X100F offers a higher resolution than the FZ2000 (20MP), but the X100F nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the FZ2000) due to its larger sensor. Moreover, the X100F is a somewhat more recent model (by 4 months) than the FZ2000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X100F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X100« »||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2000 provides a higher video resolution than the X100F. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison: Panasonic FZ2000 vs Fujifilm X100F
Beyond body and sensor, cameras can and do differ across a range of features. The FZ2000 and the X100F are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Panasonic FZ2000 and Fujifilm X100F in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||2000||9.0||Y||Y|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||2000||6.0||Y||Y|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n|
|Fujifilm X100« »||1440||n||2.8||460||fixed||n||4000||5.0||Y||n|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||2000||5.0||Y||Y|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
The FZ2000 is equipped with a zoom lens, while the X100F comes with a build-in prime. The FZ2000 has a 24-480mm f/2.8-4.5 optic and the X100F offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The X100F offers the faster maximum aperture.
Both the FZ2000 and the X100F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The FZ2000 replaced the earlier Panasonic FZ1000, while the X100F followed on from the Fujifilm X100T.
Review summary: Panasonic FZ2000 vs Fujifilm X100F
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ2000 or the Fujifilm X100F – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-FZ2000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Advantages of the Fujifilm X100F:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (127x75mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 446g or 49 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (390 versus 350) out of a single battery charge.
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (8 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ2000 or the X100F handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic FZ2000»||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Fujifilm X100F«||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Canon G1 X Mark III« »||Rec||79/100||4.5/5||-||4.5/5||Oct 2017||1,299|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon G9 X« »||HiRec||-||4.5/5||4/5||4.5/5||Oct 2015||529||-|
|Fujifilm X-T100« »||-||-||-||-||-||May 2018||599|
|Fujifilm X100« »||-||75/100||4/5||4/5||5/5||Sep 2010||1,199||-|
|Kodak AZ901« »||-||-||-||-||3/5||Jan 2016||499|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-|
|Sony RX100 VI« »||-||83/100||-||-||-||Jun 2018||1,199|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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