Olympus TG-6 vs Panasonic GF2
The Olympus Tough TG-6 and the Panasonic Lumix DMC-GF2 are two digital cameras that were revealed to the public, respectively, in May 2019 and November 2010. The TG-6 is a fixed lens compact, while the GF2 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TG-6) and a Four Thirds (GF2) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Tough TG-6 and the Panasonic Lumix DMC-GF2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Olympus TG-6 and the Panasonic GF2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TG-6 can be obtained in two different colors (black, red), while the GF2 is available in four color-versions (black, silver, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF2 is somewhat larger (3 percent) than the Olympus TG-6. It is worth mentioning in this context that the TG-6 is splash and dust resistant, while the GF2 does not feature any corresponding weather-sealing. More than that, the TG-6 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-6 has a lens built in, whereas the GF2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF2 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the TG-6 gets 340 shots out of its Olympus LI-92B battery, while the GF2 can take 300 images on a single charge of its Panasonic DMW-BLD10 power pack. The power pack in the TG-6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus TG-6 | 113 mm | 66 mm | 32 mm | 253 g | 340 | Y | May 2019 | 449 | ebay.com | |
2. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | 389 | ebay.com | |
5. | Olympus TG-5 | 113 mm | 66 mm | 32 mm | 250 g | 340 | Y | May 2017 | 449 | ebay.com | |
6. | Olympus TG-4 | 112 mm | 66 mm | 31 mm | 247 g | 380 | Y | Apr 2015 | 379 | ebay.com | |
7. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | 499 | ebay.com | |
8. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
9. | OM System TG-7 | 114 mm | 66 mm | 33 mm | 249 g | 330 | Y | Sep 2023 | 549 | amazon.com | |
10. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
11. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
12. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
13. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
14. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
15. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
16. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | 399 | amazon.com | |
17. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TG-6 was launched at a lower price than the GF2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus TG-6 features a 1/2.3-inch sensor and the Panasonic GF2 a Four Thirds sensor. The sensor area in the GF2 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the GF2 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the GF2 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.33μm versus 1.53μm for the TG-6), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the TG-6 is much more recent (by 8 years and 6 months) than the GF2, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Olympus Tough TG-6 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GF2 are ISO 100 to ISO 6400 (no boost).
In terms of underlying technology, the TG-6 is build around a BSI-CMOS sensor, while the GF2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus TG-6 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.7 | 12.2 | 1127 | 52 | |
2. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
5. | Olympus TG-5 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.5 | 11.9 | 934 | 50 | |
6. | Olympus TG-4 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 737 | 47 | |
7. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
8. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
9. | OM System TG-7 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.9 | 12.7 | 1553 | 54 | |
10. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
11. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
12. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
13. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
14. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
15. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
16. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
17. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TG-6 provides a higher video resolution than the GF2. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The TG-6 and the GF2 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Olympus TG-6 and Panasonic GF2 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus TG-6 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
2. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
5. | Olympus TG-5 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
6. | Olympus TG-4 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 5.0/s | Y | Y | |
7. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
8. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
9. | OM System TG-7 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
10. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
11. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
12. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
13. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
14. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
15. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
16. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
17. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF2 has a touchscreen, while the TG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Olympus TG-6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TG-6 and the GF2 write their files to SDXC cards. The TG-6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Tough TG-6 and Panasonic Lumix DMC-GF2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus TG-6 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
5. | Olympus TG-5 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Olympus TG-4 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
9. | OM System TG-7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
16. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
17. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y |
It is notable that the TG-6 offers wifi support, while the GF2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Travel and landscape photographers will find it useful that the TG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the TG-6 and the GF2 have been discontinued, but can regularly be found used on ebay. The GF2 was replaced by the Panasonic GF3, while the TG-6 was followed by the OM System TG-7. Further information on the features and operation of the TG-6 and GF2 can be found, respectively, in the Olympus TG-6 Manual (free pdf) or the online Panasonic GF2 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Olympus TG-6 and the Panasonic GF2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus Tough TG-6:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (20 vs 2.6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the GF2 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GF2).
