Panasonic FT7 vs Canon 1D

The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Canon EOS-1D are two digital cameras that were officially introduced, respectively, in May 2018 and September 2001. The FT7 is a fixed lens compact, while the 1D is a DSLR. The cameras are based on a 1/2.3-inch (FT7) and an APS-H (1D) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Canon provides 4.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FT7		Canon 1D
Fixed lens compact camera		Digital single lens reflex
28-128mm f/3.3-5.9		Canon EF mount lenses
20.2 MP – 1/2.3" sensor		4.1 MP – APS-H sensor
4K/30p Video		no Video
ISO 80-3,200 (80 - 6,400)		ISO 200-1,600 (100 - 3,200)
Electronic viewfinder (1170k dots)		Optical viewfinder
3.0" LCD – 1040k dots		2.0" LCD – 120k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
10 shutter flaps per second		8 shutter flaps per second
Waterproof body (31m)		Weathersealed body
300 shots per battery charge		500 shots per battery charge
117 x 76 x 37 mm, 319 g		156 x 158 x 80 mm, 1585 g

Check FT7 offers at
ebay.com
Check 1D offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Canon EOS-1D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic FT7 and the Canon 1D are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the 1D is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D is considerably larger (177 percent) than the Panasonic FT7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the 1D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the FT7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the 1D can take 500 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1D has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the FT7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
2.		Canon 1D	156 mm	158 mm	80 mm	1585 g	500	Y	Sep 2001	6,499	ebay.com
3.		Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499	amazon.com
4.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
5.		Canon G1 X Mark III	115 mm	78 mm	51 mm	399 g	200	Y	Oct 2017	1,299	ebay.com
6.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
7.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
8.		Canon 1D C	158 mm	164 mm	83 mm	1545 g	1120	Y	Apr 2012	14,999	ebay.com
9.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
10.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	4,499	ebay.com
11.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
12.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	499	ebay.com
13.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
14.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
15.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
16.		Panasonic FZ82	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	amazon.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the 1D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Canon 1D an APS-H sensor. The sensor area in the 1D is 1857 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.3. The sensor in the FT7 has a native 4:3 aspect ratio, while the one in the 1D offers a 3:2 aspect.

Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 4.1 MP of the Canon 1D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 11.56μm for the 1D). However, it should be noted that the FT7 is much more recent (by 16 years and 7 months) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 1D are 12.5 x 8.3 inches or 31.7 x 21.1 cm for good quality, 10 x 6.6 inches or 25.4 x 16.9 cm for very good quality, and 8.3 x 5.5 inches or 21.1 x 14.1 cm for excellent quality prints.

The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Canon EOS-1D are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 100-3200.

In terms of underlying technology, the FT7 is build around a BSI-CMOS sensor, while the 1D uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
2.		Canon 1D	APS-H	4.1	2496	1662	none	..	..	..	..
3.		Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
4.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
5.		Canon G1 X Mark III	APS-C	24.0	6000	4000	1080/60p	23.8	13.2	1649	81
6.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
7.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
8.		Canon 1D C	Full Frame	17.9	5184	3456	4K/24p	24.3	13.0	2155	85
9.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
10.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
11.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
12.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
13.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
14.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
15.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
16.		Panasonic FZ82	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The FT7 indeed provides movie recording capabilities, while the 1D does not. The highest resolution format that the FT7 can use is 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), while the 1D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1D has a higher magnification than the one of the FT7 (0.55x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic FT7, the Canon 1D, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
2.		Canon 1D	optical	Y	2.0 / 120	fixed	n	1/16000s	8.0/s	n	n
3.		Canon 1D X Mark III	optical	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	n
4.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
5.		Canon G1 X Mark III	2360	n	3.0 / 1040	swivel	Y	1/2000s	9.0/s	Y	Y
6.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
7.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
8.		Canon 1D C	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
9.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
10.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
11.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
12.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
13.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
14.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Panasonic FZ82	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
17.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FT7 has one, while the 1D does not. While the built-in flash of the FT7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The FT7 writes its imaging data to SDXC cards, while the 1D uses Compact Flash cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Canon EOS-1D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Canon 1D	Y	- / -	-	-	-	FW	-	-	-
3.		Canon 1D X Mark III	Y	mono / mono	Y	Y	mini	3.1	Y	-	Y
4.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
5.		Canon G1 X Mark III	Y	stereo / mono	-	-	micro	2.0	Y	Y	Y
6.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
7.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
8.		Canon 1D C	Y	mono / mono	Y	Y	mini	2.0	-	-	-
9.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
10.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
11.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
13.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic FZ82	Y	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-

It is notable that the FT7 offers wifi support, while the 1D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Canon 1D (unlike the FT7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the FT7 and the 1D have been discontinued, but can regularly be found used on ebay. The 1D was replaced by the Canon 1D Mark II, while the FT7 does not have a direct successor. Further information on the features and operation of the FT7 and 1D can be found, respectively, in the Panasonic FT7 Manual (free pdf) or the online Canon 1D Manual.

Review summary

So what is the bottom line? Is the Panasonic FT7 better than the Canon 1D or vice versa? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DC-FT7:

• More detail: Offers more megapixels (20.2 vs 4.1MP) with a 116% higher linear resolution.
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with a built-in lens, while the 1D requires a separate lens.
• More compact: Is smaller (117x76mm vs 156x158mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the 1D).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 16 years and 7 months of technical progress since the 1D launch.

Reasons to prefer the Canon EOS-1D:

• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.55x vs 0.45x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/1300s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (500 versus 300) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in September 2001).

If the count of individual advantages (bullet points above) is taken as a guide, the FT7 emerges as the winner of the contest (17 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FT7 and the Canon 1D place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FT7 and the 1D in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	449	ebay.com
2.		Canon 1D	..	..	..	+ +	..	..	Sep 2001	6,499	ebay.com
3.		Canon 1D X Mark III	..	+ +	5/5	..	4.5/5	4/5	Jan 2020	6,499	amazon.com
4.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
5.		Canon G1 X Mark III	5/5	+	4/5	79/100	4.5/5	4.5/5	Oct 2017	1,299	ebay.com
6.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
7.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
8.		Canon 1D C	..	..	..	..	..	..	Apr 2012	14,999	ebay.com
9.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
10.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	4,499	ebay.com
11.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
12.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	499	ebay.com
13.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
14.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
15.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
16.		Panasonic FZ82	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	amazon.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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