Panasonic FZ100 vs Pentax K-70

The Panasonic Lumix DMC-FZ100 and the Pentax K-70 are two digital cameras that were announced, respectively, in July 2010 and June 2016. The FZ100 is a fixed lens compact, while the K-70 is a DSLR. The cameras are based on a 1/2.3-inch (FZ100) and an APS-C (K-70) sensor. The Panasonic has a resolution of 14 megapixels, whereas the Pentax provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ100		Pentax K-70
Fixed lens compact camera		Digital single lens reflex
25-600mm f/2.8-5.2		Pentax K mount lenses
14 MP – 1/2.3" sensor		24 MP – APS-C sensor
1080/60i Video		1080/60i Video
ISO 100-1,600 (100 - 6,400)		ISO 100-102,400
Electronic viewfinder (202k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.0" LCD – 921k dots
Swivel screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
11 shutter flaps per second		6 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		410 shots per battery charge
124 x 82 x 92 mm, 540 g		126 x 93 x 74 mm, 688 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ100 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ100 and the Pentax K-70. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The K-70 can be obtained in two different colors (black, silver), while the FZ100 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably larger (15 percent) than the Panasonic FZ100. It is noteworthy in this context that the K-70 is splash and dust-proof, while the FZ100 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the K-70 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
2.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
3.		Canon SX530	120 mm	82 mm	92 mm	442 g	210	n	Jan 2015	429	ebay.com
4.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
5.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
6.		Canon SX40	123 mm	92 mm	108 mm	600 g	380	n	Sep 2011	429	ebay.com
7.		Canon SX30	123 mm	92 mm	108 mm	601 g	370	n	Sep 2010	429	ebay.com
8.		Canon SX20	123 mm	88 mm	87 mm	600 g	..	n	Aug 2009	399	ebay.com
9.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
10.		Leica V-LUX 2	124 mm	80 mm	95 mm	520 g	410	n	Sep 2010	849	ebay.com
11.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
12.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
13.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	1,999	amazon.com
14.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
15.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
16.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
17.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ100 was launched at a lower price than the K-70, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ100 features a 1/2.3-inch sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ100 has a native 4:3 aspect ratio, while the one in the K-70 offers a 3:2 aspect.

With 24MP, the K-70 offers a higher resolution than the FZ100 (14MP), but the K-70 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.41μm for the FZ100) due to its larger sensor. Moreover, the K-70 is a much more recent model (by 5 years and 10 months) than the FZ100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ100 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.

The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the FZ100, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-FZ100 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
2.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
3.		Canon SX530	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	712	47
4.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
5.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
6.		Canon SX40	1/2.3	12.0	4000	3000	1080/24p	19.6	10.9	409	41
7.		Canon SX30	1/2.3	14.0	4320	3240	720/30p	19.4	10.7	320	39
8.		Canon SX20	1/2.3	12.0	4000	3000	720/30p	19.2	10.5	225	37
9.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
10.		Leica V-LUX 2	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	321	39
11.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
12.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
13.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
14.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
15.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
16.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
17.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60i).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ100 has an electronic viewfinder (202k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic FZ100, the Pentax K-70, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
2.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
3.		Canon SX530	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
4.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
5.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
6.		Canon SX40	202	n	2.7 / 230	swivel	n	1/3200s	10.3/s	Y	Y
7.		Canon SX30	202	n	2.7 / 230	swivel	n	1/3200s	0.6/s	Y	Y
8.		Canon SX20	202	n	2.5 / 230	swivel	n	1/3200s	0.7/s	Y	Y
9.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
10.		Leica V-LUX 2	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
11.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
13.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
14.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
15.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
16.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
17.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the FZ100 and the K-70 write their files to SDXC cards. The K-70 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ100 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ100 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon SX530	-	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Canon SX40	Y	stereo / mono	-	-	YES	2.0	-	-	-
7.		Canon SX30	Y	stereo / mono	-	-	YES	2.0	-	-	-
8.		Canon SX20	Y	stereo / mono	-	-	YES	2.0	-	-	-
9.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
10.		Leica V-LUX 2	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
15.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-
16.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
17.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-

It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ100 does not provide wifi capability.

Both the FZ100 and the K-70 have been discontinued, but can regularly be found used on ebay. The FZ100 was replaced by the Panasonic FZ150, while the K-70 does not have a direct successor. Further information on the features and operation of the FZ100 and K-70 can be found, respectively, in the Panasonic FZ100 Manual (free pdf) or the online Pentax K-70 Manual.

Review summary

So what is the bottom line? Is the Panasonic FZ100 better than the Pentax K-70 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DMC-FZ100:

• More framing info: Has an electronic viewfinder that displays shooting data.
• Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with a built-in lens, while the K-70 requires a separate lens.
• More compact: Is smaller (124x82mm vs 126x93mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-70).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2010).

Arguments in favor of the Pentax K-70:

• More detail: Has more megapixels (24 vs 14MP), which boosts linear resolution by 34%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 5 years and 10 months of technical progress since the FZ100 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the K-70 is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ100 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ100 or the K-70. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
2.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
3.		Canon SX530	..	+ +	..	..	4/5	4/5	Jan 2015	429	ebay.com
4.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
5.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
6.		Canon SX40	..	+	..	..	4.5/5	4/5	Sep 2011	429	ebay.com
7.		Canon SX30	3/5	+ +	..	..	3.5/5	4/5	Sep 2010	429	ebay.com
8.		Canon SX20	..	+ +	..	73/100	..	4/5	Aug 2009	399	ebay.com
9.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
10.		Leica V-LUX 2	..	..	..	..	..	..	Sep 2010	849	ebay.com
11.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
13.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	1,999	amazon.com
14.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
15.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
16.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
17.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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