Panasonic FZ1000 vs Sony A7R
The Panasonic Lumix DMC-FZ1000 and the Sony Alpha A7R are two digital cameras that were revealed to the public, respectively, in June 2014 and October 2013. The FZ1000 is a fixed lens compact, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ1000) and a full frame (A7R) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ1000||Sony A7R|
|Fixed lens compact camera||Mirrorless system camera|
|25-400mm f/2.8-4.0||Sony E mount lenses|
|20 MP, 1" Sensor||36.2 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (80-25600)||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1230k dots|
|Swivel screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||4 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|360 shots per battery charge||340 shots per battery charge|
|137 x 99 x 131 mm, 831 g||127 x 94 x 48 mm, 465 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ1000 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ1000 and the Sony A7R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (12 percent) than the Panasonic FZ1000. It is noteworthy in this context that the A7R is splash and dust-proof, while the FZ1000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the A7R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the FZ1000 gets 360 shots out of its DMW-BLC12 battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ1000»||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony A7R«||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||Nikon D810|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||Sony A7S|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||Sony RX100 III|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ1000 was launched at a lower price than the A7R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ1000 features an one-inch sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 643 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the A7R offers a higher resolution than the FZ1000 (20MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 2.41μm for the FZ1000) due to its larger sensor. However, the FZ1000 is a somewhat more recent model (by 7 months) than the A7R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inch or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inch or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inch or 62.3 x 41.6 cm. The corresponding values for the Panasonic FZ1000 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ1000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R offers substantially better image quality than the FZ1000 (overall score 31 points higher). The advantage is based on 3.5 bits higher color depth, 2.4 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ1000 provides a higher video resolution than the A7R. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R offers a slightly higher resolution than the one in the FZ1000 (2400k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ1000, the Sony A7R, and comparable cameras.
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Nikon D810||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic LX100||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One difference between the cameras concerns the presence of an on-board flash. The FZ1000 has one, while the A7R does not. While the built-in flash of the FZ1000 is not very powerful, it can at times be useful as a fill-in light.The FZ1000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ1000 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ1000 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Nikon D810||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic LX100||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
Both the FZ1000 and the A7R have been discontinued, but can regularly be found used on eBay. The A7R was replaced by the Sony A7R II, while the FZ1000 was followed by the Panasonic FZ2500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic FZ1000 better than the Sony A7R or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-FZ1000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7R requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 7 months after the A7R).
Arguments in favor of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 20MP), which boosts linear resolution by 35%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (31 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (127x94mm vs 137x99mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the A7R emerges as the winner of the match-up (14 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ1000 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ1000 or the A7R. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Panasonic FZ1000 II
- Canon 650D vs Panasonic FZ1000
- Canon 760D vs Sony A7R
- Canon Rebel vs Panasonic FZ1000
- Leica SL2 vs Panasonic FZ1000 II
- Leica X1 vs Panasonic FZ1000
- Nikon B700 vs Panasonic FZ1000 II
- Nikon D300 vs Sony A7R II
- Nikon P7800 vs Panasonic FZ1000 II
- Panasonic FZ1000 vs Panasonic ZS200
- Sony A7R IV vs Sony RX0
- Sony A7R IV vs Sony RX10 IV
Specifications: Panasonic FZ1000 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ1000||Sony A7R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-400mm f/2.8-4.0||Sony E mount lenses|
|Launch Date||June 2014||October 2013|
|Launch Price||USD 899||USD 2299|
|Sensor Specs||Panasonic FZ1000||Sony A7R|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.9 x 24.0 mm|
|Sensor Area||116.16 mm2||861.6 mm2|
|Sensor Diagonal||15.9 mm||43.2 mm|
|Sensor Resolution||20 Megapixels||36.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||7360 x 4912 pixels|
|Pixel Pitch||2.41 μm||4.88 μm|
|Pixel Density||17.18 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||100-25600 ISO|
|ISO Boost||80-25600 ISO||50-51200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||64||95|
|DXO Color Depth (bits)||22.1||25.6|
|DXO Dynamic Range (EV)||11.7||14.1|
|DXO Low Light (ISO)||517||2746|
|Screen Specs||Panasonic FZ1000||Sony A7R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ1000||Sony A7R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ1000||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic FZ1000||Sony A7R|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||831 g (29.3 oz)||465 g (16.4 oz)|
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