Panasonic FZ2000 vs Canon 1D
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Canon EOS-1D are two digital cameras that were announced, respectively, in September 2016 and September 2001. The FZ2000 is a fixed lens compact, while the 1D is a DSLR. The cameras are based on an one-inch (FZ2000) and an APS-H (1D) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Canon provides 4.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2000 and the Canon EOS-1D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic FZ2000 and the Canon 1D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D is considerably larger (75 percent) than the Panasonic FZ2000. It is noteworthy in this context that the 1D is splash and dust-proof, while the FZ2000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the 1D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the FZ2000 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the 1D can take 500 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1D has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
2. | Canon 1D | 156 mm | 158 mm | 80 mm | 1585 g | 500 | Y | Sep 2001 | 6,499 | ebay.com | |
3. | Canon 1D Mark II | 156 mm | 158 mm | 80 mm | 1535 g | 1200 | Y | Jan 2004 | 4,499 | ebay.com | |
4. | Canon 1D C | 158 mm | 164 mm | 83 mm | 1545 g | 1120 | Y | Apr 2012 | 14,999 | ebay.com | |
5. | Canon 1D X | 158 mm | 168 mm | 83 mm | 1551 g | 1120 | Y | Oct 2011 | 6,799 | ebay.com | |
6. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
7. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
8. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
9. | Kodak AZ901 | 139 mm | 104 mm | 119 mm | 777 g | 400 | n | Jan 2016 | 499 | amazon.com | |
10. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
11. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
12. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | 899 | amazon.com | |
13. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
14. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
15. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
16. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
17. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2000 was launched at a lower price than the 1D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Canon 1D an APS-H sensor. The sensor area in the 1D is 372 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.3. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Panasonic FZ2000 offers a higher resolution of 20 megapixels, compared with 4.1 MP of the Canon 1D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 11.56μm for the 1D). However, it should be noted that the FZ2000 is much more recent (by 14 years and 11 months) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon 1D are 12.5 x 8.3 inches or 31.7 x 21.1 cm for good quality, 10 x 6.6 inches or 25.4 x 16.9 cm for very good quality, and 8.3 x 5.5 inches or 21.1 x 14.1 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ2000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Canon EOS-1D are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
In terms of underlying technology, the FZ2000 is build around a BSI-CMOS sensor, while the 1D uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
2. | Canon 1D | APS-H | 4.1 | 2496 | 1662 | none | .. | .. | .. | .. | |
3. | Canon 1D Mark II | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.1 | 1003 | 66 | |
4. | Canon 1D C | Full Frame | 17.9 | 5184 | 3456 | 4K/24p | 24.3 | 13.0 | 2155 | 85 | |
5. | Canon 1D X | Full Frame | 17.9 | 5184 | 3456 | 1080/30p | 23.8 | 11.8 | 2786 | 82 | |
6. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
7. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
8. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
9. | Kodak AZ901 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.3 | 11.7 | 806 | 48 | |
10. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
11. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
12. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.4 | 546 | 65 | |
13. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
14. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
15. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
16. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
17. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ2000 indeed provides movie recording capabilities, while the 1D does not. The highest resolution format that the FZ2000 can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), while the 1D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ2000 has a higher magnification than the one of the 1D (0.74x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic FZ2000 and Canon 1D in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
2. | Canon 1D | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 8.0/s | n | n | |
3. | Canon 1D Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 8.3/s | n | n | |
4. | Canon 1D C | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
5. | Canon 1D X | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
6. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
7. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
8. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
9. | Kodak AZ901 | 202 | n | 3.0 / 920 | swivel | n | 1/2000s | 5.0/s | Y | Y | |
10. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
12. | Panasonic FZ1000 II | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
13. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
14. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
16. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
17. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The FZ2000 has one, while the 1D does not. While the built-in flash of the FZ2000 is not very powerful, it can at times be useful as a fill-in light.
