Panasonic FZ100 vs LX7
The Panasonic Lumix DMC-FZ100 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in July 2010 and July 2012. Both the FZ100 and the LX7 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ100) and a 1/1.7-inch (LX7) sensor. The FZ100 has a resolution of 14 megapixels, whereas the LX7 provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ100||Panasonic LX7|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8-5.2||24-90mm f/1.4-2.3|
|14 MP, 1/2.3" Sensor||10 MP, 1/1.7" Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-1600 (100-6400)||ISO 80-6400 (80-12800)|
|Electronic viewfinder (202k dots)||Viewfinder optional|
|3.0" LCD, 460k dots||3.0" LCD, 920k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|11 shutter flaps per second||11 shutter flaps per second|
|410 shots per battery charge||330 shots per battery charge|
|124 x 82 x 92 mm, 540 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ100 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FZ100 vs LX7
The physical size and weight of the Panasonic FZ100 and the Panasonic LX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the FZ100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (26 percent) than the Panasonic FZ100. Moreover, the LX7 is substantially lighter (45 percent) than the FZ100. In this context, it is worth noting that neither the FZ100 nor the LX7 are weather-sealed.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FZ100»||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX7«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon T3|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||-||Leica V-LUX 2|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic FZ100 vs LX7
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ100 features a 1/2.3-inch sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 50 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Panasonic FZ100 offers a higher resolution of 14 megapixels, compared with 10 MP of the Panasonic LX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.41μm versus 2.05μm for the LX7). Moreover, it should be noted that the LX7 is a somewhat more recent model (by 1 year and 11 months) than the FZ100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ100 for good quality output (200 dots per inch) amounts to 21.6 x 16.2 inch or 54.9 x 41.1 cm, for very good quality (250 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm, and for excellent quality (300 dpi) 14.4 x 10.8 inch or 36.6 x 27.4 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ100 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ100»||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Panasonic LX7«||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon T3« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Leica V-LUX 2|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX7 provides a faster frame rate than the FZ100. It can shoot movie footage at 1080/60p, while the FZ100 is limited to 1080/60i.
Feature comparison: Panasonic FZ100 vs LX7
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ100 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Panasonic FZ100 and Panasonic LX7 along with similar information for a selection of comparators.
|Panasonic FZ100»||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic LX7«||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon T3« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 2« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ100 and the LX7 have zoom lenses built in. The FZ100 has a 25-600mm f/2.8-5.2 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the LX7 provides a wider angle of view at the short end than the FZ100, but less tele-photo reach at the long end. The LX7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ100 and the LX7 write their files to SDXC cards.
Connectivity comparison: Panasonic FZ100 vs LX7
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ100 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ100»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic LX7«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon T3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
Both the FZ100 and the LX7 have been discontinued, but can regularly be found used on eBay. The FZ100 was replaced by the Panasonic FZ150, while the LX7 was followed by the Panasonic LX10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic FZ100 vs LX7
So what is the bottom line? Is the Panasonic FZ100 better than the Panasonic LX7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-FZ100:
- More detail: Offers more megapixels (14 vs 10MP) with a 18% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (410 versus 330) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in July 2010).
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (111x68mm vs 124x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 242g or 45 percent) and is thus easier to take along.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the LX7 is the clear winner of the contest (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ100 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ100 or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic FZ100 vs LX7
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ100»||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX7«||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon T3« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon T3|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||-||-||-||-||-||Sep 2010||849||-||Leica V-LUX 2|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 300D vs Panasonic LX7
- Canon SX740 vs Panasonic FZ100
- Canon T3 vs Panasonic FZ100
- Fujifilm X-T30 vs Panasonic FZ100
- Fujifilm X100F vs Panasonic LX7
- Leica D-LUX 5 vs Panasonic LX7
- Leica V-LUX Typ 114 vs Panasonic FZ100
- Nikon D5600 vs Panasonic FZ100
- Olympus E-PM1 vs Panasonic LX7
- Panasonic L10 vs Panasonic LX7
- Panasonic LX5 vs Panasonic LX7
- Panasonic LX7 vs Sony A7
Specifications: Panasonic FZ100 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ100||Panasonic LX7|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8-5.2||24-90mm f/1.4-2.3|
|Launch Date||July 2010||July 2012|
|Launch Price||USD 499||USD 499|
|Sensor Specs||Panasonic FZ100||Panasonic LX7|
|Sensor Format||1/2.3" Sensor||1/1.7" Sensor|
|Sensor Size||6.17 x 4.55 mm||7.44 x 5.58 mm|
|Sensor Area||28.0735 mm2||41.5152 mm2|
|Sensor Diagonal||7.7 mm||9.3 mm|
|Sensor Resolution||14 Megapixels||10 Megapixels|
|Image Resolution||4320 x 3240 pixels||3648 x 2736 pixels|
|Pixel Pitch||1.41 μm||2.05 μm|
|Pixel Density||49.86 MP/cm2||24.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-1600 ISO||80-6400 ISO|
|ISO Boost||100-6400 ISO||80-12800 ISO|
|Image Processor||Venus FHD||Venus|
|DXO Sensor Quality (score)||..||50|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||147|
|Screen Specs||Panasonic FZ100||Panasonic LX7|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ100||Panasonic LX7|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||11 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic FZ100||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic FZ100||Panasonic LX7|
|Battery Type||DMW-BMB9 power pack||DMW-BCJ13 power pack|
|Battery Life (CIPA)||410 shots per charge||330 shots per charge|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||540 g (19.0 oz)||298 g (10.5 oz)|
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