Panasonic FZ200 vs GH4
The Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-GH4 are two digital cameras that were announced, respectively, in July 2012 and February 2014. The FZ200 is a fixed lens compact, while the GH4 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ200) and a Four Thirds (GH4) sensor. The FZ200 has a resolution of 12 megapixels, whereas the GH4 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-GH4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ200 and the Panasonic GH4. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is notably larger (14 percent) than the Panasonic FZ200. It is noteworthy in this context that the GH4 is splash and dust-proof, while the FZ200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the GH4 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH4 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|2.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|5.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|6.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|7.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|8.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|9.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|10.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|11.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|12.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|13.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|14.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ200 was launched at a lower price than the GH4, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ200 features a 1/2.3-inch sensor and the Panasonic GH4 a Four Thirds sensor. The sensor area in the GH4 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.9MP, the GH4 offers a higher resolution than the FZ200 (12MP), but the GH4 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the GH4 is a somewhat more recent model (by 1 year and 6 months) than the FZ200, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH4 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ200 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GH4 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH4 offers substantially better image quality than the FZ200 (overall score 37 points higher). The advantage is based on 4.1 bits higher color depth, 2 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|5.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|6.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|7.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|8.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|9.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|11.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH4 provides a better video resolution than the FZ200. It can shoot movie footage at 4K/30p, while the FZ200 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH4 offers a substantially higher resolution than the one in the FZ200 (2359k vs 1312k dots). The adjacent table lists some of the other core features of the Panasonic FZ200 and Panasonic GH4 along with similar information for a selection of comparators.
|1.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|2.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|4.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|5.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|6.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|7.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|8.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|9.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|10.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|11.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|12.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|13.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|14.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH4 has a touchscreen, while the FZ200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH4 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ200 and the GH4 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ200 and Panasonic Lumix DMC-GH4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|14.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the GH4 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ200 does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH4 (unlike the FZ200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the FZ200 and the GH4 have been discontinued, but can regularly be found used on eBay. The FZ200 was replaced by the Panasonic FZ300, while the GH4 was followed by the Panasonic GH5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Is the Panasonic FZ200 better than the Panasonic GH4 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the GH4 requires a separate lens.
- More compact: Is smaller (125x87mm vs 133x93mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2012).
Arguments in favor of the Panasonic Lumix DMC-GH4:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (37 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1312k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GH4 is the clear winner of the contest (21 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ200 and the Panasonic GH4 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ200 and the GH4 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|2.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|5.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|6.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|7.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|8.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|9.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|10.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|11.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|12.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|13.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|14.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Panasonic GH4
- Canon SX720 vs Panasonic FZ200
- Canon SX740 vs Panasonic FZ200
- Canon T6s vs Panasonic GH4
- Fujifilm X-T20 vs Panasonic FZ200
- Leica D-LUX Typ 109 vs Panasonic FZ200
- Nikon D3X vs Panasonic GH4
- Nikon Z5 vs Panasonic FZ200
- Panasonic FZ200 vs Sony A7S
- Panasonic GH4 vs Panasonic LX7
- Panasonic GH4 vs Pentax KP
- Panasonic GH4 vs Sony RX0 II
Specifications: Panasonic FZ200 vs Panasonic GH4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ200||Panasonic GH4|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8||Micro Four Thirds lenses|
|Launch Date||July 2012||February 2014|
|Launch Price||USD 599||USD 1,499|
|Sensor Specs||Panasonic FZ200||Panasonic GH4|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.53 μm||3.76 μm|
|Pixel Density||42.74 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||100 - 25,600 ISO|
|Image Processor||Venus VII FHD||Venus IX|
|DXO Sensor Quality (score)||37||74|
|DXO Color Depth (bits)||19.1||23.2|
|DXO Dynamic Range (EV)||10.8||12.8|
|DXO Low Light (ISO)||114||791|
|Screen Specs||Panasonic FZ200||Panasonic GH4|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1312k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic FZ200||Panasonic GH4|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ200||Panasonic GH4|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ200||Panasonic GH4|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||540 shots per charge||500 shots per charge|
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
|Camera Weight||588 g (20.7 oz)||560 g (19.8 oz)|
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