The FZ2000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 1D does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ2000 writes its imaging data to SDXC cards, while the 1D uses Compact Flash cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2000 and Canon EOS-1D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
2. | Canon 1D | Y | - / - | - | - | - | FW | - | - | - | |
3. | Canon 1D Mark II | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 1D C | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
5. | Canon 1D X | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
6. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
7. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
8. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
9. | Kodak AZ901 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Panasonic FZ1000 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
14. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the FZ2000 offers wifi support, while the 1D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 1D (unlike the FZ2000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1D was succeeded by the Canon 1D Mark II. Further information on the features and operation of the FZ2000 and 1D can be found, respectively, in the Panasonic FZ2000 Manual (free pdf) or the online Canon 1D Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ2000 or the Canon 1D – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-FZ2000:
- More detail: Offers more megapixels (20 vs 4.1MP) with a 119% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the 1D requires a separate lens.
- More compact: Is smaller (138x102mm vs 156x158mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 1D).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 14 years and 11 months of technical progress since the 1D launch.
Advantages of the Canon EOS-1D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (500 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2001).
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2000 is the clear winner of the match-up (20 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2000 and the Canon 1D place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FZ2000 and the 1D in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ2000 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
2. | Canon 1D | .. | .. | .. | + + | .. | .. | Sep 2001 | 6,499 | ebay.com | |
3. | Canon 1D Mark II | .. | .. | .. | + + | .. | .. | Jan 2004 | 4,499 | ebay.com | |
4. | Canon 1D C | .. | .. | .. | .. | .. | .. | Apr 2012 | 14,999 | ebay.com | |
5. | Canon 1D X | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2011 | 6,799 | ebay.com | |
6. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
7. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
8. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
9. | Kodak AZ901 | .. | .. | .. | .. | 3.5/5 | 3/5 | Jan 2016 | 499 | amazon.com | |
10. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
11. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
12. | Panasonic FZ1000 II | .. | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | amazon.com | |
13. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
14. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
15. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
16. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
17. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark III vs Panasonic FZ2000
- Canon 1D vs Fujifilm X-T2
- Canon 1D vs Fujifilm X70
- Canon 1D vs Leica M9
- Canon 1D vs Nikon D700
- Canon 1D vs Panasonic FZ82
- Canon 1D vs Sony A7S II
- Canon T7i vs Panasonic FZ2000
- Leica S2 vs Panasonic FZ2000
- Leica X Typ 113 vs Panasonic FZ2000
- Nikon D3 vs Panasonic FZ2000
- Panasonic FZ2000 vs Ricoh GR
Specifications: Panasonic FZ2000 vs Canon 1D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FZ2000 | Canon 1D |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-480mm f/2.8-4.5 | Canon EF mount lenses |
Launch Date | September 2016 | September 2001 |
Launch Price | USD 1,199 | USD 6,499 |
Sensor Specs | Panasonic FZ2000 | Canon 1D |
Sensor Technology | BSI-CMOS | CCD |
Sensor Format | 1" Sensor | APS-H Sensor |
Sensor Size | 13.2 x 8.8 mm | 28.7 x 19.1 mm |
Sensor Area | 116.16 mm2 | 548.17 mm2 |
Sensor Diagonal | 15.9 mm | 34.5 mm |
Crop Factor | 2.7x | 1.3x |
Sensor Resolution | 20 Megapixels | 4.1 Megapixels |
Image Resolution | 5472 x 3648 pixels | 2496 x 1662 pixels |
Pixel Pitch | 2.41 μm | 11.56 μm |
Pixel Density | 17.18 MP/cm2 | 0.76 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 125 - 12,800 ISO | 200 - 1,600 ISO |
ISO Boost | 80 - 25,600 ISO | 100 - 3,200 ISO |
Image Processor | Venus | DIGIC |
DXO Sensor Quality (score) | 70 | .. |
DXO Color Depth (bits) | 23 | .. |
DXO Dynamic Range (EV) | 12.6 | .. |
DXO Low Light (ISO) | 538 | .. |
Screen Specs | Panasonic FZ2000 | Canon 1D |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.74x | 0.55x |
Viewfinder Resolution | 2360k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1040k dots | 120k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic FZ2000 | Canon 1D |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 8 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Panasonic FZ2000 | Canon 1D |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | Firewire |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Panasonic FZ2000 | Canon 1D |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BLC12 | Canon NP-E3 |
Battery Life (CIPA) | 350 shots per charge | 500 shots per charge |
Body Dimensions |
138 x 102 x 135 mm (5.4 x 4.0 x 5.3 in) |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
Camera Weight | 915 g (32.3 oz) | 1585 g (55.9 oz) |
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