Olympus E-M5 vs Nikon D750

The Olympus OM-D E-M5 and the Nikon D750 are two enthusiast cameras that were revealed to the public, respectively, in February 2012 and September 2014. The E-M5 is a mirrorless interchangeable lens camera, while the D750 is a DSLR. The cameras are based on a Four Thirds (E-M5) and a full frame (D750) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Nikon provides 24.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5		Nikon D750
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Nikon F mount lenses
15.9 MP – Four Thirds sensor		24.2 MP – Full Frame sensor
1080/60i Video		1080/60p Video
ISO 200-25,600		ISO 100-12,800 (50 - 51,200)
Electronic viewfinder (1440k dots)		Optical viewfinder
3.0" LCD – 610k dots		3.2" LCD – 1229k dots
Tilting touchscreen		Tilting screen (no touchscreen)
9 shutter flaps per second		6 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
360 shots per battery charge		1230 shots per battery charge
122 x 89 x 43 mm, 425 g		141 x 113 x 78 mm, 750 g

Check E-M5 offers at
ebay.com
Check D750 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 and the Nikon D750? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 and the Nikon D750 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-M5 can be obtained in two different colors (black, silver), while the D750 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D750 is considerably larger (47 percent) than the Olympus E-M5. Moreover, the D750 is substantially heavier (76 percent) than the E-M5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5) and the Nikon Lens Catalog (D750). Mirrorless cameras, such as the Olympus E-M5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-M5 gets 360 shots out of its Olympus BLN-1 battery, while the D750 can take 1230 images on a single charge of its Nikon EN-EL15 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
2.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
3.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
4.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
5.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	2,999	ebay.com
6.		Nikon D780	144 mm	116 mm	76 mm	840 g	2260	Y	Jan 2020	2,299	amazon.com
7.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	2,749	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
9.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
10.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
11.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
12.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
13.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	499	ebay.com
14.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
15.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
16.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
17.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 was launched at a markedly lower price (by 43 percent) than the D750, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-M5 features a Four Thirds sensor and the Nikon D750 a full frame sensor. The sensor area in the D750 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M5 has a native 4:3 aspect ratio, while the one in the D750 offers a 3:2 aspect.

With 24.2MP, the D750 offers a higher resolution than the E-M5 (15.9MP), but the D750 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.76μm for the E-M5) due to its larger sensor. Moreover, the D750 is a much more recent model (by 2 years and 7 months) than the E-M5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Nikon D750 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D750 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Olympus E-M5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Olympus OM-D E-M5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Nikon D750 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the D750 offers substantially better image quality than the E-M5 (overall score 22 points higher). The advantage is based on 2 bits higher color depth, 2.2 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
2.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
3.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
4.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
5.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
6.		Nikon D780	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	2877	95
7.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
10.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
11.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
12.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
13.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
14.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
15.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
16.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
17.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D750 provides a faster frame rate than the E-M5. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the D750 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D750 has a higher magnification than the one of the E-M5 (0.70x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-M5 and Nikon D750 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
2.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
3.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
4.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
5.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
6.		Nikon D780	optical	Y	3.2 / 2359	tilting	Y	1/8000s	12.0/s	n	n
7.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
10.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
11.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
12.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
13.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
14.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
16.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
17.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-M5 and the D750 is in-body image stabilization (IBIS). The E-M5 reduces the risk of handshake-induced blur with all attached lenses, while the D750 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The Nikon D750 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 and the D750 write their files to SDXC cards. The D750 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 and Nikon D750 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
3.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
4.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
5.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
6.		Nikon D780	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
7.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
16.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
17.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the D750 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-M5 does not provide wifi capability.

Studio photographers will appreciate that the Nikon D750 (unlike the E-M5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M5 and the D750 have been discontinued, but can regularly be found used on ebay. The E-M5 was replaced by the Olympus E-M5 II, while the D750 was followed by the Nikon D780. Further information on the features and operation of the E-M5 and D750 can be found, respectively, in the Olympus E-M5 Manual (free pdf) or the online Nikon D750 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-M5 or the Nikon D750 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Olympus OM-D E-M5:

• More framing info: Has an electronic viewfinder that displays shooting data.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (9 vs 6 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (122x89mm vs 141x113mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 325g or 43 percent) and hence easier to carry around.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2012).

Reasons to prefer the Nikon D750:

• More detail: Has more megapixels (24.2 vs 15.9MP), which boosts linear resolution by 26%.
• Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.58x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 610k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (1230 versus 360) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 2 years and 7 months of technical progress since the E-M5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the D750 is the clear winner of the contest (20 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 and the Nikon D750 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 or the D750. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
2.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
3.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
4.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
5.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	2,999	ebay.com
6.		Nikon D780	5/5	..	5/5	87/100	4.5/5	4.5/5	Jan 2020	2,299	amazon.com
7.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	2,749	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
9.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
10.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
11.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
12.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
13.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	499	ebay.com
14.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
15.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
16.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
17.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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