Panasonic FT7 vs GX800
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Panasonic Lumix DMC-GX800 (labelled Panasonic GX850 in some countries) are two digital cameras that were announced, respectively, in May 2018 and January 2017. The FT7 is a fixed lens compact, while the GX800 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FT7) and a Four Thirds (GX800) sensor. The FT7 has a resolution of 20.2 megapixels, whereas the GX800 provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FT7||Panasonic GX800|
|Fixed lens compact camera||Mirrorless system camera|
|28-128mm f/3.3-5.9||Micro Four Thirds lenses|
|20.2 MP, 1/2.3" Sensor||15.8 MP, Four Thirds Sensor|
|4K/30p Video||4K/30p Video|
|ISO 80-3200 (80-6400)||ISO 200-25600|
|Electronic viewfinder (1170k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|Waterproof body (nom)||Not weather sealed|
|300 shots per battery charge||210 shots per battery charge|
|117 x 76 x 37 mm, 319 g||107 x 65 x 33 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Panasonic Lumix DMC-GX800? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic FT7 vs GX800
The physical size and weight of the Panasonic FT7 and the Panasonic GX800 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the GX800 is also available in three color-versions, but different ones (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX800 is notably smaller (22 percent) than the Panasonic FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the GX800 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the GX800 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX800 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the FT7 gets 300 shots out of its DMW-BCM13 battery, while the GX800 can take 210 images on a single charge of its DMW-BLH7 power pack. The power pack in the FT7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FT7»||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic GX800«||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549||Panasonic GX800|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ82|
|Panasonic GF7« »||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499||-||Panasonic GF7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Ricoh WG-6« »||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399||Ricoh WG-6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a lower price than the GX800, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FT7 vs GX800
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Panasonic GX800 a Four Thirds sensor. The sensor area in the GX800 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 15.8 MP of the Panasonic GX800. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.77μm for the GX800). However, it should be noted that the FT7 is a somewhat more recent model (by 1 year and 4 months) than the GX800, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the GX800 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Panasonic GX800 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GX800 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FT7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic GX800«||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX800|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ82« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ82|
|Panasonic GF7« »||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-||Panasonic GF7|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Ricoh WG-6« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Ricoh WG-6|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic FT7 vs GX800
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX800 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic FT7 and Panasonic GX800 in connection with corresponding information for a sample of similar cameras.
|Panasonic FT7»||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic GX800«||-||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX800|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ82« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ82|
|Panasonic GF7« »||-||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Ricoh WG-6« »||-||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX800 has a touchscreen, while the FT7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GX800 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the FT7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX800 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FT7 and the GX800 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic FT7 vs GX800
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Panasonic Lumix DMC-GX800 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FT7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic GX800«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX800|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ82« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Panasonic GF7« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Ricoh WG-6« »||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
Both the FT7 and the GX800 are recent models that are part of the current product line-up. The GX800 replaced the earlier Panasonic GF7, while the FT7 followed on from the Panasonic FT6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic FT7 vs GX800
So what conclusions can be drawn? Which of the two cameras – the Panasonic FT7 or the Panasonic GX800 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-FT7:
- More detail: Offers more megapixels (20.2 vs 15.8MP) with a 13% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/1300s vs 1/500s) to freeze action.
- Ready to shoot: Has a lens built-in, whereas the GX800 requires a separate lens.
- Longer lasting: Can take more shots (300 versus 210) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the GX800).
Reasons to prefer the Panasonic Lumix DMC-GX800:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (107x65mm vs 117x76mm) and will fit more readily into a bag.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the GX800 comes out slightly ahead of the FT7 (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FT7 and the Panasonic GX800 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FT7 and the GX800 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic FT7 vs GX800
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FT7»||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic GX800«||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549||Panasonic GX800|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G1 X Mark III« »||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Fujifilm X-A5« »||+||-||4/5||4/5||3.5/5||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic TZ95« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ82« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ82|
|Panasonic GF7« »||+||-||4.5/5||4.5/5||4.5/5||Jan 2015||499||-||Panasonic GF7|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Ricoh WG-6« »||-||-||-||-||-||Feb 2019||399||Ricoh WG-6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon RP vs Panasonic GX800
- Canon SX730 vs Panasonic FT7
- Canon XC10 vs Panasonic FT7
- Fujifilm X-T10 vs Panasonic FT7
- Fujifilm X-T3 vs Panasonic FT7
- Nikon D7100 vs Panasonic GX800
- Olympus TG-5 vs Panasonic GX800
- Panasonic FT7 vs Panasonic G7
- Panasonic FT7 vs Panasonic TZ100
- Panasonic FT7 vs Panasonic ZS70
- Panasonic FT7 vs Sony RX100 III
- Panasonic GX800 vs Sony A9
Specifications: Panasonic FT7 vs Panasonic GX800
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FT7||Panasonic GX800|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-128mm f/3.3-5.9||Micro Four Thirds lenses|
|Launch Date||May 2018||January 2017|
|Launch Price||USD 449||USD 549|
|Sensor Specs||Panasonic FT7||Panasonic GX800|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||15.8 Megapixels|
|Image Resolution||5184 x 3888 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.18 μm||3.77 μm|
|Pixel Density||71.80 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||200-25600 ISO|
|ISO Boost||80-6400 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.2|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||586|
|Screen Specs||Panasonic FT7||Panasonic GX800|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1170k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic FT7||Panasonic GX800|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1300/s||1/500/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FT7||Panasonic GX800|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FT7||Panasonic GX800|
|Environmental Sealing||Waterproof body (31m)||Not weather sealed|
|Battery Type||DMW-BCM13 power pack||DMW-BLH7 power pack|
|Battery Life (CIPA)||300 shots per charge||210 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||319 g (11.3 oz)||269 g (9.5 oz)|
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