Olympus E-P1 vs Panasonic GX7
The Olympus PEN E-P1 and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were announced, respectively, in June 2009 and August 2013. Both the E-P1 and the GX7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P1 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-P1 and the Panasonic GX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-P1 can be obtained in three different colors (black, silver, white), while the GX7 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is somewhat larger (3 percent) than the Olympus E-P1. Moreover, the GX7 is markedly heavier (13 percent) than the E-P1. In this context, it is worth noting that neither the E-P1 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799||ebay.com|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|3.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|4.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|5.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|6.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|7.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|8.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|9.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||ebay.com|
|10.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|11.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799||ebay.com|
|12.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|13.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|14.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|15.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|16.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||ebay.com|
|17.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-P1 was launched at a somewhat lower price (by 20 percent) than the GX7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GX7 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the E-P1. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the GX7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.29μm for the E-P1). However, it should be noted that the GX7 is much more recent (by 4 years and 1 month) than the E-P1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-P1 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GX7 offers substantially better image quality than the E-P1 (overall score 15 points higher). The advantage is based on 1.2 bits higher color depth, 1.8 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|3.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|4.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|5.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|6.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|7.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|8.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|9.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|10.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|11.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|12.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|13.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|14.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|15.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|16.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|17.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX7 provides a better video resolution than the E-P1. It can shoot movie footage at 1080/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX7 has an electronic viewfinder (2760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Olympus E-P1 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|3.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|4.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|6.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|8.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|9.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|10.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|11.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|12.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|13.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|15.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|16.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the E-P1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-P1 writes its imaging data to SDHC cards, while the GX7 uses SDXC cards. The GX7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-P1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P1 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
It is notable that the GX7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P1 does not provide wifi capability.
Both the E-P1 and the GX7 have been discontinued, but can regularly be found used on ebay. The E-P1 was replaced by the Olympus E-P2, while the GX7 was followed by the Panasonic GX85. Further information on the features and operation of the E-P1 and GX7 can be found, respectively, in the Olympus E-P1 Manual (free pdf) or the online Panasonic GX7 Manual.
So what is the bottom line? Which of the two cameras – the Olympus E-P1 or the Panasonic GX7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus PEN E-P1:
- Less heavy: Is lighter (by 47g or 12 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2009).
Advantages of the Panasonic Lumix DMC-GX7:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 14%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 1 month of technical progress since the E-P1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX7 is the clear winner of the contest (20 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P1 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-P1 or the GX7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799||ebay.com|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|3.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|4.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|5.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|6.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|7.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|8.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|9.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599||ebay.com|
|10.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|11.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799||ebay.com|
|12.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|13.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|14.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|15.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|16.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749||ebay.com|
|17.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Olympus E-P1 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-P1||Panasonic GX7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||June 2009||August 2013|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Olympus E-P1||Panasonic GX7|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.8 Megapixels|
|Image Resolution||4032 x 3024 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.29 μm||3.77 μm|
|Pixel Density||5.42 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||125 - 25,600 ISO|
|Image Processor||TruePic V||Venus|
|DXO Sensor Quality (score)||55||70|
|DXO Color Depth (bits)||21.4||22.6|
|DXO Dynamic Range (EV)||10.4||12.2|
|DXO Low Light (ISO)||536||718|
|Screen Specs||Olympus E-P1||Panasonic GX7|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-P1||Panasonic GX7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Olympus E-P1||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-P1||Panasonic GX7|
|Battery Life (CIPA)||300 shots per charge||350 shots per charge|
121 x 70 x 36 mm
(4.8 x 2.8 x 1.4 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||355 g (12.5 oz)||402 g (14.2 oz)|
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