Olympus E-M5 vs Sony A58
The Olympus OM-D E-M5 and the Sony Alpha SLT-A58 are two digital cameras that were officially introduced, respectively, in February 2012 and February 2013. The E-M5 is a mirrorless interchangeable lens camera, while the A58 is a DSLR. The cameras are based on a Four Thirds (E-M5) and an APS-C (A58) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M5||Sony A58|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Sony A mount lenses|
|15.9 MP, Four Thirds Sensor||19.8 MP, APS-C Sensor|
|1080/60i Video||1080/60i Video|
|ISO 200-25600||ISO 100-16000 (100-25600)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 610k dots||2.7" LCD, 460k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|360 shots per battery charge||690 shots per battery charge|
|122 x 89 x 43 mm, 425 g||129 x 95 x 78 mm, 492 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 and the Sony Alpha SLT-A58? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-M5 and the Sony A58 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the A58 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 is notably larger (13 percent) than the Olympus E-M5. Moreover, the A58 is markedly heavier (16 percent) than the E-M5. It is worth mentioning in this context that the E-M5 is splash and dust resistant, while the A58 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-M5»||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||Olympus E-M5|
|Sony A58«||129 mm||95 mm||78 mm||492 g||690||n||Feb 2013||599||Sony A58|
|Nikon D3300« »||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||Nikon D3300|
|Olympus PEN-F« »||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||Olympus E-P5|
|Panasonic G80« »||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||Panasonic G80|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||Panasonic GX8|
|Panasonic GX7« »||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||Panasonic GX7|
|Sony A68« »||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699||Sony A68|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||Sony A6000|
|Sony RX100« »||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A58 was launched at a markedly lower price (by 54 percent) than the E-M5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-M5 features a Four Thirds sensor and the Sony A58 an APS-C sensor. The sensor area in the A58 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 has a native 4:3 aspect ratio, while the one in the A58 offers a 3:2 aspect.
With 19.8MP, the A58 offers a higher resolution than the E-M5 (15.9MP), but the A58 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the E-M5) due to its larger sensor. Moreover, the A58 is a somewhat more recent model (by 1 year) than the E-M5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A58 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A58 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inch or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inch or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inch or 46.2 x 30.8 cm. The corresponding values for the Olympus E-M5 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Olympus OM-D E-M5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Sony Alpha SLT-A58 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Sony A58||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Nikon D3300||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony A68||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX100||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60i).
Beyond body and sensor, cameras can and do differ across a range of features. The E-M5 and the A58 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Olympus E-M5 and Sony A58 along with similar information for a selection of comparators.
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Sony A58||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Nikon D3300||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic G80||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G80|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Sony A68||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX100||none||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 has a touchscreen, while the A58 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The E-M5 writes its imaging data to SDXC cards, while the A58 uses SDXC or Memory Stick PRO Duo cards. The E-M5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the A58 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 and Sony Alpha SLT-A58 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Sony A58||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Nikon D3300||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic G80||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony A68||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX100||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the A58 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The E-M5 does not feature such a mic input.
Both the E-M5 and the A58 have been discontinued, but can regularly be found used on eBay. The E-M5 was replaced by the Olympus E-M5 II, while the A58 was followed by the Sony A68. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus E-M5 better than the Sony A58 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus OM-D E-M5:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.57x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (610k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 129x95mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 67g or 14 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in February 2012).
Advantages of the Sony Alpha SLT-A58:
- More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Longer lasting: Gets more shots (690 versus 360) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 is the clear winner of the match-up (11 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 and the Sony A58 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 or the A58. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX50 vs Olympus E-M5
- Canon SX620 vs Olympus E-M5
- Canon SX740 vs Olympus E-M5 II
- Canon XS vs Olympus E-M5
- Canon XTi vs Olympus E-M5
- Olympus E-M10 II vs Olympus E-M5 III
- Olympus E-M5 vs Panasonic GX8
- Olympus E-M5 vs Sony NEX-5
- Pentax K-3 II vs Sony A58
- Samsung NX500 vs Sony A58
- Sony A58 vs Sony A68
- Sony A58 vs Sony WX800
Specifications: Olympus E-M5 vs Sony A58
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5||Sony A58|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||February 2012||February 2013|
|Launch Price||USD 1299||USD 599|
|Sensor Specs||Olympus E-M5||Sony A58|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||15.9 Megapixels||19.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||5456 x 3632 pixels|
|Pixel Pitch||3.76 μm||4.31 μm|
|Pixel Density||7.08 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||200-25600 ISO||100-16000 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||TruePic VI||BIONZ|
|DXO Sensor Quality (score)||71||74|
|DXO Color Depth (bits)||22.8||23.3|
|DXO Dynamic Range (EV)||12.3||12.5|
|DXO Low Light (ISO)||826||753|
|Screen Specs||Olympus E-M5||Sony A58|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||610k dots||460k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M5||Sony A58|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||9 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Olympus E-M5||Sony A58|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-M5||Sony A58|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||360 shots per charge||690 shots per charge|
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
|Camera Weight||425 g (15.0 oz)||492 g (17.4 oz)|
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