Panasonic FZ200 vs LX5
The Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in July 2012 and July 2010. Both the FZ200 and the LX5 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ200) and a 1/1.7-inch (LX5) sensor. The FZ200 has a resolution of 12 megapixels, whereas the LX5 provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ200||Panasonic LX5|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8||24-90mm f/2.0-3.3|
|12 MP, 1/2.3" Sensor||10 MP, 1/1.7" Sensor|
|1080/60p Video||720/60p Video|
|ISO 100-3200 (100-6400)||ISO 80-3200 (80-12800)|
|Electronic viewfinder (1312k dots)||Viewfinder optional|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||2.5 shutter flaps per second|
|540 shots per battery charge||400 shots per battery charge|
|125 x 87 x 110 mm, 588 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FZ200 vs LX5
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ200 and the Panasonic LX5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the FZ200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (34 percent) than the Panasonic FZ200. Moreover, the LX5 is substantially lighter (54 percent) than the FZ200. In this context, it is worth noting that neither the FZ200 nor the LX5 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ200»||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX5«||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FZ300« »||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Panasonic LF1« »||4.1 in||2.4 in||1.1 in||6.8 oz||250||n||Apr 2013||499||Panasonic LF1|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||-||Panasonic FZ100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX5 was launched at a somewhat lower price (by 17 percent) than the FZ200, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ200 vs LX5
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ200 features a 1/2.3-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.4. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Panasonic FZ200 offers a higher resolution of 12 megapixels, compared with 10 MP of the Panasonic LX5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 2.14μm for the LX5). However, it should be noted that the FZ200 is a somewhat more recent model (by 1 year and 11 months) than the LX5, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ200 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ200 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the LX5 has a markedly higher DXO score than the FZ200 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic FZ200»||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX5«||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic FZ300« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Panasonic LF1« »||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ200 provides a higher video resolution than the LX5. It can shoot video footage at 1080/60p, while the LX5 is limited to 720/60p.
Feature comparison: Panasonic FZ200 vs LX5
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ200 has an electronic viewfinder (1312k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic FZ200 and Panasonic LX5 in connection with corresponding information for a sample of similar cameras.
|Panasonic FZ200»||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX5«||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic FZ300« »||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Panasonic LF1« »||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
Both the FZ200 and the LX5 have zoom lenses built in. The FZ200 has a 25-600mm f/2.8-2.8 optic and the LX5 offers a 24-90mm f/2.0-3.3 (focal lengths in full frame equivalent terms). Hence, the LX5 provides a wider angle of view at the short end than the FZ200, but less tele-photo reach at the long end. The LX5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ200 and the LX5 write their files to SDXC cards. The FZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Panasonic FZ200 vs LX5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ200 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ200»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX5«||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic FZ300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Panasonic LF1« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
It is notable that the FZ200 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the FZ200 and the LX5 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the FZ200 was followed by the Panasonic FZ300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic FZ200 vs LX5
So how do things add up? Is there a clear favorite between the Panasonic FZ200 and the Panasonic LX5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-FZ200:
- More detail: Offers more megapixels (12 vs 10MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (1080/60p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (540 versus 400) on a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the LX5).
Advantages of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (110x65mm vs 125x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 317g or 54 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ200 emerges as the winner of the contest (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ200 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ200 or the LX5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic FZ200 vs LX5
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ200»||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX5«||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FZ300« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Panasonic LF1« »||+||-||4/5||-||4.5/5||Apr 2013||499||Panasonic LF1|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic FZ100« »||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Panasonic LX5
- Canon 400D vs Panasonic FZ200
- Canon 80D vs Panasonic FZ200
- Canon G7 X Mark II vs Panasonic LX5
- Canon M5 vs Panasonic FZ200
- Fujifilm GFX 50R vs Panasonic LX5
- Fujifilm X30 vs Panasonic LX5
- Leica V-LUX Typ 114 vs Panasonic FZ200
- Panasonic FZ200 vs Panasonic FZ330
- Panasonic FZ200 vs Panasonic ZS100
- Panasonic GF3 vs Panasonic LX5
- Panasonic LX5 vs Sony RX100 VI
Specifications: Panasonic FZ200 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ200||Panasonic LX5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8||24-90mm f/2.0-3.3|
|Launch Date||July 2012||July 2010|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Panasonic FZ200||Panasonic LX5|
|Sensor Format||1/2.3" Sensor||1/1.7" Sensor|
|Sensor Size||6.17 x 4.55 mm||7.85 x 5.89 mm|
|Sensor Area||28.0735 mm2||46.2365 mm2|
|Sensor Diagonal||7.7 mm||9.8 mm|
|Sensor Resolution||12 Megapixels||10 Megapixels|
|Image Resolution||4000 x 3000 pixels||3648 x 2736 pixels|
|Pixel Pitch||1.53 μm||2.14 μm|
|Pixel Density||42.74 MP/cm2||21.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/60p Video|
|ISO Setting||100-3200 ISO||80-3200 ISO|
|ISO Boost||100-6400 ISO||80-12800 ISO|
|Image Processor||Venus VII FHD||Venus FHD|
|DXO Sensor Quality (score)||37||41|
|DXO Color Depth (bits)||19.1||19.6|
|DXO Dynamic Range (EV)||10.8||10.8|
|DXO Low Light (ISO)||114||132|
|Screen Specs||Panasonic FZ200||Panasonic LX5|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1312k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ200||Panasonic LX5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||12 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic FZ200||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic FZ200||Panasonic LX5|
|Battery Type||DMW-BLC12 power pack||DMW-BCJ13 power pack|
|Battery Life (CIPA)||540 shots per charge||400 shots per charge|
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||588 g (20.7 oz)||271 g (9.6 oz)|
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