Olympus E-PL5 vs Panasonic TZ95
The Olympus PEN E-PL5 and the Panasonic Lumix DC-TZ95 (labelled Panasonic ZS80 in some countries) are two digital cameras that were officially introduced, respectively, in September 2012 and February 2019. The E-PL5 is a mirrorless interchangeable lens camera, while the TZ95 is a fixed lens compact. The cameras are based on a Four Thirds (E-PL5) and a 1/2.3-inch (TZ95) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL5||Panasonic TZ95|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-720mm f/3.3-6.4|
|15.9 MP, Four Thirds Sensor||20.2 MP, 1/2.3" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 200-25600||ISO 80-3200 (80-6400)|
|Viewfinder optional||Electronic viewfinder (2330k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|8 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|360 shots per battery charge||380 shots per battery charge|
|111 x 64 x 38 mm, 325 g||112 x 69 x 42 mm, 327 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Panasonic Lumix DC-TZ95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-PL5 and the Panasonic TZ95. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the TZ95 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ95 is notably larger (9 percent) than the Olympus E-PL5. In this context, it is worth noting that neither the E-PL5 nor the TZ95 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the E-PL5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-PL5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the E-PL5 gets 360 shots out of its BLS-5 battery, while the TZ95 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ95 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-PL5»||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Panasonic TZ95«||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||549||Olympus E-PL9|
|Olympus E-PL8« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||-||Olympus E-PL6|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Panasonic FT7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ95 was launched at a lower price than the E-PL5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL5 features a Four Thirds sensor and the Panasonic TZ95 a 1/2.3-inch sensor. The sensor area in the TZ95 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the TZ95 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the E-PL5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the E-PL5). However, it should be noted that the TZ95 is much more recent (by 6 years and 5 months) than the E-PL5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Olympus E-PL5 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-TZ95 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-PL5»||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Panasonic TZ95«||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Olympus E-PL9« »||Four Thirds||15.9||4608||3456||4K/30p||-||-||-||-||Olympus E-PL9|
|Olympus E-PL8« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL8|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL6|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Panasonic FT7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TZ95 provides a better video resolution than the E-PL5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TZ95 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL5 relies on live view and the rear LCD for framing. That said, the E-PL5 can be equipped with an optional viewfinder – the VF-3. The following table reports on some other key feature differences and similarities of the Olympus E-PL5, the Panasonic TZ95, and comparable cameras.
|Olympus E-PL5»||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Panasonic TZ95«||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Olympus E-PL9« »||-||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-PL8« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL8|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Panasonic FT7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
One difference between the cameras concerns the presence of an on-board flash. The TZ95 has one, while the E-PL5 does not. While the built-in flash of the TZ95 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the E-PL5 and the TZ95 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Panasonic Lumix DC-TZ95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PL5»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Panasonic TZ95«||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Olympus E-PL9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-PL8« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL8|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PM2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Panasonic FT7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
It is notable that the E-PL5 has a hotshoe, while the TZ95 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The TZ95 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-PL5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-PL5 was succeeded by the Olympus E-PL6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-PL5 or the Panasonic TZ95 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus PEN E-PL5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Panasonic Lumix DC-TZ95:
- More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the E-PL5 necessitates an extra lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 5 months of technical progress since the E-PL5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the TZ95 is the clear winner of the contest (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Panasonic TZ95 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-PL5 or the TZ95. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-PL5»||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Panasonic TZ95«||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Olympus E-PL9« »||+||-||4.5/5||-||4/5||Feb 2018||549||Olympus E-PL9|
|Olympus E-PL8« »||-||-||4.5/5||-||4/5||Sep 2016||549||-||Olympus E-PL8|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||-||-||-||-||-||May 2013||599||-||Olympus E-PL6|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Panasonic FT7« »||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Panasonic TZ95
- Canon 5D Mark IV vs Olympus E-PL5
- Canon G7 X Mark II vs Panasonic TZ95
- Canon T5 vs Olympus E-PL5
- Fujifilm X-A1 vs Panasonic TZ95
- Leica Q2 vs Panasonic TZ95
- Olympus E-PL5 vs Sony H200
- Olympus XZ-1 vs Panasonic TZ95
- Olympus XZ-2 vs Panasonic TZ95
- Panasonic G95 vs Panasonic TZ95
- Panasonic TZ95 vs Sony A6500
- Panasonic TZ95 vs Sony RX0
Specifications: Olympus E-PL5 vs Panasonic TZ95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Panasonic TZ95|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-720mm f/3.3-6.4|
|Launch Date||September 2012||February 2019|
|Launch Price||USD 599||USD 449|
|Sensor Specs||Olympus E-PL5||Panasonic TZ95|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.9 Megapixels||20.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.76 μm||1.18 μm|
|Pixel Density||7.08 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-6400 ISO|
|Image Processor||TruePic VI||Venus|
|DXO Sensor Quality (score)||72||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||889||..|
|Screen Specs||Olympus E-PL5||Panasonic TZ95|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Olympus E-PL5||Panasonic TZ95|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-PL5||Panasonic TZ95|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-PL5||Panasonic TZ95|
|Battery Life (CIPA)||360 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||325 g (11.5 oz)||327 g (11.5 oz)|
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