Olympus E-PM1 vs Sony A7R IV
The Olympus PEN E-PM1 and the Sony Alpha A7R IV are two digital cameras that were revealed to the public, respectively, in June 2011 and July 2019. Both the E-PM1 and the A7R IV are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PM1) and a full frame (A7R IV) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PM1||Sony A7R IV|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|12.2 MP, Four Thirds Sensor||60.2 MP, Full Frame Sensor|
|1080/60i Video||4K/30p Video|
|ISO 100-12,800||ISO 100-32,000 (50 - 102,400)|
|Viewfinder optional||Electronic viewfinder (5760k dots)|
|3.0 LCD, 460k dots||3.0 LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|5.5 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|330 shots per battery charge||670 shots per battery charge|
|110 x 64 x 34 mm, 265 g||129 x 96 x 78 mm, 665 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PM1 and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-PM1 and the Sony A7R IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM1 can be obtained in six different colors (black, silver, brown, pink, purple, white), while the A7R IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is considerably larger (76 percent) than the Olympus E-PM1. Moreover, the A7R IV is substantially heavier (151 percent) than the E-PM1. It is noteworthy in this context that the A7R IV is splash and dust-proof, while the E-PM1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-PM1) and the Sony FE Lens Catalog (A7R IV). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-PM1 gets 330 shots out of its BLS-5 battery, while the A7R IV can take 670 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-PM1||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499|
|Sony A7R IV||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499|
|Olympus E-PL5||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599|
|Olympus E-PM2||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499|
|Olympus E-P3||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799|
|Olympus E-PL2||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599|
|Olympus E-PL3||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599|
|Olympus E-PL1||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599|
|Panasonic GF5||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499|
|Panasonic GF3||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549|
|Panasonic G2||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599|
|Panasonic GF2||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549|
|Sony A7S III||5.0 in||3.8 in||3.2 in||24.7 oz||600||Y||Jul 2020||3,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-PM1 was launched at a markedly lower price (by 86 percent) than the A7R IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PM1 features a Four Thirds sensor and the Sony A7R IV a full frame sensor. The sensor area in the A7R IV is 278 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-PM1 has a native 4:3 aspect ratio, while the one in the A7R IV offers a 3:2 aspect.
With 60.2MP, the A7R IV offers a higher resolution than the E-PM1 (12.2MP), but the A7R IV has smaller individual pixels (pixel pitch of 3.76μm versus 4.29μm for the E-PM1). Yet, the A7R IV is a much more recent model (by 8 years) than the E-PM1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Olympus E-PM1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The A7R IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the E-PM1, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN E-PM1 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||..||..||..||..|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R IV provides a better video resolution than the E-PM1. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R IV has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PM1 relies on live view and the rear LCD for framing. That said, the E-PM1 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Olympus E-PM1, the Sony A7R IV, and comparable cameras.
|Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7R IV has a touchscreen, while the E-PM1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-PM1 and the A7R IV write their files to SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PM1 only has one slot. The A7R IV supports UHS-II cards (on both slots), while the E-PM1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PM1 and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-PM1 does not provide wifi capability.
Studio photographers will appreciate that the Sony A7R IV (unlike the E-PM1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R IV is a recent model that features in the current product line-up of Sony. In contrast, the E-PM1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-PM1 was succeeded by the Olympus E-PM2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Which of the two cameras – the Olympus E-PM1 or the Sony A7R IV – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN E-PM1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (110x64mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 400g or 60 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2011).
Reasons to prefer the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 12.2MP), which boosts linear resolution by 127%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 8 years of technical progress since the E-PM1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R IV is the clear winner of the contest (29 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PM1 and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-PM1 or the A7R IV. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Sony A7R IV||+||91/100||4.5/5||5/5||5/5||Jul 2019||3,499|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Olympus E-P3||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799|
|Olympus E-PL2||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PL1||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599|
|Panasonic GF5||..||..||4.5/5||4/5||4.5/5||Apr 2012||499|
|Panasonic GF3||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Panasonic GF2||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549|
|Sony A7S III||+ +||..||..||..||..||Jul 2020||3,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G7 X vs Sony A7R IV
- Fujifilm X-E3 vs Olympus E-PM1
- Fujifilm X-T3 vs Sony A7R IV
- Leica S2 vs Sony A7R IV
- Nikon D2X vs Olympus E-PM1
- Nikon D810 vs Olympus E-PM1
- Olympus E-PM1 vs Sony HX400V
- Olympus E-PM1 vs Sony RX100
- Olympus E-PM1 vs Zeiss ZX1
- Pentax K-3 vs Sony A7R IV
- Pentax K-70 vs Sony A7R IV
- Sony A5100 vs Sony A7R IV
Specifications: Olympus E-PM1 vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PM1||Sony A7R IV|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||June 2011||July 2019|
|Launch Price||USD 499||USD 3,499|
|Sensor Specs||Olympus E-PM1||Sony A7R IV|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.7 x 23.8 mm|
|Sensor Area||224.9 mm2||849.66 mm2|
|Sensor Diagonal||21.6 mm||42.9 mm|
|Sensor Resolution||12.2 Megapixels||60.2 Megapixels|
|Image Resolution||4032 x 3024 pixels||9504 x 6336 pixels|
|Pixel Pitch||4.29 μm||3.76 μm|
|Pixel Density||5.42 MP/cm2||7.09 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||52||..|
|DXO Color Depth (bits)||21.0||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||499||..|
|Screen Specs||Olympus E-PM1||Sony A7R IV|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-PM1||Sony A7R IV|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Olympus E-PM1||Sony A7R IV|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-PM1||Sony A7R IV|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||670 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||265 g (9.3 oz)||665 g (23.5 oz)|
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