Olympus PEN-F vs Sony NEX-5R
The Olympus PEN-F and the Sony Alpha NEX-5R are two digital cameras that were revealed to the public, respectively, in January 2016 and August 2012. Both the PEN-F and the NEX-5R are mirrorless interchangeable lens cameras that are based on a Four Thirds (PEN-F) and an APS-C (NEX-5R) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus PEN-F||Sony NEX-5R|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|20.2 MP, Four Thirds Sensor||16 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 80-25600||ISO 100-25600|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1037k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Tilting touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|330 shots per battery charge||330 shots per battery charge|
|125 x 72 x 37 mm, 427 g||111 x 59 x 39 mm, 276 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN-F and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus PEN-F and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is notably smaller (27 percent) than the Olympus PEN-F. Moreover, the NEX-5R is substantially lighter (35 percent) than the PEN-F. In this context, it is worth noting that neither the PEN-F nor the NEX-5R are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (PEN-F) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus PEN-F»||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Sony NEX-5R«||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||-||Sony NEX-5R|
|Olympus E-M10 III« »||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649||Olympus E-M10 III|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-PL8« »||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||-||Olympus E-P5|
|Panasonic GX80« »||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony A6500« »||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony NEX-3N« »||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||111 mm||59 mm||39 mm||2776 g||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-F3« »||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-5« »||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-5R was launched at a markedly lower price (by 38 percent) than the PEN-F, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus PEN-F features a Four Thirds sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the PEN-F has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
Despite having a smaller sensor, the Olympus PEN-F offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Sony NEX-5R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.78μm for the NEX-5R). However, it should be noted that the PEN-F is much more recent (by 3 years and 4 months) than the NEX-5R, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus PEN-F implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the PEN-F for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Sony NEX-5R are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
Unlike the NEX-5R, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN-F has a native sensitivity range from ISO 80 to ISO 25600. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-5R has a markedly higher DXO score than the PEN-F (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.6 bits higher color depth, 0.7 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus PEN-F»||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Sony NEX-5R«||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Olympus E-M10 III« »||Four Thirds||15.9||4608||3456||4K/30p||-||-||-||-||Olympus E-M10 III|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-PL8« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL8|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the PEN-F provides a higher frame rate than the NEX-5R. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the PEN-F has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Olympus PEN-F, the Sony NEX-5R, and comparable cameras.
|Olympus PEN-F»||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Sony NEX-5R«||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Olympus E-M10 III« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-M10 III|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus E-PL8« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that differentiates the PEN-F and the NEX-5R is in-body image stabilization (IBIS). The PEN-F reduces the risk of handshake-induced blur with all attached lenses, while the NEX-5R has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The PEN-F writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The PEN-F supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN-F and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus PEN-F»||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Sony NEX-5R«||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Olympus E-M10 III« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 III|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-PL8« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic GX80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
The PEN-F is a recent model that features in the current product line-up of Olympus. In contrast, the NEX-5R has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5R was succeeded by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what is the bottom line? Is the Olympus PEN-F better than the Sony NEX-5R or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus PEN-F:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Reflects 3 years and 4 months of technical progress since the NEX-5R launch.
Arguments in favor of the Sony Alpha NEX-5R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- More compact: Is smaller (111x59mm vs 125x72mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 151g or 35 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the PEN-F is the clear winner of the match-up (13 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus PEN-F and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the PEN-F or the NEX-5R. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus PEN-F»||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Sony NEX-5R«||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Olympus E-M10 III« »||+||80/100||4.5/5||4/5||4.5/5||Aug 2017||649||Olympus E-M10 III|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-PL8« »||-||-||4.5/5||-||4/5||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Panasonic GX80« »||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Sony NEX-5R
- Canon 1D X Mark II vs Olympus PEN-F
- Canon G9 X vs Olympus PEN-F
- Canon M6 vs Sony NEX-5R
- Canon XSi vs Olympus PEN-F
- Fujifilm X-E2 vs Olympus PEN-F
- Nikon 1 J4 vs Sony NEX-5R
- Nikon 1 V3 vs Sony NEX-5R
- Nikon D5200 vs Sony NEX-5R
- Nikon D850 vs Olympus PEN-F
- Olympus PEN-F vs Olympus XZ-1
- Sony NEX-3N vs Sony NEX-5R
Specifications: Olympus PEN-F vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus PEN-F||Sony NEX-5R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||January 2016||August 2012|
|Launch Price||USD 1199||USD 749|
|Sensor Specs||Olympus PEN-F||Sony NEX-5R|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||20.2 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3888 pixels||4912 x 3264 pixels|
|Pixel Pitch||3.34 μm||4.78 μm|
|Pixel Density||8.96 MP/cm2||4.39 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||80-25600 ISO||100-25600 ISO|
|Image Processor||TruePic VII||BIONZ|
|DXO Sensor Quality (score)||74||78|
|DXO Color Depth (bits)||23.1||23.7|
|DXO Dynamic Range (EV)||12.4||13.1|
|DXO Low Light (ISO)||894||910|
|Screen Specs||Olympus PEN-F||Sony NEX-5R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Olympus PEN-F||Sony NEX-5R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Olympus PEN-F||Sony NEX-5R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Olympus PEN-F||Sony NEX-5R|
|Battery Life (CIPA)||330 shots per charge||330 shots per charge|
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||427 g (15.1 oz)||276 g (9.7 oz)|
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