Olympus XZ-2 vs Sony A5000
The Olympus XZ-2 and the Sony Alpha A5000 are two digital cameras that were officially introduced, respectively, in September 2012 and January 2014. The XZ-2 is a fixed lens compact, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (XZ-2) and an APS-C (A5000) sensor. The Olympus has a resolution of 11.8 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus XZ-2 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus XZ-2 and the Sony A5000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the XZ-2 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is notably smaller (6 percent) than the Olympus XZ-2. In this context, it is worth noting that neither the XZ-2 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XZ-2 has a lens built in, whereas the A5000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A5000 and their specifications in the Sony E-Mount Lens Catalog.
The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus XZ-2 | 113 mm | 65 mm | 48 mm | 346 g | 340 | n | Sep 2012 | 599 | ebay.com | |
2. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
3. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
4. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
5. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
7. | Nikon D3300 | 124 mm | 98 mm | 76 mm | 430 g | 700 | n | Jan 2014 | 499 | ebay.com | |
8. | Olympus Stylus 1 | 116 mm | 87 mm | 57 mm | 402 g | 410 | n | Oct 2013 | 699 | ebay.com | |
9. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | 799 | ebay.com | |
10. | Olympus E-PL2 | 114 mm | 72 mm | 42 mm | 362 g | 280 | n | Jan 2011 | 599 | ebay.com | |
11. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | 599 | ebay.com | |
12. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
13. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
14. | Pentax MX-1 | 122 mm | 61 mm | 51 mm | 391 g | 290 | n | Jan 2013 | 499 | ebay.com | |
15. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
16. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
17. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus XZ-2 features a 1/1.7-inch sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 730 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.5. The sensor in the XZ-2 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the XZ-2 (11.8MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 1.91μm for the XZ-2) due to its larger sensor. Moreover, the A5000 is a somewhat more recent model (by 1 year and 3 months) than the XZ-2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus XZ-2 are 19.8 x 14.9 inches or 50.4 x 37.8 cm for good quality, 15.9 x 11.9 inches or 40.3 x 30.2 cm for very good quality, and 13.2 x 9.9 inches or 33.6 x 25.2 cm for excellent quality prints.
The Olympus XZ-2 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A5000 offers substantially better image quality than the XZ-2 (overall score 30 points higher). The advantage is based on 3.4 bits higher color depth, 1.7 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus XZ-2 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.4 | 11.3 | 216 | 49 | |
2. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
3. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
4. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
5. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
6. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
7. | Nikon D3300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.8 | 1385 | 82 | |
8. | Olympus Stylus 1 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.7 | 11.6 | 179 | 51 | |
9. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
10. | Olympus E-PL2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.2 | 573 | 55 | |
11. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
12. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
13. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
14. | Pentax MX-1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 20.4 | 11.3 | 208 | 49 | |
15. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
16. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
17. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A5000 provides a faster frame rate than the XZ-2. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The XZ-2 and the A5000 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the XZ-2 can be equipped with an optional viewfinder – the VF-2. The table below summarizes some of the other core capabilities of the Olympus XZ-2 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus XZ-2 | optional | n | 3.0 / 920 | tilting | Y | 1/2000s | 5.0/s | Y | Y | |
2. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
3. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
4. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
5. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
6. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
7. | Nikon D3300 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
8. | Olympus Stylus 1 | 1440 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 7.0/s | Y | Y | |
9. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
10. | Olympus E-PL2 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
11. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
12. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
13. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
14. | Pentax MX-1 | none | n | 3.0 / 920 | tilting | n | 1/8000s | 1.0/s | Y | Y | |
15. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
16. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
17. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The XZ-2 has a touchscreen, while the A5000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XZ-2 does not have a selfie-screen.The Olympus XZ-2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XZ-2 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The A5000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XZ-2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus XZ-2 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus XZ-2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D3300 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Olympus Stylus 1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
10. | Olympus E-PL2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Pentax MX-1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - |
It is notable that the XZ-2 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the XZ-2 and the A5000 have been discontinued, but can regularly be found used on ebay. The A5000 was replaced by the Sony A5100, while the XZ-2 does not have a direct successor. Further information on the features and operation of the XZ-2 and A5000 can be found, respectively, in the Olympus XZ-2 Manual (free pdf) or the online Sony A5000 Manual.
