Olympus E-PL5 vs Sony NEX-5R
The Olympus PEN E-PL5 and the Sony Alpha NEX-5R are two digital cameras that were announced, respectively, in September 2012 and August 2012. Both the E-PL5 and the NEX-5R are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PL5) and an APS-C (NEX-5R) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL5||Sony NEX-5R|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|15.9 MP, Four Thirds Sensor||16 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 200-25600||ISO 100-25600|
|Viewfinder optional||Viewfinder optional|
|3.0" LCD, 460k dots||3.0" LCD, 920k dots|
|Tilting touchscreen||Tilting touchscreen|
|8 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|360 shots per battery charge||330 shots per battery charge|
|111 x 64 x 38 mm, 325 g||111 x 59 x 39 mm, 276 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-PL5 and the Sony NEX-5R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the NEX-5R is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is notably smaller (8 percent) than the Olympus E-PL5. Moreover, the NEX-5R is markedly lighter (15 percent) than the E-PL5. In this context, it is worth noting that neither the E-PL5 nor the NEX-5R are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-PL5) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-PL5»||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||Olympus E-PL5|
|Sony NEX-5R«||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||Sony NEX-5R|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||599||Olympus E-PL9|
|Olympus E-PL8« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549||Olympus E-PL8|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||Olympus E-PL6|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||Ricoh GR|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||Sony NEX-5T|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||Sony NEX-5N|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PL5 was launched at a somewhat lower price (by 20 percent) than the NEX-5R, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL5 features a Four Thirds sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-PL5 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the NEX-5R offers a higher resolution than the E-PL5 (15.9MP), but the NEX-5R nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 3.76μm for the E-PL5) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-5R has a markedly higher DXO score than the E-PL5 (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 0.8 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL9|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL8|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL6|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Ricoh GR||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony NEX-3N||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-5N||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-5R provides a faster frame rate than the E-PL5. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The E-PL5 and the NEX-5R are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the VF-3 for the E-PL5 and the FDA-EV1S for the NEX-5R – are available as accessories. The adjacent table lists some of the other core features of the Olympus E-PL5 and Sony NEX-5R along with similar information for a selection of comparators.
|Olympus E-PL5||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Olympus E-PL9||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-PL8||none||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Ricoh GR||optional||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony NEX-3N||optional||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T||optional||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-5N||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One feature that differentiates the E-PL5 and the NEX-5R is in-body image stabilization (IBIS). The E-PL5 reduces the risk of handshake-induced blur with all attached lenses, while the NEX-5R has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The E-PL5 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The E-PL5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PL5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Olympus E-PL9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-PL8||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Ricoh GR||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony NEX-3N||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-5N||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the NEX-5R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-PL5 does not offer wifi capability.
Both the E-PL5 and the NEX-5R have been discontinued, but can regularly be found used on eBay. The NEX-5R was replaced by the Sony NEX-5T, while the E-PL5 was followed by the Olympus E-PL6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus E-PL5 better than the Sony NEX-5R or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus PEN E-PL5:
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
Arguments in favor of the Sony Alpha NEX-5R:
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 49g or 15 percent) and is thus easier to take along.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-5R is the clear winner of the contest (7 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-PL5 and the NEX-5R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Olympus E-PL5
- Canon 1200D vs Sony NEX-5R
- Canon 650D vs Sony NEX-5R
- Canon G9 X vs Sony NEX-5R
- Canon M6 vs Olympus E-PL5
- Canon S120 vs Sony NEX-5R
- Fujifilm X-H1 vs Olympus E-PL5
- Olympus E-M10 III vs Olympus E-PL5
- Olympus E-M1X vs Sony NEX-5R
- Olympus E-PL5 vs Sony RX10 II
- Panasonic LX5 vs Sony NEX-5R
- Sony A77 II vs Sony NEX-5R
Specifications: Olympus E-PL5 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Sony NEX-5R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2012||August 2012|
|Launch Price||USD 599||USD 749|
|Sensor Specs||Olympus E-PL5||Sony NEX-5R|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||15.9 Megapixels||16 Megapixels|
|Image Resolution||4608 x 3456 pixels||4912 x 3264 pixels|
|Pixel Pitch||3.76 μm||4.78 μm|
|Pixel Density||7.08 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|Image Processor||TruePic VI||BIONZ|
|DXO Sensor Quality (score)||72||78|
|DXO Color Depth (bits)||22.8||23.7|
|DXO Dynamic Range (EV)||12.3||13.1|
|DXO Low Light (ISO)||889||910|
|Screen Specs||Olympus E-PL5||Sony NEX-5R|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Olympus E-PL5||Sony NEX-5R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Olympus E-PL5||Sony NEX-5R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-PL5||Sony NEX-5R|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||325 g (11.5 oz)||276 g (9.7 oz)|
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