Panasonic FT7 vs Sony RX100 II
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were announced, respectively, in May 2018 and June 2013. Both the FT7 and the RX100 II are fixed lens compact cameras that are based on a 1/2.3-inch (FT7) and an one-inch (RX100 II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FT7||Sony RX100 II|
|Fixed lens compact camera||Fixed lens compact camera|
|28-128mm f/3.3-5.9||28-100mm f/1.8-4.9|
|20.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 80-3200 (80-6400)||ISO 100-12800 (100-25600)|
|Electronic viewfinder (1170k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||10 shutter flaps per second|
|Waterproof body (nom)||Not weather sealed|
|300 shots per battery charge||350 shots per battery charge|
|117 x 76 x 37 mm, 319 g||102 x 58 x 38 mm, 281 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic FT7 and the Sony RX100 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the RX100 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is considerably smaller (33 percent) than the Panasonic FT7. Moreover, the RX100 II is markedly lighter (12 percent) than the FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the RX100 II does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
Concerning battery life, the FT7 gets 300 shots out of its DMW-BCM13 battery, while the RX100 II can take 350 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic FT7»||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Sony RX100 II«||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||-||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ82|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Ricoh WG-6« »||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399||Ricoh WG-6|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||-||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a markedly lower price (by 40 percent) than the RX100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FT7 has a native 4:3 aspect ratio, while the one in the RX100 II offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Sony RX100 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the RX100 II). However, it should be noted that the FT7 is much more recent (by 4 years and 10 months) than the RX100 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FT7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Sony RX100 II«||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ82« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ82|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Ricoh WG-6« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Ricoh WG-6|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FT7 provides a higher video resolution than the RX100 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The adjacent table lists some of the other core features of the Panasonic FT7 and Sony RX100 II along with similar information for a selection of comparators.
|Panasonic FT7»||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Sony RX100 II«||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ82« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ82|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Ricoh WG-6« »||-||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100« »||-||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the FT7 and the RX100 II have zoom lenses built in. The FT7 has a 28-128mm f/3.3-5.9 optic and the RX100 II offers a 28-100mm f/1.8-4.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. The RX100 II offers the faster maximum aperture.
The FT7 writes its imaging data to SDXC cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX100 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FT7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Sony RX100 II«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ82« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Ricoh WG-6« »||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the RX100 II has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The FT7 does not feature such an accessory-socket.
The FT7 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX100 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 II was succeeded by the Sony RX100 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is there a clear favorite between the Panasonic FT7 and the Sony RX100 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-FT7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Reflects 4 years and 10 months of technical progress since the RX100 II launch.
Arguments in favor of the Sony Cyber-shot DSC-RX100 II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1300s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.3).
- More compact: Is smaller (102x58mm vs 117x76mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 38g or 12 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 II is the clear winner of the contest (14 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FT7 and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FT7 and the RX100 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FT7»||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Sony RX100 II«||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-A5« »||+||-||4/5||4/5||3.5/5||Jan 2018||399||-||Fujifilm X-A5|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic TZ95« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ82|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Ricoh WG-6« »||-||-||3.5/5||-||3.5/5||Feb 2019||399||Ricoh WG-6|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100« »||+ +||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon D60 vs Panasonic FT7
- Canon D60 vs Sony RX100 II
- Canon G5 X Mark II vs Sony RX100 II
- Leica Q Typ 116 vs Sony RX100 II
- Leica V-LUX 2 vs Sony RX100 II
- Nikon D300 vs Sony RX100 II
- Nikon D7100 vs Sony RX100 II
- Olympus E-410 vs Sony RX100 II
- Olympus E-PL3 vs Sony RX100 II
- Panasonic FT7 vs Panasonic FZ2000
- Panasonic FT7 vs Panasonic G3
- Panasonic FT7 vs Sony H200
Specifications: Panasonic FT7 vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FT7||Sony RX100 II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-128mm f/3.3-5.9||28-100mm f/1.8-4.9|
|Launch Date||May 2018||June 2013|
|Launch Price||USD 449||USD 749|
|Sensor Specs||Panasonic FT7||Sony RX100 II|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.18 μm||2.41 μm|
|Pixel Density||71.80 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80-3200 ISO||100-12800 ISO|
|ISO Boost||80-6400 ISO||100-25600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||67|
|DXO Color Depth (bits)||..||22.5|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||483|
|Screen Specs||Panasonic FT7||Sony RX100 II|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1170k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic FT7||Sony RX100 II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1300/s||1/2000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic FT7||Sony RX100 II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FT7||Sony RX100 II|
|Environmental Sealing||Waterproof body (31m)||Not weather sealed|
|Battery Life (CIPA)||300 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||319 g (11.3 oz)||281 g (9.9 oz)|
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