Olympus E-PM2 vs Panasonic GF3
The Olympus PEN E-PM2 and the Panasonic Lumix DMC-GF3 are two digital cameras that were announced, respectively, in September 2012 and June 2011. Both the E-PM2 and the GF3 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PM2||Panasonic GF3|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.9 MP, Four Thirds Sensor||12 MP, Four Thirds Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-25600||ISO 160-6400|
|Viewfinder optional||No viewfinder, LCD framing|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Fixed touchscreen||Fixed touchscreen|
|8 shutter flaps per second||3.2 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|360 shots per battery charge||300 shots per battery charge|
|110 x 64 x 34 mm, 269 g||108 x 67 x 32 mm, 264 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PM2 and the Panasonic Lumix DMC-GF3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Olympus E-PM2 vs Panasonic GF3
The side-by-side display below illustrates the physical size and weight of the Olympus E-PM2 and the Panasonic GF3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM2 can be obtained in four different colors (black, silver, red, white), while the GF3 is available in five color-versions (black, brown, pink, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF3 is somewhat larger (3 percent) than the Olympus E-PM2. However, the GF3 is slightly lighter (2 percent) than the E-PM2. In this context, it is worth noting that neither the E-PM2 nor the GF3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-PM2»||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GF3«||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||549||Olympus E-PL9|
|Olympus E-PL8« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-||Olympus E-PM1|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549||Panasonic GX850|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-||Panasonic GF2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PM2 was somewhat cheaper (by 9 percent) than the GF3 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Olympus E-PM2 vs Panasonic GF3
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-PM2 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the GF3. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-PM2 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the GF3). In this context, it should be noted, however, that the E-PM2 is a somewhat more recent model (by 1 year and 3 months) than the GF3, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Olympus E-PM2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-PM2 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Olympus PEN E-PM2 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF3 are ISO 160 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the E-PM2 provides substantially higher image quality than the GF3, with an overall score that is 23 points higher. This advantage is based on 2.1 bits higher color depth, 2.2 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-PM2»||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Panasonic GF3«||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Olympus E-PL9« »||Four Thirds||15.9||4608||3456||4K/30p||-||-||-||-||Olympus E-PL9|
|Olympus E-PL8« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL8|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX850|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF3 provides a faster frame rate than the E-PM2. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.
Feature comparison: Olympus E-PM2 vs Panasonic GF3
Apart from body and sensor, cameras can and do differ across a variety of features. The E-PM2 and the GF3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The adjacent table lists some of the other core features of the Olympus E-PM2 and Panasonic GF3 along with similar information for a selection of comparators.
|Olympus E-PM2»||-||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Panasonic GF3«||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Olympus E-PL9« »||-||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-PL8« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX850|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
One feature that differentiates the E-PM2 and the GF3 is in-body image stabilization (IBIS). The E-PM2 reduces the risk of handshake-induced blur with all attached lenses, while the GF3 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
Concerning the storage of imaging data, both the E-PM2 and the GF3 write their files to SDXC cards. The E-PM2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Olympus E-PM2 vs Panasonic GF3
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PM2 and Panasonic Lumix DMC-GF3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PM2»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Panasonic GF3«||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Olympus E-PL9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-PL8« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic GX850« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX850|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
It is notable that the E-PM2 has a hotshoe, while the GF3 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the E-PM2 and the GF3 have been discontinued, but can regularly be found used on eBay. The GF3 was replaced by the Panasonic GF5, while the E-PM2 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
Review summary: Olympus E-PM2 vs Panasonic GF3
So how do things add up? Which of the two cameras – the Olympus E-PM2 or the Panasonic GF3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN E-PM2:
- More detail: Offers more megapixels (15.9 vs 12MP) with a 15% higher linear resolution.
- Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster burst: Shoots at higher frequency (8 vs 3.2 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (360 versus 300) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the GF3).
Advantages of the Panasonic Lumix DMC-GF3:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the E-PM2 is the clear winner of the match-up (12 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PM2 and the Panasonic GF3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-PM2 and the GF3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Olympus E-PM2 vs Panasonic GF3
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-PM2»||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GF3«||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Olympus E-PL9« »||+||-||4.5/5||-||4/5||Feb 2018||549||Olympus E-PL9|
|Olympus E-PL8« »||-||-||4.5/5||-||4/5||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||-||-||-||-||-||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Panasonic GX850« »||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549||Panasonic GX850|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M50 vs Panasonic GF3
- Fujifilm X-E1 vs Olympus E-PM2
- Olympus E-420 vs Olympus E-PM2
- Olympus E-M1X vs Olympus E-PM2
- Olympus E-PL9 vs Panasonic GF3
- Olympus E-PM2 vs Panasonic GX1
- Olympus E-PM2 vs Panasonic GX85
- Olympus E-PM2 vs Sony A7
- Olympus PEN-F vs Panasonic GF3
- Panasonic GF3 vs Panasonic GM1
- Panasonic GF3 vs Panasonic LX7
- Panasonic GF3 vs Sony A7R II
Specifications: Olympus E-PM2 vs Panasonic GF3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PM2||Panasonic GF3|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||June 2011|
|Launch Price||USD 499||USD 549|
|Sensor Specs||Olympus E-PM2||Panasonic GF3|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.76 μm||4.33 μm|
|Pixel Density||7.08 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-25600 ISO||160-6400 ISO|
|Image Processor||TruePic VI||Venus FHD|
|DXO Sensor Quality (score)||72||49|
|DXO Color Depth (bits)||22.7||20.6|
|DXO Dynamic Range (EV)||12.2||10.0|
|DXO Low Light (ISO)||932||458|
|Screen Specs||Olympus E-PM2||Panasonic GF3|
|Viewfinder Type||Viewfinder optional||No viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-PM2||Panasonic GF3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||3.2 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Olympus E-PM2||Panasonic GF3|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-PM2||Panasonic GF3|
|Battery Type||BLS-5 power pack||DMW-BLE9 power pack|
|Battery Life (CIPA)||360 shots per charge||300 shots per charge|
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
108 x 67 x 32 mm
(4.3 x 2.6 x 1.3 in)
|Camera Weight||269 g (9.5 oz)||264 g (9.3 oz)|
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