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Panasonic FZ150 vs Sony A6500

The Panasonic Lumix DMC-FZ150 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in August 2011 and October 2016. The FZ150 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ150) and an APS-C (A6500) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic FZ150   Sony A6500
Panasonic FZ150 Sony A6500
Fixed lens compact camera Mirrorless system camera
25-600mm f/2.8-5.2 Sony E mount lenses
12 MP, 1/2.3" Sensor 24 MP, APS-C Sensor
1080/60p Video 4K/30p Video
ISO 100-3200 (100-6400) ISO 100-25600 (100-51200)
Electronic viewfinder (202k dots) Electronic viewfinder (2359k dots)
3.0" LCD, 460k dots 3.0" LCD, 922k dots
Swivel screen (not touch-sensitive) Tilting touchscreen
12 shutter flaps per second 11 shutter flaps per second
Lens-based stabilizationIn-body stabilization
Not weather sealedWeathersealed body
410 shots per battery charge350 shots per battery charge
124 x 82 x 92 mm, 528 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic FZ150 and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

Size Panasonic FZ150 vs Sony A6500
Compare FZ150 versus A6500 top
Comparison FZ150 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (21 percent) than the Panasonic FZ150. It is noteworthy in this context that the A6500 is splash and dust-proof, while the FZ150 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.

Concerning battery life, the FZ150 gets 410 shots out of its DMW-BMB9 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ150» 4.9 in 3.2 in 3.6 in 18.6 oz 410 n Aug 2011 499- i Panasonic FZ150
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399- i Sony A6500
 
Canon SX60« » 5.0 in 3.7 in 4.5 in 22.9 oz 340 n Sep 2014 549- i Canon SX60
 
Canon G15« » 4.2 in 3.0 in 1.6 in 12.4 oz 350 n Sep 2012 499- i Canon G15
 
Canon SX50« » 4.8 in 3.4 in 4.2 in 21.0 oz 315 n Sep 2012 429- i Canon SX50
 
Canon G12« » 4.4 in 3.0 in 1.9 in 14.1 oz 370 n Sep 2010 499- i Canon G12
 
Leica V-LUX 4« » 4.9 in 3.4 in 4.3 in 20.7 oz 540 n Sep 2012 949- i Leica V-LUX 4
 
Panasonic ZS70« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic ZS70
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
 
Panasonic FZ200« » 4.9 in 3.4 in 4.3 in 20.7 oz 540 n Jul 2012 599- i Panasonic FZ200
 
Panasonic LX7« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Panasonic FZ100« » 4.9 in 3.2 in 3.6 in 19.0 oz 410 n Jul 2010 499- i Panasonic FZ100
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
 
Sony A6600« » 4.7 in 2.6 in 2.7 in 17.7 oz 810 Y Aug 2019 1,399 i i Sony A6600
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a lower price than the A6500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ150 features a 1/2.3-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ150 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic FZ150 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the FZ150 (12MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 5 years and 1 month) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

FZ150 versus A6500 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the FZ150 (overall score 45 points higher). The advantage is based on 5.1 bits higher color depth, 2.8 EV in additional dynamic range, and 3.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic FZ150» 1/2.3 12.0 4000 30001080/60p19.410.913240Panasonic FZ150
 
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Canon SX60« » 1/2.3 14.2 4608 30721080/60p19.210.812739Canon SX60
 
Canon G15« » 1/1.7 12.0 4000 30001080/24p19.911.516546Canon G15
 
Canon SX50« » 1/2.3 12.0 4000 30001080/24p20.311.217947Canon SX50
 
Canon G12« » 1/1.7 10.0 3648 2736720/24p20.411.216147Canon G12
 
Leica V-LUX 4« » 1/2.3 12.0 4000 30001080/60p----Leica V-LUX 4
 
Panasonic ZS70« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic ZS70
 
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Panasonic FZ200« » 1/2.3 12.0 4000 30001080/60p19.110.811437Panasonic FZ200
 
Panasonic LX7« » 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Panasonic FZ100« » 1/2.3 14.0 4320 32401080/60i----Panasonic FZ100
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5
 
Sony A6600« » APS-C 24.0 6000 40004K/30p----Sony A6600
 
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a better video resolution than the FZ150. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the FZ150 (2359k vs 202k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ150, the Sony A6500, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic FZ150»202 n 3.0 460 swivel n 1/2000s 12.0 Y Y Panasonic FZ150
 
Sony A6500«2359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Canon SX60« »922 n 3.0 922 swivel n 1/2000s 6.4 Y Y Canon SX60
 
Canon G15« »optical n 3.0 922 fixed n 1/4000s 2.1 Y Y Canon G15
 
Canon SX50« »202 n 3.0 461 swivel n 1/2000s 2.2 Y Y Canon SX50
 
Canon G12« »optical n 2.8 461 swivel n 1/4000s 1.1 Y Y Canon G12
 
Leica V-LUX 4« »1312 n 3.0 460 swivel n 1/4000s 12.0 Y Y Leica V-LUX 4
 
Panasonic ZS70« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic ZS70
 
Panasonic GX8« »2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Panasonic FZ200« »1312 n 3.0 460 swivel n 1/4000s 12.0 Y Y Panasonic FZ200
 
