Panasonic FZ100 vs Sony A6300
The Panasonic Lumix DMC-FZ100 and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in July 2010 and February 2016. The FZ100 is a fixed lens compact, while the A6300 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ100) and an APS-C (A6300) sensor. The Panasonic has a resolution of 14 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ100 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ100 and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the FZ100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (21 percent) than the Panasonic FZ100. It is noteworthy in this context that the A6300 is splash and dust-proof, while the FZ100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the A6300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6300 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the FZ100 gets 410 shots out of its DMW-BMB9 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|2.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|6.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|7.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|8.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|9.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|10.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|11.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|13.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|14.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ100 was launched at a lower price than the A6300, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ100 features a 1/2.3-inch sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ100 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.
With 24MP, the A6300 offers a higher resolution than the FZ100 (14MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.41μm for the FZ100) due to its larger sensor. Moreover, the A6300 is a much more recent model (by 5 years and 6 months) than the FZ100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ100 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-FZ100 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|16.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the FZ100. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6300 offers a substantially higher resolution than the one in the FZ100 (2359k vs 202k dots). The adjacent table lists some of the other core features of the Panasonic FZ100 and Sony A6300 along with similar information for a selection of comparators.
|1.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|2.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|5.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|6.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3||Y||Y|
|7.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|8.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6||Y||Y|
|9.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|10.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|11.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|13.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|14.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||n|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|16.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|17.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The FZ100 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ100 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ100 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|7.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|9.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|14.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ100 does not provide wifi capability.
Both the FZ100 and the A6300 have been discontinued, but can regularly be found used on eBay. The FZ100 was replaced by the Panasonic FZ150, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic FZ100 better than the Sony A6300 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-FZ100:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A6300 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2010).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 14MP), which boosts linear resolution by 34%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 124x82mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 6 months of technical progress since the FZ100 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ100 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the FZ100 or the A6300 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|2.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|6.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|7.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|8.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429|
|9.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|10.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|11.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|13.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|14.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|17.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D vs Panasonic FZ100
- Canon G1 X Mark III vs Sony A6300
- Canon G5 X vs Sony A6300
- Canon T7 vs Panasonic FZ100
- Canon T7i vs Sony A6300
- Leica D-LUX Typ 109 vs Sony A6300
- Leica M8 vs Panasonic FZ100
- Leica M9 vs Sony A6300
- Panasonic FZ100 vs Panasonic FZ150
- Panasonic FZ100 vs Panasonic GH5
- Panasonic FZ100 vs Sony A5000
- Sony A6300 vs Sony HX80
Specifications: Panasonic FZ100 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ100||Sony A6300|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8-5.2||Sony E mount lenses|
|Launch Date||July 2010||February 2016|
|Launch Price||USD 499||USD 999|
|Sensor Specs||Panasonic FZ100||Sony A6300|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.5 x 15.6 mm|
|Sensor Area||28.0735 mm2||366.6 mm2|
|Sensor Diagonal||7.7 mm||28.2 mm|
|Sensor Resolution||14 Megapixels||24 Megapixels|
|Image Resolution||4320 x 3240 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.41 μm||3.91 μm|
|Pixel Density||49.86 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||100 - 51,200 ISO|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Panasonic FZ100||Sony A6300|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ100||Sony A6300|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic FZ100||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ100||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||540 g (19.0 oz)||404 g (14.3 oz)|
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