Olympus E-PL6 vs Panasonic GX1
The Olympus PEN E-PL6 and the Panasonic Lumix DMC-GX1 are two digital cameras that were announced, respectively, in May 2013 and November 2011. Both the E-PL6 and the GX1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL6||Panasonic GX1|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.9 MP, Four Thirds Sensor||15.8 MP, Four Thirds Sensor|
|1080/30p Video||1080/60p Video|
|ISO 200-25600||ISO 160-12800|
|Viewfinder optional||Viewfinder optional|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Tilting touchscreen||Fixed touchscreen|
|8 shutter flaps per second||4.2 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|360 shots per battery charge||320 shots per battery charge|
|111 x 64 x 38 mm, 325 g||116 x 68 x 39 mm, 318 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL6 and the Panasonic Lumix DMC-GX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-PL6 and the Panasonic GX1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-PL6 can be obtained in four different colors (black, silver, red, white), while the GX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX1 is notably larger (11 percent) than the Olympus E-PL6. However, the GX1 is slightly lighter (2 percent) than the E-PL6. In this context, it is worth noting that neither the E-PL6 nor the GX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-PL6»||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||Olympus E-PL6|
|Panasonic GX1«||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||Panasonic GX1|
|Kodak S-1« »||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299||Kodak S-1|
|Olympus E-PL10« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Oct 2019||599||Olympus E-PL10|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||599||Olympus E-PL9|
|Olympus E-PL8« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549||Olympus E-PL8|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||Panasonic GM1|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||Panasonic G5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||Panasonic G3|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||Panasonic GH2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-PL6 was launched at a somewhat lower price (by 14 percent) than the GX1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
While the two cameras under review share the same sensor size, the E-PL6 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the GX1. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-PL6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the GX1). In this context, it should be noted, however, that the E-PL6 is a somewhat more recent model (by 1 year and 6 months) than the GX1, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Olympus PEN E-PL6 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX1 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL6|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..||Kodak S-1|
|Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL10|
|Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL9|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL8|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX1 provides a faster frame rate than the E-PL6. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The E-PL6 and the GX1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the VF-3 for the E-PL6 and the DMW-LVF2 for the GX1 – are available as accessories. The table below summarizes some of the other core capabilities of the Olympus E-PL6 and Panasonic GX1 in connection with corresponding information for a sample of similar cameras.
|Olympus E-PL6||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Kodak S-1||none||n||3.0||920||tilting||n||1/4000s||4.0||n||Y||Kodak S-1|
|Olympus E-PL10||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL10|
|Olympus E-PL9||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-PL8||none||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-PL5||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1||none||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
One feature that differentiates the E-PL6 and the GX1 is in-body image stabilization (IBIS). The E-PL6 reduces the risk of handshake-induced blur with all attached lenses, while the GX1 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-PL6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX1 does not have a selfie-screen.
The Olympus E-PL6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-PL6 and the GX1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL6 and Panasonic Lumix DMC-GX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PL6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Kodak S-1||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak S-1|
|Olympus E-PL10||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL10|
|Olympus E-PL9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-PL8||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-PL5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
Both the E-PL6 and the GX1 have been discontinued, but can regularly be found used on eBay. The GX1 was replaced by the Panasonic GX7, while the E-PL6 was followed by the Olympus E-PL7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Is the Olympus E-PL6 better than the Panasonic GX1 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus PEN E-PL6:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 4.2 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (360 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 6 months after the GX1).
Reasons to prefer the Panasonic Lumix DMC-GX1:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been on the market for longer (launched in November 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the E-PL6 is the clear winner of the match-up (8 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL6 and the Panasonic GX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-PL6 and the GX1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Olympus E-PL6
- Canon 7D II vs Olympus E-PL6
- Canon SX740 vs Panasonic GX1
- Canon T4i vs Panasonic GX1
- Leica Q2 vs Olympus E-PL6
- Nikon D2H vs Panasonic GX1
- Olympus E-PL3 vs Panasonic GX1
- Olympus E-PL6 vs Sony A68
- Olympus E-PL6 vs Sony NEX-3
- Panasonic G10 vs Panasonic GX1
- Panasonic GX1 vs Panasonic GX7
- Panasonic GX1 vs Pentax KP
Specifications: Olympus E-PL6 vs Panasonic GX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL6||Panasonic GX1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||May 2013||November 2011|
|Launch Price||USD 599||USD 699|
|Sensor Specs||Olympus E-PL6||Panasonic GX1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.76 μm||3.77 μm|
|Pixel Density||7.08 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200-25600 ISO||160-12800 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||TruePic VI||Venus FHD|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||10.6|
|DXO Low Light (ISO)||..||703|
|Screen Specs||Olympus E-PL6||Panasonic GX1|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Olympus E-PL6||Panasonic GX1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||8 shutter flaps/s||4.2 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-PL6||Panasonic GX1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-PL6||Panasonic GX1|
|Battery Life (CIPA)||360 shots per charge||320 shots per charge|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
116 x 68 x 39 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||325 g (11.5 oz)||318 g (11.2 oz)|
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