Olympus E-PL5 vs Sony A9
The Olympus PEN E-PL5 and the Sony Alpha A9 are two digital cameras that were announced, respectively, in September 2012 and April 2017. Both the E-PL5 and the A9 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PL5) and a full frame (A9) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-PL5 and the Sony A9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the A9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably larger (72 percent) than the Olympus E-PL5. Moreover, the A9 is substantially heavier (107 percent) than the E-PL5. It is noteworthy in this context that the A9 is splash and dust-proof, while the E-PL5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-PL5) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-PL5 gets 360 shots out of its BLS-5 battery, while the A9 can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|2.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|3.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|4.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|5.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|6.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|7.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|8.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|9.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|10.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|11.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|12.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|14.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|15.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|17.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-PL5 was launched at a markedly lower price (by 87 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL5 features a Four Thirds sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-PL5 has a native 4:3 aspect ratio, while the one in the A9 offers a 3:2 aspect.
With 24MP, the A9 offers a higher resolution than the E-PL5 (15.9MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the E-PL5) due to its larger sensor. Moreover, the A9 is a much more recent model (by 4 years and 7 months) than the E-PL5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-PL5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A9 offers substantially better image quality than the E-PL5 (overall score 20 points higher). The advantage is based on 2.1 bits higher color depth, 1 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|2.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|3.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|4.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|5.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|6.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|7.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|8.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|9.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|10.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|11.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|12.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|15.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A9 provides a better video resolution than the E-PL5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A9 has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL5 relies on live view and the rear LCD for framing. That said, the E-PL5 can be equipped with an optional viewfinder – the VF-3. The adjacent table lists some of the other core features of the Olympus E-PL5 and Sony A9 along with similar information for a selection of comparators.
|1.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|2.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|3.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|4.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|5.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|6.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|7.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|8.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|9.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|10.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|11.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|12.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|14.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|15.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-PL5 writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PL5 only has one slot. The A9 supports UHS-II cards (on its first slot), while the E-PL5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-PL5 does not provide wifi capability.
Studio photographers will appreciate that the Sony A9 (unlike the E-PL5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-PL5 and the A9 have been discontinued, but can regularly be found used on eBay. The E-PL5 was replaced by the Olympus E-PL6, while the A9 was followed by the Sony A9 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-PL5 and the Sony A9? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus PEN E-PL5:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (111x64mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 348g or 52 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Sony Alpha A9:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (650 versus 360) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 7 months of technical progress since the E-PL5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A9 is the clear winner of the contest (24 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-PL5 or the A9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|2.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|3.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|4.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|5.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|6.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|7.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|8.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|9.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|10.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|11.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|12.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|14.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|15.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|17.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 4000D vs Olympus E-PL5
- Fujifilm X-T10 vs Olympus E-PL5
- Fujifilm XP130 vs Sony A9
- Leica M Typ 240 vs Sony A9
- Olympus E-M5 II vs Sony A9
- Olympus E-PL5 vs Panasonic GF2
- Olympus E-PL5 vs Panasonic GF6
- Olympus E-PL5 vs Sony A7S II
- Olympus E-PL5 vs Sony RX100
- Olympus TG-4 vs Sony A9
- Pentax K-1 vs Sony A9
- Sony A58 vs Sony A9
Specifications: Olympus E-PL5 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Sony A9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2012||April 2017|
|Launch Price||USD 599||USD 4,499|
|Sensor Specs||Olympus E-PL5||Sony A9|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||5.94 μm|
|Pixel Density||7.08 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||72||92|
|DXO Color Depth (bits)||22.8||24.9|
|DXO Dynamic Range (EV)||12.3||13.3|
|DXO Low Light (ISO)||889||3517|
|Screen Specs||Olympus E-PL5||Sony A9|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Olympus E-PL5||Sony A9|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Olympus E-PL5||Sony A9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-PL5||Sony A9|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||325 g (11.5 oz)||673 g (23.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.