- Longer lasting: Can take more shots (340 versus 300) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 8 years and 6 months of technical progress since the GF2 launch.
Reasons to prefer the Panasonic Lumix DMC-GF2:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in November 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the TG-6 is the clear winner of the match-up (16 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus TG-6 and the Panasonic GF2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the TG-6 and the GF2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus TG-6 | 4/5 | + + | 4.5/5 | 76/100 | 4/5 | 4/5 | May 2019 | 449 | ebay.com | |
2. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | 389 | ebay.com | |
5. | Olympus TG-5 | .. | + + | 4.5/5 | .. | 4/5 | 4/5 | May 2017 | 449 | ebay.com | |
6. | Olympus TG-4 | .. | + | .. | 79/100 | 4/5 | 4/5 | Apr 2015 | 379 | ebay.com | |
7. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | 499 | ebay.com | |
8. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
9. | OM System TG-7 | 4/5 | .. | 4.5/5 | .. | 4/5 | 4/5 | Sep 2023 | 549 | amazon.com | |
10. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | 449 | ebay.com | |
11. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
12. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
13. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
14. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
15. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
16. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | 399 | amazon.com | |
17. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M100 vs Olympus TG-6
- Canon R50 vs Olympus TG-6
- Canon SX520 vs Panasonic GF2
- Canon XS vs Panasonic GF2
- Fujifilm X-M1 vs Olympus TG-6
- Nikon 1 V3 vs Panasonic GF2
- Olympus E-PL10 vs Olympus TG-6
- Olympus E-PL9 vs Panasonic GF2
- Olympus TG-6 vs Panasonic GH6
- Olympus TG-6 vs Pentax KP
- Panasonic GF2 vs Pentax K-3 III
- Panasonic GF2 vs Sony RX100 II
Specifications: Olympus TG-6 vs Panasonic GF2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus TG-6 | Panasonic GF2 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 25-100mm f/2.0-4.9 | Micro Four Thirds lenses |
Launch Date | May 2019 | November 2010 |
Launch Price | USD 449 | USD 549 |
Sensor Specs | Olympus TG-6 | Panasonic GF2 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Four Thirds Sensor |
Sensor Size | 6.17 x 4.55 mm | 17.3 x 13.0 mm |
Sensor Area | 28.0735 mm2 | 224.9 mm2 |
Sensor Diagonal | 7.7 mm | 21.6 mm |
Crop Factor | 5.6x | 2.0x |
Sensor Resolution | 12 Megapixels | 12 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4000 x 3000 pixels |
Pixel Pitch | 1.53 μm | 4.33 μm |
Pixel Density | 42.74 MP/cm2 | 5.34 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60i Video |
ISO Setting | 100 - 12,800 ISO | 100 - 6,400 ISO |
Image Processor | TruePic VIII | Venus FHD |
DXO Sensor Quality (score) | .. | 54 |
DXO Color Depth (bits) | .. | 21.2 |
DXO Dynamic Range (EV) | .. | 10.3 |
DXO Low Light (ISO) | .. | 506 |
Screen Specs | Olympus TG-6 | Panasonic GF2 |
Viewfinder Type | no viewfinder | Viewfinder optional |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 460k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Olympus TG-6 | Panasonic GF2 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 20 shutter flaps/s | 2.6 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Olympus TG-6 | Panasonic GF2 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Geotagging | GPS built-in | no internal GPS |
Body Specs | Olympus TG-6 | Panasonic GF2 |
Environmental Sealing | Waterproof body (15m) | not weather sealed |
Battery Type | Olympus LI-92B | Panasonic DMW-BLD10 |
Battery Life (CIPA) | 340 shots per charge | 300 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
113 x 66 x 32 mm (4.4 x 2.6 x 1.3 in) |
113 x 68 x 33 mm (4.4 x 2.7 x 1.3 in) |
Camera Weight | 253 g (8.9 oz) | 310 g (10.9 oz) |
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