Olympus E-PL5 vs Panasonic GF1
The Olympus PEN E-PL5 and the Panasonic Lumix DMC-GF1 are two digital cameras that were revealed to the public, respectively, in September 2012 and September 2009. Both the E-PL5 and the GF1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Panasonic Lumix DMC-GF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-PL5 and the Panasonic GF1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the GF1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF1 is notably larger (19 percent) than the Olympus E-PL5. Moreover, the GF1 is markedly heavier (18 percent) than the E-PL5. In this context, it is worth noting that neither the E-PL5 nor the GF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|2.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||ebay.com|
|3.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599||ebay.com|
|4.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549||ebay.com|
|5.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|6.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|7.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|8.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|9.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599||ebay.com|
|10.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|11.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|14.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|17.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PL5 was launched at a somewhat lower price (by 20 percent) than the GF1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-PL5 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the GF1. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-PL5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the GF1). In this context, it should be noted, however, that the E-PL5 is much more recent (by 3 years) than the GF1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-PL5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-PL5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF1 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the E-PL5 provides substantially higher image quality than the GF1, with an overall score that is 18 points higher. This advantage is based on 1.6 bits higher color depth, 2 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|2.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|3.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|4.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|5.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|6.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|7.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|8.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|9.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|10.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|11.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|14.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-PL5 provides a higher video resolution than the GF1. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The E-PL5 and the GF1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the VF-3 for the E-PL5 and the DMW-LVF1 for the GF1 – are available as accessories. The following table reports on some other key feature differences and similarities of the Olympus E-PL5, the Panasonic GF1, and comparable cameras.
|1.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|2.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|4.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|6.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|7.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|8.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|9.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|10.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|11.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|14.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the E-PL5 and the GF1 is in-body image stabilization (IBIS). The E-PL5 reduces the risk of handshake-induced blur with all attached lenses, while the GF1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The E-PL5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GF1 does not have a selfie-screen.
The E-PL5 writes its imaging data to SDXC cards, while the GF1 uses SDHC cards. The E-PL5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Panasonic Lumix DMC-GF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
Both the E-PL5 and the GF1 have been discontinued, but can regularly be found used on ebay. The GF1 was replaced by the Panasonic DMC-GF2, while the E-PL5 was followed by the Olympus E-PL6. Further information on the features and operation of the E-PL5 and GF1 can be found, respectively, in the Olympus E-PL5 Manual (free pdf) or the online Panasonic GF1 Manual.
So what is the bottom line? Is the Olympus E-PL5 better than the Panasonic GF1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus PEN E-PL5:
- More detail: Offers more megapixels (15.9 vs 12MP) with a 15% higher linear resolution.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x64mm vs 119x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 60g or 16 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More modern: Reflects 3 years of technical progress since the GF1 launch.
Arguments in favor of the Panasonic Lumix DMC-GF1:
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the E-PL5 is the clear winner of the match-up (16 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Panasonic GF1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-PL5 or the GF1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|2.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749||ebay.com|
|3.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599||ebay.com|
|4.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549||ebay.com|
|5.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|6.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|7.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|8.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|9.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599||ebay.com|
|10.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|11.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|14.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|17.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Olympus E-PL5
- Canon M3 vs Panasonic GF1
- Canon M6 Mark II vs Olympus E-PL5
- Canon T1i vs Panasonic GF1
- Canon T2i vs Olympus E-PL5
- Nikon D3100 vs Panasonic GF1
- Olympus E-PL5 vs Panasonic G90
- Olympus E-PL5 vs Panasonic GX85
- Olympus E-PL5 vs Sony A6400
- Panasonic G90 vs Panasonic GF1
- Panasonic GF1 vs Panasonic GH3
- Panasonic GF1 vs Sony A6000
Specifications: Olympus E-PL5 vs Panasonic GF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Panasonic GF1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||September 2009|
|Launch Price||USD 599||USD 749|
|Sensor Specs||Olympus E-PL5||Panasonic GF1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.76 μm||4.33 μm|
|Pixel Density||7.08 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 3,200 ISO|
|Image Processor||TruePic VI||Venus HD|
|DXO Sensor Quality (score)||72||54|
|DXO Color Depth (bits)||22.8||21.2|
|DXO Dynamic Range (EV)||12.3||10.3|
|DXO Low Light (ISO)||889||513|
|Screen Specs||Olympus E-PL5||Panasonic GF1|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-PL5||Panasonic GF1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Olympus E-PL5||Panasonic GF1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-PL5||Panasonic GF1|
|Battery Life (CIPA)||360 shots per charge||380 shots per charge|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
119 x 71 x 36 mm
(4.7 x 2.8 x 1.4 in)
|Camera Weight||325 g (11.5 oz)||385 g (13.6 oz)|
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