Panasonic FT7 vs ZS200
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Panasonic Lumix DC-ZS200 (labelled Panasonic TZ200 in some countries) are two digital cameras that were announced, respectively, in May 2018 and February 2018. Both the FT7 and the ZS200 are fixed lens compact cameras that are based on a 1/2.3-inch (FT7) and an one-inch (ZS200) sensor. The FT7 has a resolution of 20.2 megapixels, whereas the ZS200 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FT7||Panasonic ZS200|
|Fixed lens compact camera||Fixed lens compact camera|
|28-128mm f/3.3-5.9||24-360mm f/3.3-6.4|
|20.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 80-3200 (80-6400)||ISO 125-12800 (80-25600)|
|Electronic viewfinder (1170k dots)||Electronic viewfinder (2330k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Waterproof body (nom)||Not weather sealed|
|300 shots per battery charge||370 shots per battery charge|
|117 x 76 x 37 mm, 319 g||111 x 65 x 45 mm, 340 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Panasonic Lumix DC-ZS200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FT7 vs ZS200
The physical size and weight of the Panasonic FT7 and the Panasonic ZS200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the ZS200 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS200 is notably smaller (19 percent) than the Panasonic FT7. However, the ZS200 is markedly heavier (7 percent) than the FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the ZS200 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
Concerning battery life, the FT7 gets 300 shots out of its DMW-BCM13 battery, while the ZS200 can take 370 images on a single charge of its DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FT7»||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic ZS200«||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ82|
|Panasonic LX10« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Ricoh WG-6« »||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399||Ricoh WG-6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a markedly lower price (by 44 percent) than the ZS200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic FT7 vs ZS200
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Panasonic ZS200 an one-inch sensor. The sensor area in the ZS200 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FT7 has a native 4:3 aspect ratio, while the one in the ZS200 offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Panasonic ZS200. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the ZS200). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DC-ZS200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic FT7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic ZS200«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ82« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ82|
|Panasonic LX10« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX10|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Ricoh WG-6« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Ricoh WG-6|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic FT7 vs ZS200
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZS200 offers a substantially higher resolution than the one in the FT7 (2330k vs 1170k dots). The table below summarizes some of the other core capabilities of the Panasonic FT7 and Panasonic ZS200 in connection with corresponding information for a sample of similar cameras.
|Panasonic FT7»||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic ZS200«||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ82« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ82|
|Panasonic LX10« »||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Ricoh WG-6« »||-||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS200 has a touchscreen, while the FT7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FT7 and the ZS200 have zoom lenses built in. The FT7 has a 28-128mm f/3.3-5.9 optic and the ZS200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the ZS200 provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the FT7. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the FT7 and the ZS200 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic FT7 vs ZS200
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Panasonic Lumix DC-ZS200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FT7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic ZS200«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS200|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ82« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Panasonic LX10« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Ricoh WG-6« »||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
Both the FT7 and the ZS200 are recent models that are part of the current product line-up. The ZS200 replaced the earlier Panasonic ZS100, while the FT7 followed on from the Panasonic FT6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic FT7 vs ZS200
So what is the bottom line? Which of the two cameras – the Panasonic FT7 or the Panasonic ZS200 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-FT7:
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
Advantages of the Panasonic Lumix DC-ZS200:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2330k vs 1170k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.53x vs 0.45x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1300s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (111x65mm vs 117x76mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (370 versus 300) out of a single battery charge.
If the number of relative strengths (bullet points above) is taken as a guide, the ZS200 is the clear winner of the contest (14 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FT7 and the Panasonic ZS200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FT7 or the ZS200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic FT7 vs ZS200
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FT7»||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic ZS200«||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Fujifilm X-A5« »||+||-||4/5||4/5||3.5/5||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ82|
|Panasonic LX10« »||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Ricoh WG-6« »||-||-||-||-||-||Feb 2019||399||Ricoh WG-6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Panasonic ZS200
- Canon M50 vs Panasonic FT7
- Canon SL3 vs Panasonic ZS200
- Canon SX730 vs Panasonic ZS200
- Fujifilm X-A10 vs Panasonic FT7
- Fujifilm XP140 vs Panasonic FT7
- Leica SL vs Panasonic FT7
- Nikon P900 vs Panasonic ZS200
- Olympus E-M1X vs Panasonic ZS200
- Panasonic FT7 vs Sony A6000
- Panasonic ZS200 vs Sony A7 II
- Panasonic ZS200 vs Sony RX100 VI
Specifications: Panasonic FT7 vs Panasonic ZS200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FT7||Panasonic ZS200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-128mm f/3.3-5.9||24-360mm f/3.3-6.4|
|Launch Date||May 2018||February 2018|
|Launch Price||USD 449||USD 799|
|Sensor Specs||Panasonic FT7||Panasonic ZS200|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.18 μm||2.41 μm|
|Pixel Density||71.80 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||80-6400 ISO||80-25600 ISO|
|Screen Specs||Panasonic FT7||Panasonic ZS200|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic FT7||Panasonic ZS200|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1300/s||1/2000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FT7||Panasonic ZS200|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FT7||Panasonic ZS200|
|Environmental Sealing||Waterproof body (31m)||Not weather sealed|
|Battery Type||DMW-BCM13 power pack||DMW-BLG10 power pack|
|Battery Life (CIPA)||300 shots per charge||370 shots per charge|
|In-Camera Charging||USB charging||USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||319 g (11.3 oz)||340 g (12.0 oz)|
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