Olympus TG-6 vs Panasonic FZ82
The Olympus Tough TG-6 and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were announced, respectively, in May 2019 and January 2017. Both the TG-6 and the FZ82 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Olympus has a resolution of 12 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus TG-6||Panasonic FZ82|
|Fixed lens compact camera||Fixed lens compact camera|
|25-100mm f/2.0-4.9||20-1200mm f/2.8-5.9|
|12 MP, 1/2.3" Sensor||18 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-12800||ISO 80-3200 (80-6400)|
|No viewfinder, LCD framing||Electronic viewfinder (1166k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|20 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Waterproof body (nom)||Not weather sealed|
|340 shots per battery charge||330 shots per battery charge|
|113 x 66 x 32 mm, 253 g||130 x 94 x 119 mm, 616 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Tough TG-6 and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus TG-6 and the Panasonic FZ82 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TG-6 can be obtained in two different colors (black, red), while the FZ82 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is considerably larger (64 percent) than the Olympus TG-6. Moreover, the FZ82 is substantially heavier (143 percent) than the TG-6. It is worth mentioning in this context that the TG-6 is splash and dust resistant, while the FZ82 does not feature any corresponding weather-sealing. More than that, the TG-6 is water-proof up to 15m and can, thus, be used for underwater photography.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus TG-6»||113 mm||66 mm||32 mm||253 g||340||Y||May 2019||449||Olympus TG-6|
|Panasonic FZ82«||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||Panasonic FZ82|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||-||Canon SX730|
|Fujifilm XF10« »||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||Fujifilm XF10|
|Olympus TG-5« »||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379||-||Olympus TG-4|
|Olympus E-PM1« »||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||-||Olympus E-PM1|
|Olympus XZ-1« »||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FT7« »||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||Panasonic FT7|
|Panasonic TZ90« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic TZ90|
|Ricoh WG-6« »||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399||Ricoh WG-6|
|Sony HX99« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||Sony HX95|
|Sony HX350« »||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449||Sony HX350|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ82 was launched at a somewhat lower price (by 11 percent) than the TG-6, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the FZ82 offers a higher resolution of 18 megapixels, compared with 12 MP of the TG-6. This megapixels advantage translates into a 22 percent gain in linear resolution. On the other hand, these sensor specs imply that the FZ82 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 1.53μm for the TG-6). Moreover, it should be noted, that the TG-6 is much more recent (by 2 years and 4 months) than the FZ82, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ82 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ82 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Olympus TG-6 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Olympus Tough TG-6 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus TG-6»||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-6|
|Panasonic FZ82«||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ82|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Olympus TG-5« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic FT7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Ricoh WG-6« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Ricoh WG-6|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony HX350« »||1/2.3||19.9||5152||3864||1080/60p||-||-||-||-||Sony HX350|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ82 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TG-6 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus TG-6 and Panasonic FZ82 along with similar information for a selection of comparators.
|Olympus TG-6»||-||n||3.0||1040||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-6|
|Panasonic FZ82«||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ82|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Olympus TG-5« »||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic FT7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Ricoh WG-6« »||-||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony HX350« »||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ82 has a touchscreen, while the TG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus TG-6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the TG-6 and the FZ82 have zoom lenses built in. The TG-6 has a 25-100mm f/2.0-4.9 optic and the FZ82 offers a 20-1200mm f/2.8-5.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Olympus. The TG-6 offers the faster maximum aperture.
Concerning the storage of imaging data, both the TG-6 and the FZ82 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Tough TG-6 and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus TG-6»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-6|
|Panasonic FZ82«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Olympus TG-5« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic FT7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Ricoh WG-6« »||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony HX350« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
It is notable that the FZ82 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The TG-6 does not feature such an accessory-socket.
Travel and landscape photographers will find it useful that the TG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the TG-6 and the FZ82 are recent models that are part of the current product line-up. The FZ82 replaced the earlier Panasonic FZ72, while the TG-6 followed on from the Olympus TG-5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Is the Olympus TG-6 better than the Panasonic FZ82 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus Tough TG-6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (113x66mm vs 130x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 363g or 59 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More modern: Reflects 2 years and 4 months of technical progress since the FZ82 launch.
Arguments in favor of the Panasonic Lumix DC-FZ82:
- More detail: Has more megapixels (18 vs 12MP), which boosts linear resolution by 22%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was released into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus TG-6 and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the TG-6 or the FZ82 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus TG-6»||+ +||-||4/5||-||4/5||May 2019||449||Olympus TG-6|
|Panasonic FZ82«||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ82|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Olympus TG-5« »||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FT7« »||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Ricoh WG-6« »||-||-||3.5/5||-||3.5/5||Feb 2019||399||Ricoh WG-6|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony HX350« »||-||-||-||-||4/5||Dec 2016||449||Sony HX350|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 250D vs Panasonic FZ82
- Canon 90D vs Panasonic FZ82
- Nikon D3300 vs Panasonic FZ82
- Nikon D60 vs Panasonic FZ82
- Nikon D750 vs Olympus TG-6
- Olympus TG-6 vs Panasonic FZ1000 II
- Olympus TG-6 vs Panasonic FZ150
- Olympus TG-6 vs Sony A5100
- Panasonic FZ82 vs Panasonic G9
- Panasonic FZ82 vs Samsung NX30
- Panasonic FZ82 vs Sony A7S II
- Panasonic FZ82 vs Sony RX1
Specifications: Olympus TG-6 vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus TG-6||Panasonic FZ82|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-100mm f/2.0-4.9||20-1200mm f/2.8-5.9|
|Launch Date||May 2019||January 2017|
|Launch Price||USD 449||USD 399|
|Sensor Specs||Olympus TG-6||Panasonic FZ82|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||18 Megapixels|
|Image Resolution||4000 x 3000 pixels||4896 x 3672 pixels|
|Pixel Pitch||1.53 μm||1.25 μm|
|Pixel Density||42.74 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-6400 ISO|
|Image Processor||TruePic VIII||Venus|
|Screen Specs||Olympus TG-6||Panasonic FZ82|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus TG-6||Panasonic FZ82|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/2000/s|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus TG-6||Panasonic FZ82|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Olympus TG-6||Panasonic FZ82|
|Environmental Sealing||Waterproof body (15m)||Not weather sealed|
|Battery Life (CIPA)||340 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
113 x 66 x 32 mm
(4.4 x 2.6 x 1.3 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||253 g (8.9 oz)||616 g (21.7 oz)|
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