Panasonic FT7 vs L1

The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Panasonic Lumix DMC-L1 are two digital cameras that were revealed to the public, respectively, in May 2018 and February 2006. The FT7 is a fixed lens compact, while the L1 is a DSLR. The cameras are based on a 1/2.3-inch (FT7) and a Four Thirds (L1) sensor. The FT7 has a resolution of 20.2 megapixels, whereas the L1 provides 7.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FT7		Panasonic L1
Fixed lens compact camera		Digital single lens reflex
28-128mm f/3.3-5.9		Four Thirds lenses
20.2 MP – 1/2.3" sensor		7.4 MP – Four Thirds sensor
4K/30p Video		no Video
ISO 80-3,200 (80 - 6,400)		ISO 100-1,600
Electronic viewfinder (1170k dots)		Optical viewfinder
3.0" LCD – 1040k dots		2.5" LCD – 207k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
10 shutter flaps per second		3 shutter flaps per second
Waterproof body (31m)		not weather sealed
300 shots per battery charge		750 shots per battery charge
117 x 76 x 37 mm, 319 g		146 x 87 x 64 mm, 606 g

Check FT7 offers at
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Check L1 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic FT7 and the Panasonic L1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the L1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is considerably larger (43 percent) than the Panasonic FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.

The power pack in the FT7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
2.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
3.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
4.		Canon G1 X Mark III	115 mm	78 mm	51 mm	399 g	200	Y	Oct 2017	1,299	ebay.com
5.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
6.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
7.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
8.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	499	ebay.com
9.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
10.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
11.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
12.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
13.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
14.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
15.		Panasonic FZ82	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	amazon.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a lower price than the L1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 7.4 MP of the Panasonic L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 5.51μm for the L1). However, it should be noted that the FT7 is much more recent (by 12 years and 2 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).

In terms of underlying technology, the FT7 is build around a BSI-CMOS sensor, while the L1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
2.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
3.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
4.		Canon G1 X Mark III	APS-C	24.0	6000	4000	1080/60p	23.8	13.2	1649	81
5.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
6.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
7.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
8.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
9.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
10.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
11.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
12.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
13.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
14.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
15.		Panasonic FZ82	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FT7 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the FT7 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FT7 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the L1 has a higher magnification (0.47x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic FT7 and Panasonic L1 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
2.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
4.		Canon G1 X Mark III	2360	n	3.0 / 1040	swivel	Y	1/2000s	9.0/s	Y	Y
5.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
6.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
7.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
8.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
9.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
10.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
11.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
12.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
13.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
14.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Panasonic FZ82	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The FT7 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
4.		Canon G1 X Mark III	Y	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
6.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
7.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
10.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
13.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic FZ82	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-

It is notable that the FT7 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the FT7 and the L1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the FT7 does not have a direct successor. Further information on the features and operation of the FT7 and L1 can be found, respectively, in the Panasonic FT7 Manual (free pdf) or the online Panasonic L1 Manual.

Review summary

So how do things add up? Is the Panasonic FT7 better than the Panasonic L1 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DC-FT7:

• More detail: Offers more megapixels (20.2 vs 7.4MP) with a 65% higher linear resolution.
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with a built-in lens, while the L1 requires a separate lens.
• More compact: Is smaller (117x76mm vs 146x87mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the L1).
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 12 years and 2 months of technical progress since the L1 launch.

Reasons to prefer the Panasonic Lumix DMC-L1:

• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.47x vs 0.45x).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (750 versus 300) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in February 2006).

If the number of relative strengths (bullet points above) is taken as a guide, the FT7 is the clear winner of the match-up (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FT7 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FT7 or the L1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	449	ebay.com
2.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
3.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
4.		Canon G1 X Mark III	5/5	+	4/5	79/100	4.5/5	4.5/5	Oct 2017	1,299	ebay.com
5.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
6.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
7.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
8.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	499	ebay.com
9.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
10.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
11.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
12.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
13.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
14.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
15.		Panasonic FZ82	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	amazon.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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