Panasonic FZ2000 vs Canon T7i
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Canon EOS Rebel T7i (labelled Canon 800D in some countries) are two digital cameras that were revealed to the public, respectively, in September 2016 and February 2017. The FZ2000 is a fixed lens compact, while the T7i is a DSLR. The cameras are based on an one-inch (FZ2000) and an APS-C (T7i) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Canon provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2000 and the Canon EOS Rebel T7i? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ2000 and the Canon T7i. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T7i is notably smaller (7 percent) than the Panasonic FZ2000. In this context, it is worth noting that neither the FZ2000 nor the T7i are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the T7i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T7i and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the FZ2000 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the T7i can take 600 images on a single charge of its Canon LP-E17 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
2. | Canon T7i | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
3. | Canon T8i | 131 mm | 103 mm | 76 mm | 515 g | 800 | n | Feb 2020 | 749 | ebay.com | |
4. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
5. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
6. | Canon T6i | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | 749 | ebay.com | |
7. | Canon T5i | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | 649 | ebay.com | |
8. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
9. | Kodak AZ901 | 139 mm | 104 mm | 119 mm | 777 g | 400 | n | Jan 2016 | 499 | amazon.com | |
10. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
11. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | 899 | amazon.com | |
12. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
13. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
14. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
15. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
16. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Canon T7i an APS-C sensor. The sensor area in the T7i is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the T7i offers a higher resolution than the FZ2000 (20MP), but the T7i nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the FZ2000) due to its larger sensor. Moreover, the T7i is a somewhat more recent model (by 4 months) than the FZ2000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon T7i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T7i for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2000 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The T7i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-FZ2000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Canon EOS Rebel T7i are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
In terms of underlying technology, the FZ2000 is build around a BSI-CMOS sensor, while the T7i uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
2. | Canon T7i | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
3. | Canon T8i | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.5 | 1873 | 83 | |
4. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
5. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
6. | Canon T6i | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
7. | Canon T5i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
8. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
9. | Kodak AZ901 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.3 | 11.7 | 806 | 48 | |
10. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
11. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.4 | 546 | 65 | |
12. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
13. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
14. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
15. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
16. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2000 provides a higher video resolution than the T7i. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), while the T7i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2000 offers a wider field of view (100%) than the one in the T7i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2000 has a higher magnification (0.74x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic FZ2000 and Canon T7i in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
2. | Canon T7i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Canon T8i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.5/s | Y | n | |
4. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
6. | Canon T6i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
7. | Canon T5i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
8. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
9. | Kodak AZ901 | 202 | n | 3.0 / 920 | swivel | n | 1/2000s | 5.0/s | Y | Y | |
10. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic FZ1000 II | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
12. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
13. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
14. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
15. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ2000 and the T7i write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2000 and Canon EOS Rebel T7i and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
2. | Canon T7i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
3. | Canon T8i | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
4. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon T6i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Canon T5i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
9. | Kodak AZ901 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Panasonic FZ1000 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the T7i has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the T7i was succeeded by the Canon T8i. Further information on the features and operation of the FZ2000 and T7i can be found, respectively, in the Panasonic FZ2000 Manual (free pdf) or the online Canon T7i Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ2000 or the Canon T7i – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ2000:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.51x).
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the T7i requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Reasons to prefer the Canon EOS Rebel T7i:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (600 versus 350) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the T7i comes out slightly ahead of the FZ2000 (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2000 and the Canon T7i place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FZ2000 and the T7i in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
2. | Canon T7i | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
3. | Canon T8i | 4.5/5 | + | 3/5 | 80/100 | 4/5 | 3.5/5 | Feb 2020 | 749 | ebay.com | |
4. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
5. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
6. | Canon T6i | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
7. | Canon T5i | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | 649 | ebay.com | |
8. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
9. | Kodak AZ901 | .. | .. | .. | .. | 3.5/5 | 3/5 | Jan 2016 | 499 | amazon.com | |
10. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
11. | Panasonic FZ1000 II | .. | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | amazon.com | |
12. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
13. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
14. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
15. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
16. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon SX420 vs Canon T7i
- Canon T5i vs Canon T7i
- Canon T7i vs Fujifilm X-S10
- Canon T7i vs Leica S3
- Canon T7i vs Sony A6100
- Canon T7i vs Sony A6300
- Nikon 1 V3 vs Panasonic FZ2000
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Specifications: Panasonic FZ2000 vs Canon T7i
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FZ2000 | Canon T7i |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-480mm f/2.8-4.5 | Canon EF mount lenses |
Launch Date | September 2016 | February 2017 |
Launch Price | USD 1,199 | USD 749 |
Sensor Specs | Panasonic FZ2000 | Canon T7i |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 22.3 x 14.9 mm |
Sensor Area | 116.16 mm2 | 332.27 mm2 |
Sensor Diagonal | 15.9 mm | 26.8 mm |
Crop Factor | 2.7x | 1.6x |
Sensor Resolution | 20 Megapixels | 24 Megapixels |
Image Resolution | 5472 x 3648 pixels | 6000 x 4000 pixels |
Pixel Pitch | 2.41 μm | 3.72 μm |
Pixel Density | 17.18 MP/cm2 | 7.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 25,600 ISO |
ISO Boost | 80 - 25,600 ISO | 100 - 51,200 ISO |
Image Processor | Venus | DIGIC 7 |
DXO Sensor Quality (score) | 70 | .. |
DXO Color Depth (bits) | 23 | .. |
DXO Dynamic Range (EV) | 12.6 | .. |
DXO Low Light (ISO) | 538 | .. |
Screen Specs | Panasonic FZ2000 | Canon T7i |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.74x | 0.51x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic FZ2000 | Canon T7i |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 6 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic FZ2000 | Canon T7i |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic FZ2000 | Canon T7i |
Battery Type | Panasonic DMW-BLC12 | Canon LP-E17 |
Battery Life (CIPA) | 350 shots per charge | 600 shots per charge |
Body Dimensions |
138 x 102 x 135 mm (5.4 x 4.0 x 5.3 in) |
131 x 100 x 76 mm (5.2 x 3.9 x 3.0 in) |
Camera Weight | 915 g (32.3 oz) | 532 g (18.8 oz) |
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