Olympus E-P2 vs Pentax K-1 II
The Olympus PEN E-P2 and the Pentax K-1 II are two enthusiast cameras that were officially introduced, respectively, in November 2009 and February 2018. The E-P2 is a mirrorless interchangeable lens camera, while the K-1 II is a DSLR. The cameras are based on a Four Thirds (E-P2) and a full frame (K-1 II) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P2 and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Olympus E-P2 and the Pentax K-1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-P2 can be obtained in three different colors (black, silver, white), while the K-1 II is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is considerably larger (78 percent) than the Olympus E-P2. Moreover, the K-1 II is substantially heavier (185 percent) than the E-P2. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the E-P2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the E-P2 gets 300 shots out of its Olympus BLS-1 battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
2. | Pentax K-1 II | 137 mm | 110 mm | 86 mm | 1010 g | 670 | Y | Feb 2018 | 1,999 | amazon.com | |
3. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
4. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
5. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
6. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | 799 | ebay.com | |
7. | Olympus E-PL1 | 115 mm | 72 mm | 42 mm | 334 g | 290 | n | Feb 2010 | 599 | ebay.com | |
8. | Olympus E-PL2 | 114 mm | 72 mm | 42 mm | 362 g | 280 | n | Jan 2011 | 599 | ebay.com | |
9. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | 599 | ebay.com | |
10. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
11. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
12. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
13. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
14. | Pentax K-1 | 137 mm | 110 mm | 86 mm | 1010 g | 760 | Y | Feb 2016 | 1,799 | ebay.com | |
15. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
17. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-P2 was launched at a markedly lower price (by 60 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-P2 features a Four Thirds sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-P2 has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect.
With 36.2MP, the K-1 II offers a higher resolution than the E-P2 (12.2MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.29μm for the E-P2) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 8 years and 3 months) than the E-P2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Olympus E-P2 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
Unlike the E-P2, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN E-P2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
2. | Pentax K-1 II | Full Frame | 36.2 | 7360 | 4912 | 1080/60i | 25.1 | 14.0 | 2698 | 93 | |
3. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
4. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
5. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
6. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
7. | Olympus E-PL1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.1 | 487 | 54 | |
8. | Olympus E-PL2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.2 | 573 | 55 | |
9. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
10. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
11. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
12. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
13. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
14. | Pentax K-1 | Full Frame | 36.2 | 7360 | 4912 | 1080/60i | 25.4 | 14.6 | 3280 | 96 | |
15. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
17. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-1 II provides a better video resolution than the E-P2. It can shoot movie footage at 1080/60i, while the Olympus is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P2 relies on live view and the rear LCD for framing. That said, the E-P2 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Olympus E-P2, the Pentax K-1 II, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
2. | Pentax K-1 II | optical | Y | 3.2 / 1037 | full-flex | n | 1/8000s | 4.4/s | n | Y | |
3. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
4. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
5. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
6. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
7. | Olympus E-PL1 | optional | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | Y | |
8. | Olympus E-PL2 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
9. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
10. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
11. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
13. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
14. | Pentax K-1 | optical | Y | 3.2 / 1037 | full-flex | n | 1/8000s | 4.4/s | n | Y | |
15. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
17. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the K-1 II, but is missing on the E-P2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-P2 writes its imaging data to SDHC cards, while the K-1 II uses SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P2 only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-P2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P2 and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Pentax K-1 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
3. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
6. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Olympus E-PL1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
8. | Olympus E-PL2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
9. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
13. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
14. | Pentax K-1 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
15. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
17. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P2 does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-1 II (unlike the E-P2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the E-P2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-P2 was succeeded by the Olympus E-P3. Further information on the features and operation of the E-P2 and K-1 II can be found, respectively, in the Olympus E-P2 Manual (free pdf) or the online Pentax K-1 II Manual.
Review summary
So what is the bottom line? Is the Olympus E-P2 better than the Pentax K-1 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN E-P2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (121x70mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 655g or 65 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in November 2009).
Reasons to prefer the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 12.2MP), which boosts linear resolution by 76%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 3 months of technical progress since the E-P2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (26 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P2 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-P2 and the K-1 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
2. | Pentax K-1 II | .. | .. | 4.5/5 | 79/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,999 | amazon.com | |
3. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
4. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
5. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
6. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | 799 | ebay.com | |
7. | Olympus E-PL1 | .. | 86/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2010 | 599 | ebay.com | |
8. | Olympus E-PL2 | 3/5 | 83/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jan 2011 | 599 | ebay.com | |
9. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
10. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
11. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
12. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
13. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
14. | Pentax K-1 | 5/5 | .. | .. | 84/100 | 5/5 | 5/5 | Feb 2016 | 1,799 | ebay.com | |
15. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
17. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Olympus E-P2 vs Pentax K-1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-P2 | Pentax K-1 II |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Micro Four Thirds lenses | Pentax K mount lenses |
Launch Date | November 2009 | February 2018 |
Launch Price | USD 799 | USD 1,999 |
Sensor Specs | Olympus E-P2 | Pentax K-1 II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.9 x 24.0 mm |
Sensor Area | 224.9 mm2 | 861.6 mm2 |
Sensor Diagonal | 21.6 mm | 43.2 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 12.2 Megapixels | 36.2 Megapixels |
Image Resolution | 4032 x 3024 pixels | 7360 x 4912 pixels |
Pixel Pitch | 4.29 μm | 4.88 μm |
Pixel Density | 5.42 MP/cm2 | 4.20 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 720/30p Video | 1080/60i Video |
ISO Setting | 100 - 6,400 ISO | 100 - 819,200 ISO |
Image Processor | TruePic V | PRIME IV |
DXO Sensor Quality (score) | 56 | .. |
DXO Color Depth (bits) | 21.5 | .. |
DXO Dynamic Range (EV) | 10.4 | .. |
DXO Low Light (ISO) | 505 | .. |
Screen Specs | Olympus E-P2 | Pentax K-1 II |
Viewfinder Type | Viewfinder optional | Optical viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 230k dots | 1037k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Shooting Specs | Olympus E-P2 | Pentax K-1 II |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 3 shutter flaps/s | 4.4 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | UHS-I |
Connectivity Specs | Olympus E-P2 | Pentax K-1 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Olympus E-P2 | Pentax K-1 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Olympus BLS-1 | Pentax D-LI90 |
Battery Life (CIPA) | 300 shots per charge | 670 shots per charge |
Body Dimensions |
121 x 70 x 36 mm (4.8 x 2.8 x 1.4 in) |
137 x 110 x 86 mm (5.4 x 4.3 x 3.4 in) |
Camera Weight | 355 g (12.5 oz) | 1010 g (35.6 oz) |
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