Panasonic FZ150 vs Sony RX0
The Panasonic Lumix DMC-FZ150 and the Sony Cyber-shot DSC-RX0 are two digital cameras that were announced, respectively, in August 2011 and August 2017. Both the FZ150 and the RX0 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ150) and an one-inch (RX0) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 15.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Sony Cyber-shot DSC-RX0? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ150 and the Sony RX0 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX0 is considerably smaller (76 percent) than the Panasonic FZ150. Moreover, the RX0 is substantially lighter (79 percent) than the FZ150. It is noteworthy in this context that the RX0 is splash and dust-proof, while the FZ150 does not feature any corresponding weather-sealing. More than that, the RX0 is water-proof up to 10m and can, thus, be used for underwater photography.
Concerning battery life, the FZ150 gets 410 shots out of its DMW-BMB9 battery, while the RX0 can take 240 images on a single charge of its NP-BJ1 power pack. The power pack in the RX0 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|2.||Sony RX0||59 mm||41 mm||30 mm||110 g||240||Y||Aug 2017||699|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|5.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|6.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|7.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|8.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|9.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|10.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|11.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|12.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|13.||Sony RX0 II||59 mm||41 mm||35 mm||132 g||240||Y||Mar 2019||699|
|14.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699|
|15.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|17.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a markedly lower price (by 29 percent) than the RX0, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ150 features a 1/2.3-inch sensor and the Sony RX0 an one-inch sensor. The sensor area in the RX0 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FZ150 has a native 4:3 aspect ratio, while the one in the RX0 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 15.4MP, the RX0 offers a higher resolution than the FZ150 (12MP), but the RX0 nevertheless has larger individual pixels (pixel pitch of 2.74μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the RX0 is a much more recent model (by 6 years) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX0 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX0 for good quality output (200 dots per inch) amounts to 24 x 16 inches or 61 x 40.6 cm, for very good quality (250 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm, and for excellent quality (300 dpi) 16 x 10.7 inches or 40.6 x 27.1 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX0 are ISO 125 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the RX0 offers substantially better image quality than the FZ150 (overall score 28 points higher). The advantage is based on 3 bits higher color depth, 1.5 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|7.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|13.||Sony RX0 II||1-inch||15.4||4800||3200||4K/30p||22.1||12.4||555||65|
|14.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||22.0||12.2||408||63|
|15.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX0 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic FZ150 and Sony RX0 along with similar information for a selection of comparators.
|1.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|2.||Sony RX0||none||n||1.5 / 230||fixed||n||..||5.5/s||n||n|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|5.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|6.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|7.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|8.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|11.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|12.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|13.||Sony RX0 II||none||n||1.5 / 230||tilting||n||..||5.5/s||n||n|
|14.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0/s||Y||Y|
|15.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|17.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The FZ150 has one, while the RX0 does not. While the built-in flash of the FZ150 is not very powerful, it can at times be useful as a fill-in light.The FZ150 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX0 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX0 only has electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The FZ150 is equipped with a zoom lens, while the RX0 comes with a built-in prime. The FZ150 has a 25-600mm f/2.8-5.2 optic and the RX0 offers a 24mm f/4.0 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The FZ150 offers the faster maximum aperture.
The FZ150 writes its imaging data to SDXC cards, while the RX0 uses micro SDXC or Memory Stick Micro cards. The RX0 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Sony Cyber-shot DSC-RX0 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Sony RX0||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|6.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|7.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Sony RX0 II||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the FZ150 has a hotshoe, while the RX0 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the FZ150 and the RX0 have been discontinued, but can regularly be found used on eBay. The FZ150 was replaced by the Panasonic FZ200, while the RX0 was followed by the Sony RX0 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Which of the two cameras – the Panasonic FZ150 or the Sony RX0 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-FZ150:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5.5 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/4.0).
- Longer lasting: Can take more shots (410 versus 240) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2011).
Advantages of the Sony Cyber-shot DSC-RX0:
- More detail: Has more megapixels (15.4 vs 12MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (28 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (59x41mm vs 124x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 418g or 79 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years of technical progress since the FZ150 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX0 is the clear winner of the contest (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ150 and the Sony RX0 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ150 and the RX0 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|2.||Sony RX0||..||..||..||..||3.5/5||4/5||Aug 2017||699|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|5.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|6.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429|
|7.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|8.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|9.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|10.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|11.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|12.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|13.||Sony RX0 II||..||..||..||..||3.5/5||4/5||Mar 2019||699|
|14.||Sony RX10 IV||5/5||+||..||84/100||4.5/5||5/5||Sep 2017||1,699|
|15.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|16.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|17.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Panasonic FZ150
- Canon 20D vs Sony RX0
- Canon D30 vs Panasonic FZ150
- Canon G15 vs Sony RX0
- Canon T6s vs Panasonic FZ150
- Fujifilm X-A7 vs Sony RX0
- Nikon D40X vs Sony RX0
- Olympus E-PL5 vs Sony RX0
- Panasonic FZ150 vs Panasonic TZ100
- Panasonic FZ150 vs Sony NEX-7
- Panasonic FZ150 vs Zeiss ZX1
- Sony RX0 vs YI M1
Specifications: Panasonic FZ150 vs Sony RX0
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ150||Sony RX0|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8-5.2||24mm f/4.0|
|Launch Date||August 2011||August 2017|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic FZ150||Sony RX0|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||15.4 Megapixels|
|Image Resolution||4000 x 3000 pixels||4800 x 3200 pixels|
|Pixel Pitch||1.53 μm||2.74 μm|
|Pixel Density||42.74 MP/cm2||13.22 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 3,200 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 6,400 ISO||no Enhancement|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||40||68|
|DXO Color Depth (bits)||19.4||22.4|
|DXO Dynamic Range (EV)||10.9||12.4|
|DXO Low Light (ISO)||132||548|
|Screen Specs||Panasonic FZ150||Sony RX0|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||1.5inch|
|LCD Resolution||460k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ150||Sony RX0|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||..|
|Continuous Shooting||12 shutter flaps/s||5.5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||mMS or mSDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic FZ150||Sony RX0|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic FZ150||Sony RX0|
|Environmental Sealing||not weather sealed||Waterproof body (10m)|
|Battery Life (CIPA)||410 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
59 x 41 x 30 mm
(2.3 x 1.6 x 1.2 in)
|Camera Weight||528 g (18.6 oz)||110 g (3.9 oz)|
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