Panasonic FZ1000 versus Canon T5i
The Panasonic Lumix DMC-FZ1000 and the Canon EOS Rebel T5i (labelled Canon 700D in some countries) are two digital cameras that were officially introduced, respectively, in June 2014 and March 2013. The FZ1000 is a fixed lens compact, while the T5i is a DSLR. The cameras are based on an one-inch (FZ1000) and an APS-C sensor. The Panasonic has a resolution of 20 megapixel, whereas the Canon provides 17.9 MP.
The physical size and weight of the Panasonic FZ1000 and the Canon T5i are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the FZ1000 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T5i is somewhat smaller (2 percent) than the Panasonic FZ1000. In this context, it is worth noting that neither the FZ1000 nor the T5i are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens build in, whereas the T5i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the T5i and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic FZ1000 (⇒ rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Canon T5i (⇒ lft)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon T5 (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon T4i (⇒ lft | rgt)||133 mm||100 mm||79 mm||575 g||440||no||2012||849||discont.||check|
|Canon T3i (⇒ lft | rgt)||133 mm||100 mm||80 mm||570 g||440||no||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||129 mm||98 mm||62 mm||530 g||440||no||2010||699||discont.||check|
|Panasonic FZ2500 (⇒ lft | rgt)||138 mm||102 mm||135 mm||915 g||350||no||2016||1,199||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ1000 features an one-inch sensor and the Canon T5i an APS-C sensor. The sensor area in the T5i is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Panasonic FZ1000 offers a higher resolution of 20 megapixel, compared with 17.9 MP of the Canon T5i. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the T5i). However, it should be noted that the FZ1000 is a somewhat more recent model (by 1 year and 2 months) than the T5i, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic FZ1000 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Canon T5i (⇒ lft)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon T5 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon T4i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62|
|Canon T3i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65|
|Canon T2i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66|
|Panasonic FZ2500 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ1000 provides a higher video resolution than the T5i. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 has an electronic viewfinder (2359k dots), while the T5i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Panasonic FZ1000 and Canon T5i in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Panasonic FZ1000 (⇒ rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Canon T5i (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon T5 (⇒ lft | rgt)||optical||no||3||460||fixed||no||4000||3.0||9.2||no|
|Canon T4i (⇒ lft | rgt)||optical||no||3||1040||swivel||YES||4000||5.0||13||no|
|Canon T3i (⇒ lft | rgt)||optical||no||3||1040||swivel||no||4000||3.7||13||no|
|Canon T2i (⇒ lft | rgt)||optical||no||3.0||1040||fixed||no||4000||3.7||13||no|
|Panasonic FZ2500 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||YES|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the FZ1000 and the T5i have been discontinued, but can regularly be found used on ebay. The T5i was replaced by the Canon T6i, while the FZ1000 was followed by the Panasonic FZ2500.
So how do things add up? Is there a clear favorite between the Panasonic FZ1000 and the Panasonic FZ1000? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ1000:
- More detail: Offers more megapixels (20 vs 17.9MP) with a 6% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a build-in lens, while the T5i requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the T5i).
Reasons to prefer the Canon EOS Rebel T5i:
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (440 versus 360) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in March 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (7 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the FZ1000 and the T5i in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic FZ1000 (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Canon T5i (⇒ lft)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon T5 (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon T4i (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||4.5/5||4.5/5||2012||849||discont.||check|
|Canon T3i (⇒ lft | rgt)||reviewed||77/100 Silver||4.5/5||5/5||4.5/5||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||88/100 HiRec||77/100 Gold||4/5||5/5||4.5/5||2010||699||discont.||check|
|Panasonic FZ2500 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.
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