Olympus E-PL5 vs Panasonic G5
The Olympus PEN E-PL5 and the Panasonic Lumix DMC-G5 are two digital cameras that were officially introduced, respectively, in September 2012 and July 2012. Both the E-PL5 and the G5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.9 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL5 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-PL5 and the Panasonic G5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the G5 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably larger (40 percent) than the Olympus E-PL5. Moreover, the G5 is markedly heavier (22 percent) than the E-PL5. In this context, it is worth noting that neither the E-PL5 nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|2.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|3.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|4.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|5.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|6.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|7.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|8.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|9.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|10.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|11.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|12.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|14.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|15.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|16.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.9 megapixels. This similarity in sensor specs implies that both the E-PL5 and the G5 have the same pixel density, as well as the same pixel size. Moreover, the two cameras were released in close succession, so that their sensors are from the same technological generation.
The Olympus PEN E-PL5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|2.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|3.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|4.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|5.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|6.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|7.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|8.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|9.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|10.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|11.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|12.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|15.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|16.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G5 provides a faster frame rate than the E-PL5. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL5 relies on live view and the rear LCD for framing. That said, the E-PL5 can be equipped with an optional viewfinder – the VF-3. The adjacent table lists some of the other core features of the Olympus E-PL5 and Panasonic G5 along with similar information for a selection of comparators.
|1.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|2.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|3.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|4.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|5.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|6.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|7.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|8.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|9.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|10.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|11.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|12.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|15.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|16.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
One feature that differentiates the E-PL5 and the G5 is in-body image stabilization (IBIS). The E-PL5 reduces the risk of handshake-induced blur with all attached lenses, while the G5 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the E-PL5 and the G5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL5 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
Both the E-PL5 and the G5 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the E-PL5 was followed by the Olympus E-PL6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Is the Olympus E-PL5 better than the Panasonic G5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus PEN E-PL5:
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x64mm vs 120x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 71g or 18 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (360 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
Advantages of the Panasonic Lumix DMC-G5:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (5 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL5 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-PL5 or the G5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|2.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|3.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|4.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|5.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|6.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|7.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|8.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|9.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|10.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|11.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|12.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|14.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|15.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|16.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Panasonic G5
- Canon 1Ds vs Olympus E-PL5
- Canon 5DS R vs Olympus E-PL5
- Canon R vs Panasonic G5
- Fujifilm X-A7 vs Panasonic G5
- Fujifilm X-E4 vs Olympus E-PL5
- Fujifilm X-Pro2 vs Olympus E-PL5
- Nikon 1 J4 vs Olympus E-PL5
- Nikon D80 vs Panasonic G5
- Olympus E-P1 vs Panasonic G5
- Olympus E-PL5 vs Panasonic GX7
- Panasonic G5 vs Pentax K-3 III
Specifications: Olympus E-PL5 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL5||Panasonic G5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||July 2012|
|Launch Price||USD 599||USD 599|
|Sensor Specs||Olympus E-PL5||Panasonic G5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.9 Megapixels|
|Image Resolution||4608 x 3456 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||3.76 μm|
|Pixel Density||7.08 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||160 - 12,800 ISO|
|Image Processor||TruePic VI||Venus VII FHD|
|DXO Sensor Quality (score)||72||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||889||..|
|Screen Specs||Olympus E-PL5||Panasonic G5|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Olympus E-PL5||Panasonic G5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||6 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-PL5||Panasonic G5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-PL5||Panasonic G5|
|Battery Life (CIPA)||360 shots per charge||320 shots per charge|
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||325 g (11.5 oz)||396 g (14.0 oz)|
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