Olympus PEN-F vs Sony A7C

The Olympus PEN-F and the Sony Alpha A7C are two enthusiast cameras that were announced, respectively, in January 2016 and September 2020. Both the PEN-F and the A7C are mirrorless interchangeable lens cameras that are based on a Four Thirds (PEN-F) and a full frame (A7C) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus PEN-F		Sony A7C
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
20.2 MP – Four Thirds sensor		24 MP – Full Frame sensor
1080/60p Video		4K/30p Video
ISO 80-25,600		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1037k dots		3.0" LCD – 922k dots
Swivel touchscreen		Swivel touchscreen
10 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
330 shots per battery charge		740 shots per battery charge
125 x 72 x 37 mm, 427 g		124 x 71 x 60 mm, 509 g

Check PEN-F offers at
ebay.com
Check A7C price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN-F and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus PEN-F and the Sony A7C is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

Both cameras are available in two different colors (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is somewhat smaller (2 percent) than the Olympus PEN-F. However, the A7C is markedly heavier (19 percent) than the PEN-F. It is noteworthy in this context that the A7C is splash and dust-proof, while the PEN-F does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (PEN-F) and the Sony FE Lens Catalog (A7C). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the PEN-F gets 330 shots out of its Olympus BLN-1 battery, while the A7C can take 740 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
2.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
3.		Olympus E-M10 III	122 mm	84 mm	50 mm	410 g	330	n	Aug 2017	649	ebay.com
4.		Olympus E-PL8	115 mm	67 mm	38 mm	357 g	350	n	Sep 2016	549	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
7.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
9.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
10.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
11.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
12.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
13.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
15.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
16.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
17.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The PEN-F was launched at a markedly lower price (by 33 percent) than the A7C, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus PEN-F features a Four Thirds sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the PEN-F has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect.

With 24MP, the A7C offers a higher resolution than the PEN-F (20.2MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.34μm for the PEN-F) due to its larger sensor. Moreover, the A7C is a much more recent model (by 4 years and 7 months) than the PEN-F, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus PEN-F are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the A7C, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus PEN-F has a native sensitivity range from ISO 80 to ISO 25600. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the PEN-F is build around a CMOS sensor, while the A7C uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7C offers substantially better image quality than the PEN-F (overall score 21 points higher). The advantage is based on 1.9 bits higher color depth, 2.3 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
2.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
3.		Olympus E-M10 III	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1120	74
4.		Olympus E-PL8	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.6	1030	73
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
7.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
10.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
11.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
12.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
13.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
16.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
17.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7C provides a better video resolution than the PEN-F. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The PEN-F and the A7C are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Olympus PEN-F and Sony A7C in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
3.		Olympus E-M10 III	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
4.		Olympus E-PL8	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
10.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
11.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
13.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus PEN-F and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The PEN-F writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN-F and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Olympus E-M10 III	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Olympus E-PL8	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the A7C has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The PEN-F lacks such a headphone port.

The A7C is a recent model that features in the current product line-up of Sony. In contrast, the PEN-F has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the PEN-F from Olympus. Further information on the features and operation of the PEN-F and A7C can be found, respectively, in the Olympus PEN-F Manual (free pdf) or the online Sony A7C Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus PEN-F and the Sony A7C? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Olympus PEN-F:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.59x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Less heavy: Is lighter (by 82g or 16 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in January 2016).

Advantages of the Sony Alpha A7C:

• More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (21 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.9 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Longer lasting: Gets more shots (740 versus 330) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 4 years and 7 months of technical progress since the PEN-F launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus PEN-F and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the PEN-F or the A7C. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
2.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
3.		Olympus E-M10 III	..	+	5/5	80/100	4.5/5	4.5/5	Aug 2017	649	ebay.com
4.		Olympus E-PL8	..	..	..	..	4.5/5	4/5	Sep 2016	549	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
7.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
9.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
10.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
11.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
12.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
13.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
15.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
16.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
17.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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