Panasonic LX7« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Panasonic FZ100« »202 n 3.0 460 swivel n 1/2000s 11.0 Y Y Panasonic FZ100
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5
 
Sony A6600« »2359 n 3.0 922 tilting Y 1/4000s 11.0 n Y Sony A6600
 
Sony A6300« »2359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the FZ150 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The FZ150 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The FZ150 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic FZ150»Ystereo---mini2.0---Panasonic FZ150
 
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
 
Canon SX60« »YstereomonoY-mini2.0YY-Canon SX60
 
Canon G15« »Ystereomono--mini2.0---Canon G15
 
Canon SX50« »Ystereomono--mini2.0---Canon SX50
 
Canon G12« »Ystereomono--mini2.0---Canon G12
 
Leica V-LUX 4« »YstereomonoY-mini2.0---Leica V-LUX 4
 
Panasonic ZS70« »-stereomono--micro2.0Y--Panasonic ZS70
 
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
 
Panasonic FZ200« »YstereomonoY-mini2.0---Panasonic FZ200
 
Panasonic LX7« »Ystereomono--mini2.0---Panasonic LX7
 
Panasonic FZ100« »Ystereomono--mini2.0---Panasonic FZ100
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5
 
Sony A6600« »YstereomonoYYYES2.0YYYSony A6600
 
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
 
Sony A77« »YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ150 does not offer wifi capability.

Both the FZ150 and the A6500 have been discontinued, but can regularly be found used on eBay. The FZ150 was replaced by the Panasonic FZ200, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ150 and the Sony A6500? Which camera is better? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Panasonic Lumix DMC-FZ150:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
  • Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been available for much longer (launched in August 2011).

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Arguments in favor of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores substantially higher (45 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (5.1 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (3.4 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 202k dots).
  • More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • More compact: Is smaller (120x67mm vs 124x82mm) and will fit more readily into a bag.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 5 years and 1 month of technical progress since the FZ150 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

FZ150 07:21 A6500

How about other alternatives? Do the specifications of the Panasonic FZ150 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ150 or the A6500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic FZ150»+ +76/1004/55/54.5/5 Aug 2011 499- i Panasonic FZ150
 
Sony A6500«+ +85/1004.5/55/54.5/5 Oct 2016 1,399- i Sony A6500
 
Canon SX60« »+ +75/1004/5-4.5/5 Sep 2014 549- i Canon SX60
 
Canon G15« »+76/1004.5/54.5/54.5/5 Sep 2012 499- i Canon G15
 
Canon SX50« »+ +72/1004.5/5-4.5/5 Sep 2012 429- i Canon SX50
 
Canon G12« »+73/1004.5/54.5/54.5/5 Sep 2010 499- i Canon G12
 
Leica V-LUX 4« »----- Sep 2012 949- i Leica V-LUX 4
 
Panasonic ZS70« »+ +-4/5-4/5 Apr 2017 449- i Panasonic ZS70
 
Panasonic GX8« »+82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
 
Panasonic FZ200« »+ +80/1004.5/54.5/54.5/5 Jul 2012 599- i Panasonic FZ200
 
Panasonic LX7« »+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Panasonic FZ100« »+-4.5/5-4.5/5 Jul 2010 499- i Panasonic FZ100
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
 
Sony A6600« »+---- Aug 2019 1,399 i i Sony A6600
 
Sony A6300« »+85/1005/55/55/5 Feb 2016 999- i Sony A6300
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Panasonic FZ150:
Check Ebay offers
Sony A6500:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Panasonic FZ150 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic FZ150 Sony A6500
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 25-600mm f/2.8-5.2 Sony E mount lenses
    Launch Date August 2011 October 2016
    Launch Price USD 499 USD 1399
    Sensor Specs Panasonic FZ150 Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format 1/2.3" Sensor APS-C Sensor
    Sensor Size 6.17 x 4.55 mm 23.5 x 15.6 mm
    Sensor Area 28.0735 mm2 366.6 mm2
    Sensor Diagonal 7.7 mm 28.2 mm
    Crop Factor 5.6x 1.5x
    Sensor Resolution 12 Megapixels 24 Megapixels
    Image Resolution 4000 x 3000 pixels 6000 x 4000 pixels
    Pixel Pitch 1.53 μm 3.91 μm
    Pixel Density 42.74 MP/cm2 6.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/60p Video 4K/30p Video
    ISO Setting 100-3200 ISO 100-25600 ISO
    ISO Boost 100-6400 ISO 100-51200 ISO
    Image Processor Venus FHD BIONZ X
    DXO Sensor Quality (score) 40 85
    DXO Color Depth (bits) 19.4 24.5
    DXO Dynamic Range (EV) 10.9 13.7
    DXO Low Light (ISO) 132 1405
    Screen Specs Panasonic FZ150 Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification ..x 0.70x
    Viewfinder Resolution 202k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 460k dots 922k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Panasonic FZ150 Sony A6500
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/2000/s 1/4000/s
    Continuous Shooting 12 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens-based stabilizationIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Panasonic FZ150 Sony A6500
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic FZ150 Sony A6500
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BMB9 NP-FW50
    Battery Life (CIPA)410 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 124 x 82 x 92 mm
    (4.9 x 3.2 x 3.6 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 528 g (18.6 oz) 453 g (16.0 oz)

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