Review summary
So how do things add up? Is the Olympus XZ-2 better than the Sony A5000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus XZ-2:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A5000 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Advantages of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 11.8MP), which boosts linear resolution by 32%.
- Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (420 versus 340) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A5000 is the clear winner of the contest (15 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus XZ-2 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the XZ-2 and the A5000 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus XZ-2 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
2. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
3. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
4. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
5. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
7. | Nikon D3300 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2014 | 499 | ebay.com | |
8. | Olympus Stylus 1 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 699 | ebay.com | |
9. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | 799 | ebay.com | |
10. | Olympus E-PL2 | 3/5 | 83/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jan 2011 | 599 | ebay.com | |
11. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
12. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
13. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
14. | Pentax MX-1 | 3/5 | .. | .. | 74/100 | 4/5 | 4/5 | Jan 2013 | 499 | ebay.com | |
15. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
16. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
17. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D vs Olympus XZ-2
- Fujifilm XF10 vs Olympus XZ-2
- Leica S2 vs Sony A5000
- Leica V-LUX 4 vs Sony A5000
- Nikon D2H vs Olympus XZ-2
- Nikon D3400 vs Sony A5000
- Nikon D40X vs Olympus XZ-2
- Nikon D50 vs Olympus XZ-2
- Nikon Df vs Sony A5000
- Olympus E-P1 vs Sony A5000
- Olympus XZ-2 vs Sony A6000
- Panasonic G9 vs Sony A5000
Specifications: Olympus XZ-2 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus XZ-2 | Sony A5000 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-112mm f/1.8-2.5 | Sony E mount lenses |
Launch Date | September 2012 | January 2014 |
Launch Price | USD 599 | USD 449 |
Sensor Specs | Olympus XZ-2 | Sony A5000 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | APS-C Sensor |
Sensor Size | 7.6 x 5.7 mm | 23.2 x 15.4 mm |
Sensor Area | 43.32 mm2 | 357.28 mm2 |
Sensor Diagonal | 9.5 mm | 27.8 mm |
Crop Factor | 4.4x | 1.5x |
Sensor Resolution | 11.8 Megapixels | 19.8 Megapixels |
Image Resolution | 3968 x 2976 pixels | 5456 x 3632 pixels |
Pixel Pitch | 1.91 μm | 4.25 μm |
Pixel Density | 27.26 MP/cm2 | 5.55 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 1080/60i Video |
ISO Setting | 100 - 12,800 ISO | 100 - 16,000 ISO |
Image Processor | TruePic VI | BIONZ X |
DXO Sensor Quality (score) | 49 | 79 |
DXO Color Depth (bits) | 20.4 | 23.8 |
DXO Dynamic Range (EV) | 11.3 | 13.0 |
DXO Low Light (ISO) | 216 | 1089 |
Screen Specs | Olympus XZ-2 | Sony A5000 |
Viewfinder Type | Viewfinder optional | no viewfinder |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 461k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Olympus XZ-2 | Sony A5000 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 3.5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Olympus XZ-2 | Sony A5000 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Olympus XZ-2 | Sony A5000 |
Battery Type | Olympus Li-90B | Sony NP-FW50 |
Battery Life (CIPA) | 340 shots per charge | 420 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
113 x 65 x 48 mm (4.4 x 2.6 x 1.9 in) |
110 x 63 x 36 mm (4.3 x 2.5 x 1.4 in) |
Camera Weight | 346 g (12.2 oz) | 269 g (9.5 oz) |
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