Olympus PEN-F vs Panasonic FZ1000
The Olympus PEN-F and the Panasonic Lumix DMC-FZ1000 are two digital cameras that were announced, respectively, in January 2016 and June 2014. The PEN-F is a mirrorless interchangeable lens camera, while the FZ1000 is a fixed lens compact. The cameras are based on a Four Thirds (PEN-F) and an one-inch (FZ1000) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus PEN-F||Panasonic FZ1000|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||25-400mm f/2.8-4.0|
|20.2 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 80-25600||ISO 125-12800 (80-25600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1037k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|10 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|330 shots per battery charge||360 shots per battery charge|
|125 x 72 x 37 mm, 427 g||137 x 99 x 131 mm, 831 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN-F and the Panasonic Lumix DMC-FZ1000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus PEN-F and the Panasonic FZ1000. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The PEN-F can be obtained in two different colors (black, silver), while the FZ1000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 is considerably larger (51 percent) than the Olympus PEN-F. In this context, it is worth noting that neither the PEN-F nor the FZ1000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the PEN-F is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the PEN-F and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus PEN-F»||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Panasonic FZ1000«||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||Panasonic FZ1000|
|Canon G3 X« »||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||Canon G3 X|
|Olympus E-M10 III« »||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649||Olympus E-M10 III|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-PL8« »||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549||Olympus E-PL8|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||Olympus E-P5|
|Panasonic GX80« »||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||Panasonic GX8|
|Panasonic LX100« »||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||Panasonic LX100|
|Sony A6500« »||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Sony RX100 III« »||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||Sony RX100 III|
|Sony RX100 II« »||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ1000 was launched at a lower price than the PEN-F, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus PEN-F features a Four Thirds sensor and the Panasonic FZ1000 an one-inch sensor. The sensor area in the FZ1000 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the PEN-F has a native 4:3 aspect ratio, while the one in the FZ1000 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.2MP, the PEN-F offers a slightly higher resolution than the FZ1000 (20MP), but the PEN-F nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the FZ1000) due to its larger sensor. Moreover, the PEN-F is a somewhat more recent model (by 1 year and 7 months) than the FZ1000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the FZ1000, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN-F has a native sensitivity range from ISO 80 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ1000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the PEN-F has a notably higher overall DXO score than the FZ1000 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 0.7 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-M10 III|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL8|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ1000 provides a better video resolution than the PEN-F. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the PEN-F offers a slightly higher resolution than the one in the FZ1000 (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Olympus PEN-F and Panasonic FZ1000 along with similar information for a selection of comparators.
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Olympus E-M10 III||2360||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-M10 III|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus E-PL8||none||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic GX80||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic LX100||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The PEN-F has a touchscreen, while the FZ1000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F and the Panasonic FZ1000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the PEN-F and the FZ1000 write their files to SDXC cards. The PEN-F supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ1000 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN-F and Panasonic Lumix DMC-FZ1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Olympus E-M10 III||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 III|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-PL8||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic GX80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic LX100||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the FZ1000 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The PEN-F does not feature such a mic input.
The PEN-F is a recent model that features in the current product line-up of Olympus. In contrast, the FZ1000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ1000 was succeeded by the Panasonic FZ2500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Olympus PEN-F or the Panasonic FZ1000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (125x72mm vs 137x99mm) and thus needs less room in the bag.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the FZ1000).
Advantages of the Panasonic Lumix DMC-FZ1000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.62x).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the PEN-F necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in June 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the PEN-F emerges as the winner of the contest (12 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus PEN-F and the Panasonic FZ1000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the PEN-F or the FZ1000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 760D vs Olympus PEN-F
- Canon G5 X Mark II vs Panasonic FZ1000
- Canon M3 vs Olympus PEN-F
- Leica S Typ 007 vs Panasonic FZ1000
- Nikon D3400 vs Olympus PEN-F
- Nikon D800 vs Panasonic FZ1000
- Olympus E-PL1 vs Panasonic FZ1000 II
- Olympus PEN-F vs Sony A7R III
- Olympus PEN-F vs Sony HX99
- Panasonic FZ1000 II vs Panasonic TZ100
- Panasonic FZ1000 vs Sony A6600
- Panasonic FZ1000 vs Sony RX0 II
Specifications: Olympus PEN-F vs Panasonic FZ1000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus PEN-F||Panasonic FZ1000|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-400mm f/2.8-4.0|
|Launch Date||January 2016||June 2014|
|Launch Price||USD 1199||USD 899|
|Sensor Specs||Olympus PEN-F||Panasonic FZ1000|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.34 μm||2.41 μm|
|Pixel Density||8.96 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80-25600 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|Image Processor||TruePic VII||Venus|
|DXO Sensor Quality (score)||74||64|
|DXO Color Depth (bits)||23.1||22.1|
|DXO Dynamic Range (EV)||12.4||11.7|
|DXO Low Light (ISO)||894||517|
|Screen Specs||Olympus PEN-F||Panasonic FZ1000|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||921k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus PEN-F||Panasonic FZ1000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Olympus PEN-F||Panasonic FZ1000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus PEN-F||Panasonic FZ1000|
|Battery Life (CIPA)||330 shots per charge||360 shots per charge|
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
|Camera Weight||427 g (15.1 oz)||831 g (29.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.