Olympus E-PM1 vs Sony HX400V
The Olympus PEN E-PM1 and the Sony Cyber-shot DSC-HX400V are two digital cameras that were announced, respectively, in June 2011 and February 2014. The E-PM1 is a mirrorless interchangeable lens camera, while the HX400V is a fixed lens compact. The cameras are based on a Four Thirds (E-PM1) and a 1/2.3-inch (HX400V) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PM1 and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-PM1 and the Sony HX400V. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM1 can be obtained in six different colors (black, silver, brown, pink, purple, white), while the HX400V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is considerably larger (72 percent) than the Olympus E-PM1. In this context, it is worth noting that neither the E-PM1 nor the HX400V are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX400V has a lens built in, whereas the E-PM1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-PM1 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|2.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|5.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|6.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|7.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|8.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|9.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|10.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|11.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|12.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|13.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|14.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|15.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|16.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|17.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-PM1 features a Four Thirds sensor and the Sony HX400V a 1/2.3-inch sensor. The sensor area in the HX400V is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX400V offers a higher resolution of 20.2 megapixels, compared with 12.2 MP of the E-PM1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.29μm for the E-PM1). However, it should be noted that the HX400V is much more recent (by 2 years and 7 months) than the E-PM1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX400V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX400V for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-PM1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-PM1 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|4.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|5.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|6.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|7.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|8.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|9.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|10.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|11.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|12.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|13.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the HX400V provides a faster frame rate than the E-PM1. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the HX400V has an electronic viewfinder (210k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PM1 relies on live view and the rear LCD for framing. That said, the E-PM1 can be equipped with an optional viewfinder – the VF-2. The adjacent table lists some of the other core features of the Olympus E-PM1 and Sony HX400V along with similar information for a selection of comparators.
|1.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5||n||Y|
|2.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|4.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|5.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|6.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0||Y||Y|
|7.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||Y|
|8.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|9.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0||Y||Y|
|10.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|11.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|12.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|13.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|14.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
|15.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony H400||210||n||3.0 / 460||fixed||n||1/2000s||0.7||Y||Y|
|17.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The HX400V has one, while the E-PM1 does not. While the built-in flash of the HX400V is not very powerful, it can at times be useful as a fill-in light.
The E-PM1 writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PM1 and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony H400||-||mono / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
It is notable that the HX400V offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-PM1 does not provide wifi capability.
Travel and landscape photographers will find it useful that the HX400V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The HX400V is a recent model that features in the current product line-up of Sony. In contrast, the E-PM1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-PM1 was succeeded by the Olympus E-PM2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is there a clear favorite between the Olympus E-PM1 and the Sony HX400V? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus PEN E-PM1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (110x64mm vs 130x93mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in June 2011).
Arguments in favor of the Sony Cyber-shot DSC-HX400V:
- More detail: Has more megapixels (20.2 vs 12.2MP), which boosts linear resolution by 29%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 5.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the E-PM1 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 7 months of technical progress since the E-PM1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the HX400V is the clear winner of the contest (13 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PM1 and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-PM1 and the HX400V in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|2.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|5.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|6.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|7.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|8.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|9.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599|
|10.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|11.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|12.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|13.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|14.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|15.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|16.||Sony H400||..||o||..||..||3.5/5||3.5/5||Feb 2014||319|
|17.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark II vs Sony HX400V
- Canon SX530 vs Sony HX400V
- Fujifilm GFX 50R vs Olympus E-PM1
- Nikon D800 vs Sony HX400V
- Olympus E-510 vs Sony HX400V
- Olympus E-PM1 vs Panasonic G2
- Olympus E-PM1 vs Panasonic GF5
- Olympus E-PM1 vs Panasonic GX1
- Olympus E-PM1 vs Pentax MX-1
- Olympus E-PM1 vs Ricoh GR II
- Sony A900 vs Sony HX400V
- Sony H300 vs Sony HX400V
Specifications: Olympus E-PM1 vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PM1||Sony HX400V|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|Launch Date||June 2011||February 2014|
|Launch Price||USD 499||USD 499|
|Sensor Specs||Olympus E-PM1||Sony HX400V|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||12.2 Megapixels||20.2 Megapixels|
|Image Resolution||4032 x 3024 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.29 μm||1.18 μm|
|Pixel Density||5.42 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||52||..|
|DXO Color Depth (bits)||21.0||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||499||..|
|Screen Specs||Olympus E-PM1||Sony HX400V|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-PM1||Sony HX400V|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||5.5 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Olympus E-PM1||Sony HX400V|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Olympus E-PM1||Sony HX400V|
|Battery Life (CIPA)||330 shots per charge||300 shots per charge|
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||265 g (9.3 oz)||660 g (23.3 oz)|
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