Olympus E-P3 vs Canon 7D II

The Olympus PEN E-P3 and the Canon EOS 7D Mark II are two enthusiast cameras that were revealed to the public, respectively, in June 2011 and September 2014. The E-P3 is a mirrorless interchangeable lens camera, while the 7D Mark II is a DSLR. The cameras are based on a Four Thirds (E-P3) and an APS-C (7D Mark II) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Canon provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-P3		Canon 7D II
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Canon EF mount lenses
12.2 MP – Four Thirds sensor		20 MP – APS-C sensor
1080/60i Video		1080/60p Video
ISO 200-12,800		ISO 100-16,000 (100 - 51,200)
Viewfinder optional		Optical viewfinder
3.0" LCD – 614k dots		3.0" LCD – 1040k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
3 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens stabilization only
not weather sealed		Weathersealed body
330 shots per battery charge		670 shots per battery charge
122 x 69 x 34 mm, 369 g		149 x 112 x 78 mm, 910 g

Check E-P3 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P3 and the Canon EOS 7D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-P3 and the Canon 7D II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The E-P3 can be obtained in three different colors (black, silver, white), while the 7D Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 7D II is considerably larger (98 percent) than the Olympus E-P3. Moreover, the 7D Mark II is substantially heavier (147 percent) than the E-P3. It is noteworthy in this context that the 7D Mark II is splash and dust-proof, while the E-P3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-P3) and the Canon EF Lens Catalog (7D Mark II). Mirrorless cameras, such as the Olympus E-P3, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-P3 gets 330 shots out of its Olympus BLS-5 battery, while the 7D Mark II can take 670 images on a single charge of its Canon LP-E6N power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	799	ebay.com
2.		Canon 7D II	149 mm	112 mm	78 mm	910 g	670	Y	Sep 2014	1,799	ebay.com
3.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
4.		Canon 70D	139 mm	104 mm	79 mm	755 g	920	Y	Jul 2013	1,199	ebay.com
5.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
6.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
7.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	1,699	ebay.com
8.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
9.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
10.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
11.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
12.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	499	ebay.com
13.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
14.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
15.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
17.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P3 was launched at a markedly lower price (by 56 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-P3 features a Four Thirds sensor and the Canon 7D II an APS-C sensor. The sensor area in the 7D Mark II is 49 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the E-P3 has a native 4:3 aspect ratio, while the one in the 7D Mark II offers a 3:2 aspect.

With 20MP, the 7D Mark II offers a higher resolution than the E-P3 (12.2MP), but the 7D Mark II has smaller individual pixels (pixel pitch of 4.10μm versus 4.29μm for the E-P3). Yet, the 7D Mark II is a much more recent model (by 3 years and 2 months) than the E-P3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-P3 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Olympus PEN E-P3 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Canon EOS 7D Mark II are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the 7D Mark II offers substantially better image quality than the E-P3 (overall score 19 points higher). The advantage is based on 1.6 bits higher color depth, 1.7 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
2.		Canon 7D II	APS-C	20.0	5472	3648	1080/60p	22.4	11.8	1082	70
3.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
4.		Canon 70D	APS-C	20.0	5472	3648	1080/30p	22.5	11.6	926	68
5.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
6.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
7.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
8.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
9.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
10.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
11.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
12.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
13.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
14.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
15.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 7D Mark II provides a faster frame rate than the E-P3. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 7D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P3 relies on live view and the rear LCD for framing. That said, the E-P3 can be equipped with an optional viewfinder – the VF-3. The following table reports on some other key feature differences and similarities of the Olympus E-P3, the Canon 7D II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
2.		Canon 7D II	optical	Y	3.0 / 1040	fixed	n	1/8000s	10.0/s	Y	n
3.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
4.		Canon 70D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
5.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
6.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
8.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
9.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
10.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
11.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
12.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
13.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
14.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
15.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-P3 and the 7D Mark II is in-body image stabilization (IBIS). The E-P3 reduces the risk of handshake-induced blur with all attached lenses, while the 7D Mark II offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-P3 writes its imaging data to SDXC cards, while the 7D Mark II uses Compact Flash or SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P3 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P3 and Canon EOS 7D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Canon 7D II	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
3.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Canon 70D	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
5.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
8.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-

It is notable that the 7D Mark II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-P3 lacks such a headphone port.

Studio photographers will appreciate that the Canon 7D II (unlike the E-P3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the E-P3 and the 7D Mark II have been discontinued, but can regularly be found used on ebay. The E-P3 was replaced by the Olympus E-P5, while the 7D Mark II does not have a direct successor. Further information on the features and operation of the E-P3 and 7D Mark II can be found, respectively, in the Olympus E-P3 Manual (free pdf) or the online Canon 7D II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-P3 or the Canon 7D II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Olympus PEN E-P3:

• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More compact: Is smaller (122x69mm vs 149x112mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 541g or 59 percent) and hence easier to carry around.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in June 2011).

Arguments in favor of the Canon EOS 7D Mark II:

• More detail: Has more megapixels (20 vs 12.2MP), which boosts linear resolution by 30%.
• Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (670 versus 330) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 3 years and 2 months of technical progress since the E-P3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the 7D Mark II is the clear winner of the contest (22 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-P3 and the Canon 7D II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-P3 or the 7D Mark II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	799	ebay.com
2.		Canon 7D II	4.5/5	+	3.5/5	84/100	4/5	4.5/5	Sep 2014	1,799	ebay.com
3.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
4.		Canon 70D	5/5	+ +	..	83/100	4.5/5	5/5	Jul 2013	1,199	ebay.com
5.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
6.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
7.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	1,699	ebay.com
8.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
9.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
10.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
11.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
12.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	499	ebay.com
13.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
14.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
15.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
17.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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