Panasonic FZ200 vs S1H

The Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DC-S1H are two digital cameras that were officially introduced, respectively, in July 2012 and May 2019. The FZ200 is a fixed lens compact, while the S1H is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ200) and a full frame (S1H) sensor. The FZ200 has a resolution of 12 megapixels, whereas the S1H provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ200		Panasonic S1H
Fixed lens compact camera		Mirrorless system camera
25-600mm f/2.8		Leica L mount lenses
12 MP – 1/2.3" sensor		24 MP – Full Frame sensor
1080/60p Video		6K/30p Video
ISO 100-3,200 (100 - 6,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (1312k dots)		Electronic viewfinder (5760k dots)
3.0" LCD – 460k dots		3.2" LCD – 2330k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
12 shutter flaps per second		9 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
540 shots per battery charge		400 shots per battery charge
125 x 87 x 110 mm, 588 g		151 x 114 x 110 mm, 1052 g

Check FZ200 offers at
ebay.com
Check S1H price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DC-S1H? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic FZ200 and the Panasonic S1H is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1H is considerably larger (58 percent) than the Panasonic FZ200. It is noteworthy in this context that the S1H is splash and dust-proof, while the FZ200 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the S1H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the FZ200 gets 540 shots out of its Panasonic DMW-BLC12 battery, while the S1H can take 400 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1H can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
2.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	3,999	amazon.com
3.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
4.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
5.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	4,895	amazon.com
6.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
7.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	949	ebay.com
8.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
9.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
10.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
11.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	499	ebay.com
12.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
13.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
14.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
16.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
17.		Sigma fp	113 mm	70 mm	45 mm	422 g	280	Y	Jul 2019	1,899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ200 was launched at a lower price than the S1H, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ200 features a 1/2.3-inch sensor and the Panasonic S1H a full frame sensor. The sensor area in the S1H is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ200 has a native 4:3 aspect ratio, while the one in the S1H offers a 3:2 aspect.

With 24MP, the S1H offers a higher resolution than the FZ200 (12MP), but the S1H nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the S1H is a much more recent model (by 6 years and 10 months) than the FZ200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1H implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1H for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the FZ200, the S1H has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-FZ200 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DC-S1H are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the FZ200 is build around a BSI-CMOS sensor, while the S1H uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
2.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
3.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
4.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
5.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
6.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
7.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
8.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
9.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
10.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
11.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
12.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
13.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
14.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
17.		Sigma fp	Full Frame	24.0	6000	4000	4K/30p	25.2	14.2	2829	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1H provides a better video resolution than the FZ200. It can shoot movie footage at 6K/30p, while the FZ200 is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1H offers a substantially higher resolution than the one in the FZ200 (5760k vs 1312k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ200, the Panasonic S1H, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
2.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
3.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
4.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
5.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
6.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
7.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
8.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
9.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
10.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
11.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
12.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
14.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
17.		Sigma fp	optional	n	3.2 / 2100	fixed	Y	1/8000s	12.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ200 has one, while the S1H does not. While the built-in flash of the FZ200 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1H is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1H has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the FZ200 and the S1H write their files to SDXC cards. The S1H features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ200 only has one slot. The S1H supports UHS-II cards (on both slots), while the FZ200 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ200 and Panasonic Lumix DC-S1H and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
10.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
11.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
12.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Sigma fp	Y	stereo / mono	Y	-	micro	3.1	-	-	-

It is notable that the S1H offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ200 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic S1H (unlike the FZ200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1H is a recent model that features in the current product line-up of Panasonic. In contrast, the FZ200 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the FZ200 was succeeded by the Panasonic FZ300. Further information on the features and operation of the FZ200 and S1H can be found, respectively, in the Panasonic FZ200 Manual (free pdf) or the online Panasonic S1H Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ200 and the Panasonic S1H? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-FZ200:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the S1H requires a separate lens.
• More compact: Is smaller (125x87mm vs 151x114mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1H).
• Longer lasting: Can take more shots (540 versus 400) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2012).

Arguments in favor of the Panasonic Lumix DC-S1H:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/30p vs 1080/60p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1312k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2330k vs 460k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 10 months of technical progress since the FZ200 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S1H is the clear winner of the contest (29 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ200 and the Panasonic S1H place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ200 or the S1H perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
2.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	3,999	amazon.com
3.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
4.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
5.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	4,895	amazon.com
6.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
7.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	949	ebay.com
8.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
9.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
10.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
11.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	499	ebay.com
12.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
13.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
14.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
16.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
17.		Sigma fp	4/5	..	4/5	..	4/5	4.5/5	Jul 2019	1,899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Check S1H price at
amazon.com

Other camera comparisons

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