Panasonic FZ150 vs GH1
The Panasonic Lumix DMC-FZ150 and the Panasonic Lumix DMC-GH1 are two digital cameras that were officially introduced, respectively, in August 2011 and March 2009. The FZ150 is a fixed lens compact, while the GH1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ150) and a Four Thirds (GH1) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ150||Panasonic GH1|
|Fixed lens compact camera||Mirrorless system camera|
|25-600mm f/2.8-5.2||Micro Four Thirds lenses|
|12 MP, 1/2.3" Sensor||12 MP, Four Thirds Sensor|
|1080/60p Video||1080/24p Video|
|ISO 100-3200 (100-6400)||ISO 100-1600 (100-3200)|
|Electronic viewfinder (202k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|12 shutter flaps per second||3 shutter flaps per second|
|410 shots per battery charge||300 shots per battery charge|
|124 x 82 x 92 mm, 528 g||124 x 90 x 45 mm, 385 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Panasonic Lumix DMC-GH1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FZ150 vs GH1
The physical size and weight of the Panasonic FZ150 and the Panasonic GH1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GH1 can be obtained in two different colors (black, red), while the FZ150 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH1 is notably larger (10 percent) than the Panasonic FZ150. In this context, it is worth noting that neither the FZ150 nor the GH1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the GH1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH1 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic FZ150»||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GH1«||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||-||Panasonic GH1|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||-||Canon SX60|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||-||Canon G1 X|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||-||Canon G15|
|Canon SX50« »||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||-||Canon SX50|
|Canon G12« »||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||-||Canon G12|
|Panasonic FZ330« »||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||Panasonic FZ330|
|Panasonic FZ200« »||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ100« »||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||-||Panasonic FZ100|
|Panasonic G10« »||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||-||Panasonic GH2|
|Panasonic LX5« »||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||-||Panasonic LX5|
|Panasonic GF1« »||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||-||Panasonic GF1|
|Panasonic G1« »||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599||-||Panasonic G1|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a lower price than the GH1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic FZ150 vs GH1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ150 features a 1/2.3-inch sensor and the Panasonic GH1 a Four Thirds sensor. The sensor area in the GH1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the GH1 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the GH1 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.33μm versus 1.53μm for the FZ150), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the FZ150 is much more recent (by 2 years and 5 months) than the GH1, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GH1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the GH1 offers substantially better image quality than the FZ150 (overall score 24 points higher). The advantage is based on 2.2 bits higher color depth, 0.7 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FZ150»||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GH1«||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon G12« »||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Panasonic FZ330« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic G1« »||Four Thirds||12.0||4000||3000||-||21.1||10.3||463||53||Panasonic G1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ150 provides a higher frame rate than the GH1. It can shoot video footage at 1080/60p, while the GH1 is limited to 1080/24p.
Feature comparison: Panasonic FZ150 vs GH1
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH1 offers a substantially higher resolution than the one in the FZ150 (1440k vs 202k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ150, the Panasonic GH1, and comparable cameras.
|Panasonic FZ150»||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GH1«||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon G12« »||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Panasonic FZ330« »||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
|Panasonic G1« »||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
The FZ150 writes its imaging data to SDXC cards, while the GH1 uses SDHC cards.
Connectivity comparison: Panasonic FZ150 vs GH1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Panasonic Lumix DMC-GH1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ150»||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GH1«||Y||stereo||-||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon G12« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Panasonic FZ330« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Panasonic GF1« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic G1« »||Y||-||-||-||-||mini||2.0||-||-||-||Panasonic G1|
It is notable that the GH1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FZ150 does not feature such a mic input.
Both the FZ150 and the GH1 have been discontinued, but can regularly be found used on eBay. The GH1 was replaced by the Panasonic GH2, while the FZ150 was followed by the Panasonic FZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic FZ150 vs GH1
So how do things add up? Is the Panasonic FZ150 better than the Panasonic GH1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-FZ150:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GH1 requires a separate lens.
- Longer lasting: Can take more shots (410 versus 300) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 5 months of technical progress since the GH1 launch.
Reasons to prefer the Panasonic Lumix DMC-GH1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More heavily discounted: Has been around for much longer (launched in March 2009).
If the count of relative strengths (bullet points above) is taken as a measure, the GH1 emerges as the winner of the match-up (10 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ150 and the Panasonic GH1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ150 or the GH1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic FZ150 vs GH1
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ150»||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GH1«||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899||-||Panasonic GH1|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon G12« »||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499||-||Canon G12|
|Panasonic FZ330« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ330|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ100« »||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-||Panasonic GF1|
|Panasonic G1« »||+ +||70/100||4/5||4.5/5||4.5/5||Sep 2008||599||-||Panasonic G1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 800D vs Panasonic FZ150
- Canon G12 vs Panasonic FZ150
- Nikon D3400 vs Panasonic FZ150
- Nikon D5600 vs Panasonic FZ150
- Olympus E-M1 II vs Panasonic GH1
- Panasonic FZ1000 vs Panasonic FZ150
- Panasonic FZ150 vs Panasonic G7
- Panasonic FZ150 vs Panasonic G80
- Panasonic FZ150 vs Sony RX100 VI
- Panasonic GH1 vs Panasonic GH2
- Panasonic GH1 vs Panasonic GH5
- Panasonic GH1 vs Panasonic GX1
Specifications: Panasonic FZ150 vs Panasonic GH1
|Camera Model||Panasonic FZ150||Panasonic GH1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8-5.2||Micro Four Thirds lenses|
|Launch Date||August 2011||March 2009|
|Launch Price||USD 499||USD 899|
|Sensor Specs||Panasonic FZ150||Panasonic GH1|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||12 Megapixels|
|Image Resolution||4000 x 3000 pixels||4000 x 3000 pixels|
|Pixel Pitch||1.53 μm||4.33 μm|
|Pixel Density||42.74 MP/cm2||5.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/24p Video|
|ISO Setting||100-3200 ISO||100-1600 ISO|
|ISO Boost||100-6400 ISO||100-3200 ISO|
|Image Processor||Venus FHD||Venus HD|
|DXO Sensor Quality (score)||40||64|
|DXO Color Depth (bits)||19.4||21.6|
|DXO Dynamic Range (EV)||10.9||11.6|
|DXO Low Light (ISO)||132||772|
|Screen Specs||Panasonic FZ150||Panasonic GH1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic FZ150||Panasonic GH1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||12 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic FZ150||Panasonic GH1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic FZ150||Panasonic GH1|
|Battery Type||DMW-BMB9 power pack||DMW-BLB13 power pack|
|Battery Life (CIPA)||410 shots per charge||300 shots per charge|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
124 x 90 x 45 mm
(4.9 x 3.5 x 1.8 in)
|Camera Weight||528 g (18.6 oz)||385 g (13.6 oz)|