Olympus E-PL1 vs Pentax MX-1

The Olympus PEN E-PL1 and the Pentax MX-1 are two digital cameras that were officially introduced, respectively, in February 2010 and January 2013. The E-PL1 is a mirrorless interchangeable lens camera, while the MX-1 is a fixed lens compact. The cameras are based on a Four Thirds (E-PL1) and a 1/1.7-inch (MX-1) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Pentax provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-PL1		Pentax MX-1
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		28-112mm f/1.8-2.5
12.2 MP – Four Thirds sensor		12 MP – 1/1.7" sensor
720/30p Video		1080/30p Video
ISO 200-3,200		ISO 100-12,800
Viewfinder optional		No viewfinder, LCD framing
2.7" LCD – 230k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		1 shutter flaps per second
In-body stabilization		In-body stabilization
290 shots per battery charge		290 shots per battery charge
115 x 72 x 42 mm, 334 g		122 x 61 x 51 mm, 391 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL1 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-PL1 and the Pentax MX-1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-PL1 can be obtained in four different colors (black, blue, yellow, white), while the MX-1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is notably smaller (10 percent) than the Olympus E-PL1. In this context, it is worth noting that neither the E-PL1 nor the MX-1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the E-PL1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-PL1 and their specifications in the Micro Four Thirds Lens Catalog.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
2.		Pentax MX-1	122 mm	61 mm	51 mm	391 g	290	n	Jan 2013	499	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
4.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
5.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
6.		Nikon P7800	119 mm	78 mm	50 mm	399 g	350	n	Sep 2013	549	ebay.com
7.		Olympus XZ-2	113 mm	65 mm	48 mm	346 g	340	n	Sep 2012	599	ebay.com
8.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	799	ebay.com
9.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
10.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
11.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	499	ebay.com
12.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
13.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
14.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
15.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
16.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The MX-1 was launched at a lower price than the E-PL1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-PL1 features a Four Thirds sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 12.2MP, the E-PL1 offers a slightly higher resolution than the MX-1 (12MP), but the E-PL1 nevertheless has larger individual pixels (pixel pitch of 4.29μm versus 1.89μm for the MX-1) due to its larger sensor. However, the MX-1 is a much more recent model (by 2 years and 11 months) than the E-PL1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The Olympus PEN E-PL1 has a native sensitivity range from ISO 200 to ISO 3200. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the E-PL1 has a notably higher overall DXO score than the MX-1 (overall score 5 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.1 bits higher color depth, 1.2 EV of lower dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
2.		Pentax MX-1	1/1.7	12.0	4000	3000	1080/30p	20.4	11.3	208	49
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
5.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
6.		Nikon P7800	1/1.7	12.0	4000	3000	1080/30p	21.2	11.7	200	54
7.		Olympus XZ-2	1/1.7	11.8	3968	2976	1080/30p	20.4	11.3	216	49
8.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
9.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
10.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
11.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
12.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
13.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
14.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
15.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
16.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the MX-1 provides a better video resolution than the E-PL1. It can shoot movie footage at 1080/30p, while the Olympus is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The E-PL1 and the MX-1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the E-PL1 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Olympus E-PL1, the Pentax MX-1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
2.		Pentax MX-1	none	n	3.0 / 920	tilting	n	1/8000s	1.0/s	Y	Y
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
5.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
6.		Nikon P7800	921	n	3.0 / 921	swivel	n	1/4000s	8.0/s	Y	Y
7.		Olympus XZ-2	optional	n	3.0 / 920	tilting	Y	1/2000s	5.0/s	Y	Y
8.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
9.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
10.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
11.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
12.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
13.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
14.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
15.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
16.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The E-PL1 writes its imaging data to SDHC cards, while the MX-1 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL1 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Pentax MX-1	-	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
6.		Nikon P7800	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Olympus XZ-2	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
10.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
16.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the E-PL1 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the E-PL1 and the MX-1 have been discontinued, but can regularly be found used on ebay. The E-PL1 was replaced by the Olympus E-PL2, while the MX-1 does not have a direct successor. Further information on the features and operation of the E-PL1 and MX-1 can be found, respectively, in the Olympus E-PL1 Manual (free pdf) or the online Pentax MX-1 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-PL1 or the Pentax MX-1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Olympus PEN E-PL1:

• Better image quality: Scores markedly higher (5 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
• Better low-light sensitivity: Requires less light for good images (1.2 stops ISO advantage).
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Faster burst: Shoots at higher frequency (3 vs 1 flaps/sec) to capture the decisive moment.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been available for much longer (launched in February 2010).

Reasons to prefer the Pentax MX-1:

• More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
• Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Ready to shoot: Has an integrated lens, whereas the E-PL1 necessitates an extra lens.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 2 years and 11 months of technical progress since the E-PL1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the MX-1 comes out slightly ahead of the E-PL1 (9 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-PL1 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-PL1 or the MX-1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
2.		Pentax MX-1	3/5	..	..	74/100	4/5	4/5	Jan 2013	499	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
4.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
5.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
6.		Nikon P7800	3/5	..	..	..	4/5	4.5/5	Sep 2013	549	ebay.com
7.		Olympus XZ-2	4/5	+	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
8.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	799	ebay.com
9.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
10.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
11.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	499	ebay.com
12.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
13.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
14.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
15.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
16.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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