Olympus E-P1 vs Sony A58
The Olympus PEN E-P1 and the Sony Alpha SLT-A58 are two digital cameras that were revealed to the public, respectively, in June 2009 and February 2013. The E-P1 is a mirrorless interchangeable lens camera, while the A58 is a DSLR. The cameras are based on a Four Thirds (E-P1) and an APS-C (A58) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-P1||Sony A58|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Sony A mount lenses|
|12.2 MP, Four Thirds Sensor||19.8 MP, APS-C Sensor|
|720/30p Video||1080/60i Video|
|ISO 100-6,400||ISO 100-16,000 (100 - 25,600)|
|No viewfinder, LCD framing||Electronic viewfinder (1440k dots)|
|3.0 LCD, 230k dots||2.7 LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|300 shots per battery charge||690 shots per battery charge|
|121 x 70 x 36 mm, 355 g||129 x 95 x 78 mm, 492 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P1 and the Sony Alpha SLT-A58? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-P1 and the Sony A58. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-P1 can be obtained in three different colors (black, silver, white), while the A58 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 is considerably larger (45 percent) than the Olympus E-P1. Moreover, the A58 is substantially heavier (39 percent) than the E-P1. In this context, it is worth noting that neither the E-P1 nor the A58 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-P1||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Jun 2009||799|
|Sony A58||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599|
|Canon T5i||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649|
|Nikon D3200||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599|
|Olympus E-P3||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799|
|Olympus E-PL2||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599|
|Olympus E-PL3||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599|
|Olympus E-PL1||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599|
|Olympus E-620||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699|
|Olympus E-P2||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799|
|Olympus E-520||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
|Panasonic GF1||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749|
|Panasonic GH1||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899|
|Sony A68||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699|
|Sony A5100||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A58 was launched at a somewhat lower price (by 25 percent) than the E-P1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-P1 features a Four Thirds sensor and the Sony A58 an APS-C sensor. The sensor area in the A58 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-P1 has a native 4:3 aspect ratio, while the one in the A58 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 19.8MP, the A58 offers a higher resolution than the E-P1 (12.2MP), but the A58 nevertheless has marginally larger individual pixels (pixel pitch of 4.31μm versus 4.29μm for the E-P1) due to its larger sensor. Moreover, the A58 is a much more recent model (by 3 years and 8 months) than the E-P1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A58 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A58 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-P1 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha SLT-A58 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A58 offers substantially better image quality than the E-P1 (overall score 19 points higher). The advantage is based on 1.9 bits higher color depth, 2.1 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A58 provides a better video resolution than the E-P1. It can shoot movie footage at 1080/60i, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A58 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-P1, the Sony A58, and comparable cameras.
One difference between the cameras concerns the presence of an on-board flash. The A58 has one, while the E-P1 does not. While the built-in flash of the A58 is not very powerful, it can at times be useful as a fill-in light.
The E-P1 writes its imaging data to SDHC cards, while the A58 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P1 and Sony Alpha SLT-A58 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
It is notable that the A58 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The E-P1 does not feature such a mic input.
Both the E-P1 and the A58 have been discontinued, but can regularly be found used on eBay. The E-P1 was replaced by the Olympus E-P2, while the A58 was followed by the Sony A68. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-P1 or the Sony A58 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus PEN E-P1:
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More compact: Is smaller (121x70mm vs 129x95mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 137g or 28 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More heavily discounted: Has been available for much longer (launched in June 2009).
Arguments in favor of the Sony Alpha SLT-A58:
- More detail: Has more megapixels (19.8 vs 12.2MP), which boosts linear resolution by 30%.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (690 versus 300) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 3 years and 8 months of technical progress since the E-P1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A58 is the clear winner of the contest (15 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P1 and the Sony A58 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-P1 or the A58 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-P1||+||66/100||4/5||4/5||4.5/5||Jun 2009||799|
|Sony A58||..||..||4.5/5||4.5/5||4.5/5||Feb 2013||599|
|Canon T5i||..||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649|
|Nikon D3200||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599|
|Olympus E-P3||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799|
|Olympus E-PL2||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PL1||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599|
|Olympus E-620||88/100||72/100||4.5/5||o||5/5||Feb 2009||699|
|Olympus E-P2||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799|
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic GF1||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749|
|Panasonic GH1||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899|
|Sony A68||..||..||4/5||..||4/5||Nov 2015||699|
|Sony A5100||+||..||4.5/5||4.5/5||5/5||Aug 2014||549|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Olympus E-P1 vs Sony A58
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-P1||Sony A58|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||June 2009||February 2013|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Olympus E-P1||Sony A58|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||12.2 Megapixels||19.8 Megapixels|
|Image Resolution||4032 x 3024 pixels||5456 x 3632 pixels|
|Pixel Pitch||4.29 μm||4.31 μm|
|Pixel Density||5.42 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||100 - 16,000 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||TruePic V||BIONZ|
|DXO Sensor Quality (score)||55||74|
|DXO Color Depth (bits)||21.4||23.3|
|DXO Dynamic Range (EV)||10.4||12.5|
|DXO Low Light (ISO)||536||753|
|Screen Specs||Olympus E-P1||Sony A58|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-P1||Sony A58|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Olympus E-P1||Sony A58|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-P1||Sony A58|
|Battery Life (CIPA)||300 shots per charge||690 shots per charge|
121 x 70 x 36 mm
(4.8 x 2.8 x 1.4 in)
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
|Camera Weight||355 g (12.5 oz)||492 g (17.4 oz)|
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