Olympus E-M5 vs Ricoh WG-6

The Olympus OM-D E-M5 and the Ricoh WG-6 are two digital cameras that were officially introduced, respectively, in February 2012 and February 2019. The E-M5 is a mirrorless interchangeable lens camera, while the WG-6 is a fixed lens compact. The cameras are based on a Four Thirds (E-M5) and a 1/2.3-inch (WG-6) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Ricoh provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5		Ricoh WG-6
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		28-140mm f/3.5-5.5
15.9 MP – Four Thirds sensor		20.2 MP – 1/2.3" sensor
1080/60i Video		4K/30p Video
ISO 200-25,600		ISO 125-6,400
Electronic viewfinder (1440k dots)		No viewfinder, LCD framing
3.0" LCD – 610k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
9 shutter flaps per second		1 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		Waterproof body (20m)
360 shots per battery charge		340 shots per battery charge
122 x 89 x 43 mm, 425 g		118 x 66 x 33 mm, 246 g

Check E-M5 offers at
ebay.com
Check WG-6 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 and the Ricoh WG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-M5 and the Ricoh WG-6. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 can be obtained in two different colors (black, silver), while the WG-6 is also available in two color-versions, but different ones (black, orange).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-6 is notably smaller (28 percent) than the Olympus E-M5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the WG-6 is water-proof up to 20m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-6 has a lens built in, whereas the E-M5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the E-M5 gets 360 shots out of its Olympus BLN-1 battery, while the WG-6 can take 340 images on a single charge of its Ricoh DB-110 power pack. The power pack in the WG-6 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
2.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
3.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
7.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
8.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
9.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	499	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
11.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
12.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
13.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
14.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
15.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
16.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
17.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The WG-6 was launched at a lower price than the E-M5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 features a Four Thirds sensor and the Ricoh WG-6 a 1/2.3-inch sensor. The sensor area in the WG-6 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the WG-6 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the E-M5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the E-M5). However, it should be noted that the WG-6 is much more recent (by 7 years) than the E-M5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the WG-6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Ricoh WG-6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the WG-6 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-M5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Olympus OM-D E-M5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Ricoh WG-6 are ISO 125 to ISO 6400 (no boost).

In terms of underlying technology, the E-M5 is build around a CMOS sensor, while the WG-6 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
2.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
3.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
7.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
8.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
9.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
12.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
13.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
14.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
15.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
16.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
17.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the WG-6 provides a better video resolution than the E-M5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-6 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus E-M5 and Ricoh WG-6 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
2.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
3.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
4.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
7.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
8.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
9.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
10.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
13.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
15.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 has a touchscreen, while the WG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Ricoh WG-6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 and the WG-6 write their files to SDXC cards. The E-M5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-6 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 and Ricoh WG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-
3.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
4.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
12.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the E-M5 has a hotshoe, while the WG-6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Travel and landscape photographers will find it useful that the WG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The WG-6 is a recent model that features in the current product line-up of Ricoh. In contrast, the E-M5 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 was succeeded by the Olympus E-M5 II. Further information on the features and operation of the E-M5 and WG-6 can be found, respectively, in the Olympus E-M5 Manual (free pdf) or the online Ricoh WG-6 Manual.

Review summary

So what conclusions can be drawn? Is the Olympus E-M5 better than the Ricoh WG-6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Olympus OM-D E-M5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (9 vs 1 flaps/sec) to capture the decisive moment.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been available for much longer (launched in February 2012).

Advantages of the Ricoh WG-6:

• More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 610k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has an integrated lens, whereas the E-M5 necessitates an extra lens.
• More compact: Is smaller (118x66mm vs 122x89mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the E-M5).
• Easier travel charging: Can be conveniently charged via its USB port.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 7 years of technical progress since the E-M5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the WG-6 comes out slightly ahead of the E-M5 (15 : 14 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 and the Ricoh WG-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-M5 and the WG-6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
2.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
3.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
7.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
8.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
9.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	499	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
11.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
12.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
13.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
14.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	449	ebay.com
15.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
16.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
17.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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