Panasonic FZ1000 II vs GF5
The Panasonic Lumix DC-FZ1000 II and the Panasonic Lumix DMC-GF5 are two digital cameras that were revealed to the public, respectively, in February 2019 and April 2012. The FZ1000 II is a fixed lens compact, while the GF5 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ1000 II) and a Four Thirds (GF5) sensor. The FZ1000 II has a resolution of 20 megapixels, whereas the GF5 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ1000 II||Panasonic GF5|
|Fixed lens compact camera||Mirrorless system camera|
|25-400mm f/2.8-4.0||Micro Four Thirds lenses|
|20 MP, 1" Sensor||12 MP, Four Thirds Sensor|
|4K/30p Video||1080/60i Video|
|ISO 125-12,800 (80 - 25,600)||ISO 160-6,400 (160 - 12,800)|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0 LCD, 1240k dots||3.0 LCD, 920k dots|
|Swivel touchscreen||Fixed touchscreen|
|12 shutter flaps per second||4 shutter flaps per second|
|350 shots per battery charge||360 shots per battery charge|
|136 x 97 x 131 mm, 810 g||108 x 67 x 37 mm, 267 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ1000 II and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ1000 II and the Panasonic GF5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the FZ1000 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (45 percent) than the Panasonic FZ1000 II. In this context, it is worth noting that neither the FZ1000 II nor the GF5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 II has a lens built in, whereas the GF5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the FZ1000 II gets 350 shots out of its DMW-BLC12 battery, while the GF5 can take 360 images on a single charge of its DMW-BLE9 power pack. The power pack in the FZ1000 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic FZ1000 II||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899|
|Panasonic GF5||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499|
|Canon G5 X Mark II||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899|
|Canon G7 X Mark III||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749|
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Leica C-LUX||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049|
|Panasonic LX100 II||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999|
|Panasonic ZS200||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Panasonic GF6||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499|
|Panasonic GF3||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
|Panasonic G2||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599|
|Sony ZV-1||4.1 in||2.4 in||1.7 in||10.4 oz||260||n||May 2020||799|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ1000 II features an one-inch sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the FZ1000 II has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.
Despite having a smaller sensor, the Panasonic FZ1000 II offers a higher resolution of 20 megapixels, compared with 12 MP of the Panasonic GF5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.33μm for the GF5). However, it should be noted that the FZ1000 II is much more recent (by 6 years and 10 months) than the GF5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ1000 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ1000 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DC-FZ1000 II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ1000 II provides a higher video resolution than the GF5. It can shoot video footage at 4K/30p, while the GF5 is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic FZ1000 II and Panasonic GF5 along with similar information for a selection of comparators.
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ1000 II and the GF5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ1000 II and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ1000 II has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FZ1000 II is a recent model that features in the current product line-up of Panasonic. In contrast, the GF5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF5 was succeeded by the Panasonic GF6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is the Panasonic FZ1000 II better than the Panasonic GF5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-FZ1000 II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the GF5 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 6 years and 10 months of technical progress since the GF5 launch.
Arguments in favor of the Panasonic Lumix DMC-GF5:
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (108x67mm vs 136x97mm) and will fit more readily into a bag.
- More heavily discounted: Has been around for much longer (launched in April 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the FZ1000 II is the clear winner of the match-up (16 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ1000 II and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ1000 II or the GF5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic GF5||..||..||4.5/5||4/5||4.5/5||Apr 2012||499|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Canon G7 X Mark III||+ +||81/100||4/5||..||..||Jul 2019||749|
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Leica C-LUX||..||..||4.5/5||..||4/5||Jun 2018||1,049|
|Panasonic LX100 II||+||82/100||4.5/5||4.5/5||4.5/5||Aug 2018||999|
|Panasonic ZS200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic GF3||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Sony ZV-1||..||..||..||..||4.5/5||May 2020||799|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II N vs Panasonic FZ1000 II
- Canon 5D vs Panasonic FZ1000 II
- Canon 7D II vs Panasonic GF5
- Canon G1 X Mark II vs Panasonic FZ1000 II
- Canon G15 vs Panasonic GF5
- Nikon D5600 vs Panasonic GF5
- Nikon D90 vs Panasonic FZ1000 II
- Olympus E-3 vs Panasonic FZ1000 II
- Panasonic FZ1000 II vs Panasonic G95
- Panasonic FZ1000 II vs Pentax K-1
- Panasonic FZ1000 II vs Pentax K-1 II
- Panasonic FZ1000 II vs YI M1
Specifications: Panasonic FZ1000 II vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ1000 II||Panasonic GF5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-400mm f/2.8-4.0||Micro Four Thirds lenses|
|Launch Date||February 2019||April 2012|
|Launch Price||USD 899||USD 499|
|Sensor Specs||Panasonic FZ1000 II||Panasonic GF5|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||4.33 μm|
|Pixel Density||17.18 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125 - 12,800 ISO||160 - 6,400 ISO|
|ISO Boost||80 - 25,600 ISO||160 - 12,800 ISO|
|Image Processor||Venus||Venus FHD|
|DXO Sensor Quality (score)||..||61|
|DXO Color Depth (bits)||..||21.4|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||618|
|Screen Specs||Panasonic FZ1000 II||Panasonic GF5|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ1000 II||Panasonic GF5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ1000 II||Panasonic GF5|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic FZ1000 II||Panasonic GF5|
|Battery Life (CIPA)||350 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||810 g (28.6 oz)||267 g (9.4 oz)|
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