Olympus E-PL1 vs Panasonic GF7
The Olympus PEN E-PL1 and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in February 2010 and January 2015. Both the E-PL1 and the GF7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL1||Panasonic GF7|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|12.2 MP, Four Thirds Sensor||15.8 MP, Four Thirds Sensor|
|720/30p Video||1080/60p Video|
|ISO 200-3,200||ISO 200-25,600|
|Viewfinder optional||No viewfinder, LCD framing|
|2.7 LCD, 230k dots||3.0 LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3 shutter flaps per second||5.8 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|290 shots per battery charge||230 shots per battery charge|
|115 x 72 x 42 mm, 334 g||107 x 65 x 33 mm, 266 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL1 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-PL1 and the Panasonic GF7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-PL1 can be obtained in four different colors (black, blue, yellow, white), while the GF7 is available in two color-versions (black, pink).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is notably smaller (16 percent) than the Olympus E-PL1. Moreover, the GF7 is markedly lighter (20 percent) than the E-PL1. In this context, it is worth noting that neither the E-PL1 nor the GF7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599|
|Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF7 was launched at a somewhat lower price (by 17 percent) than the E-PL1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GF7 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the E-PL1. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the GF7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.29μm for the E-PL1). However, it should be noted that the GF7 is much more recent (by 4 years and 11 months) than the E-PL1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus E-PL1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-PL1 has a native sensitivity range from ISO 200 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GF7 provides a better video resolution than the E-PL1. It can shoot movie footage at 1080/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The E-PL1 and the GF7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the E-PL1 can be equipped with an optional viewfinder – the VF-2. The table below summarizes some of the other core capabilities of the Olympus E-PL1 and Panasonic GF7 in connection with corresponding information for a sample of similar cameras.
One feature that differentiates the E-PL1 and the GF7 is in-body image stabilization (IBIS). The E-PL1 reduces the risk of handshake-induced blur with all attached lenses, while the GF7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-PL1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-PL1 writes its imaging data to SDHC cards, while the GF7 uses SDXC cards. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-PL1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL1 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
It is notable that the E-PL1 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the E-PL1 and the GF7 have been discontinued, but can regularly be found used on eBay. The E-PL1 was replaced by the Olympus E-PL2, while the GF7 was followed by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Olympus E-PL1 and the Panasonic GF7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus PEN E-PL1:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (290 versus 230) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in February 2010).
Advantages of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 14%.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 115x72mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 68g or 20 percent) and is thus easier to take along.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More modern: Reflects 4 years and 11 months of technical progress since the E-PL1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL1 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-PL1 and the GF7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-PL1||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599|
|Panasonic GF7||+||..||4.5/5||4.5/5||4.5/5||Jan 2015||499|
|Canon M10||..||..||..||o||4/5||Oct 2015||499|
|Olympus XZ-2||+||..||4.5/5||4/5||4.5/5||Sep 2012||599|
|Olympus E-P3||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799|
|Olympus E-PL2||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Olympus E-620||88/100||72/100||4.5/5||o||5/5||Feb 2009||699|
|Olympus E-P1||+||66/100||4/5||4/5||4.5/5||Jun 2009||799|
|Olympus E-P2||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799|
|Panasonic GX800||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic GF2||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Panasonic GF7
- Canon G1 X Mark III vs Olympus E-PL1
- Canon SX620 vs Olympus E-PL1
- Nikon 1 J5 vs Panasonic GF7
- Olympus E-3 vs Panasonic GF7
- Olympus E-330 vs Panasonic GF7
- Olympus E-PL1 vs Panasonic G95
- Olympus E-PL1 vs Pentax 645D
- Olympus E-PL1 vs Sony H300
- Olympus E-PL7 vs Panasonic GF7
- Panasonic GF7 vs Ricoh GR II
- Panasonic GF7 vs Sony A77
Specifications: Olympus E-PL1 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL1||Panasonic GF7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||February 2010||January 2015|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Olympus E-PL1||Panasonic GF7|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.8 Megapixels|
|Image Resolution||4032 x 3024 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.29 μm||3.77 μm|
|Pixel Density||5.42 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60p Video|
|ISO Setting||200 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||Truepic V||Venus|
|DXO Sensor Quality (score)||54||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||10.1||..|
|DXO Low Light (ISO)||487||..|
|Screen Specs||Olympus E-PL1||Panasonic GF7|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-PL1||Panasonic GF7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/500s|
|Continuous Shooting||3 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Olympus E-PL1||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-PL1||Panasonic GF7|
|Battery Life (CIPA)||290 shots per charge||230 shots per charge|
115 x 72 x 42 mm
(4.5 x 2.8 x 1.7 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||334 g (11.8 oz)||266 g (9.4 oz)|
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